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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 144.8 67.4 it is the complementary color RGB 106 110.2 187.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 144.8 67.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 144.8 67.4 shade: RGB 154 144.8 62.4, RGB 171 162.8 81.4, RGB 188 180.8 100.4, RGB 205 198.8 119.4 and RGB 222 216.8 138.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 144.8 67.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 144.8 67.4 shade: RGB 149 144.8 67.4, RGB 132 126.8 48.4, RGB 115 108.8 29.4, RGB 98 90.8 10.4 and RGB 81 72.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 144.8 67.4 shade: RGB 148 144 66, RGB 148 122 66, RGB 148 100 66, RGB 148 78 66 and RGB 148 66 66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 144.8 67.4 shade: RGB 148 144 66, RGB 130 148 66, RGB 108 148 66, RGB 86 148 66 and RGB 66 148 69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 144.8 67.4 shade matches the following richer shades: RGB 148 144 66, RGB 165 159 49, RGB 182 175 32 and RGB 200 190 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 144.8 67.4 shade: RGB 148 144 66, RGB 130 128 84, RGB 113 113 101, RGB 96 97 118 and RGB 78 81 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 144.8 67.4 shade: RGB 148 99 66, RGB 148 121 66, RGB 148 142 66, RGB 132 148 66 and RGB 110 148 66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 144.8 67.4 shade: RGB 91 88 41, RGB 119 116 54, RGB 148 144 66, RGB 176 171 79 and RGB 189 185 108

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 144.8 67.4 shade: RGB 149 144.8 67.4, RGB 66 148 77 and RGB 110 66 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 144.8 67.4 shade: RGB 149 144.8 67.4, RGB 66 148 142 and RGB 142 66 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 144.8 67.4 shade: RGB 149 144.8 67.4, RGB 66 148 77, RGB 66 72 148 and RGB 148 66 137

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 144.8 67.4 shade: RGB 149 144.8 67.4, RGB 66 148 102, RGB 66 72 148 and RGB 148 66 113

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 55 / 42

HEX #959043

RGB 149 144.8 67.4

HSL 56.91, 0.38%, 0.42%

LAB 58.96, -9.24, 41.03

 

Complementary color

CMYK 43 / 41 / 0 / 26

HEX #6A6EBB

RGB 106 110.2 187.6

HSL 236.91, 0.38%, 0.58%

LAB 49.34, 18.58, -41.35

 

CMYK 0 / 6 / 59 / 40

HEX #9A903E

RGB 154 144.8 62.4

HSL 53.97, 0.42%, 0.42%

LAB 59.35, -7.45, 44.02

 

CMYK 0 / 5 / 52 / 33

HEX #ABA251

RGB 171 162.8 81.4

HSL 54.51, 0.35%, 0.49%

LAB 66.04, -8.15, 42.87

 

CMYK 0 / 4 / 47 / 26

HEX #BCB464

RGB 188 180.8 100.4

HSL 55.07, 0.4%, 0.57%

LAB 72.62, -8.72, 41.66

 

CMYK 0 / 3 / 42 / 20

HEX #CDC677

RGB 205 198.8 119.4

HSL 55.65, 0.46%, 0.64%

LAB 79.08, -9.18, 40.45

 

CMYK 0 / 2 / 38 / 13

HEX #DED88A

RGB 222 216.8 138.4

HSL 56.27, 0.56%, 0.71%

LAB 85.45, -9.57, 39.27

 

CMYK 0 / 3 / 55 / 42

HEX #959043

RGB 149 144.8 67.4

HSL 56.91, 0.38%, 0.42%

LAB 58.96, -9.24, 41.03

 

CMYK 0 / 4 / 63 / 48

HEX #847E30

RGB 132 126.8 48.4

HSL 56.27, 0.46%, 0.35%

LAB 52.12, -8.51, 42.11

 

CMYK 0 / 5 / 74 / 55

HEX #736C1D

RGB 115 108.8 29.4

HSL 55.65, 0.59%, 0.28%

LAB 45.12, -7.55, 42.77

 

CMYK 0 / 7 / 89 / 62

HEX #625A0A

RGB 98 90.8 10.4

HSL 55.07, 0.81%, 0.21%

LAB 37.96, -6.25, 42.31

 

CMYK 0 / 10 / 100 / 68

HEX #514800

RGB 81 72.8 0

HSL 53.93, 1%, 0.16%

LAB 30.61, -4.49, 39.21

 

CMYK 0 / 3 / 55 / 42

HEX #949042

RGB 148 144 66

HSL 57.07, 0.38%, 0.42%

LAB 58.64, -9.36, 41.32

 

CMYK 0 / 18 / 55 / 42

HEX #947A42

RGB 148 122 66

HSL 40.98, 0.38%, 0.42%

LAB 52.52, 2.83, 34.12

 

CMYK 0 / 32 / 55 / 42

HEX #946442

RGB 148 100 66

HSL 24.88, 0.38%, 0.42%

LAB 46.72, 15.49, 27

 

CMYK 0 / 47 / 55 / 42

HEX #944E42

RGB 148 78 66

HSL 8.78, 0.38%, 0.42%

LAB 41.43, 28.06, 20.23

 

CMYK 0 / 55 / 55 / 42

HEX #944242

RGB 148 66 66

HSL 0, 0.38%, 0.42%

LAB 38.87, 34.54, 16.85

 

CMYK 0 / 3 / 55 / 42

HEX #949042

RGB 148 144 66

HSL 57.07, 0.38%, 0.42%

LAB 58.64, -9.36, 41.32

 

CMYK 12 / 0 / 55 / 42

HEX #829442

RGB 130 148 66

HSL 73.17, 0.38%, 0.42%

LAB 58.34, -19.22, 40.6

 

CMYK 27 / 0 / 55 / 42

HEX #6C9442

RGB 108 148 66

HSL 89.27, 0.38%, 0.42%

LAB 56.84, -28.14, 38.48

 

CMYK 42 / 0 / 55 / 42

HEX #569442

RGB 86 148 66

HSL 105.37, 0.38%, 0.42%

LAB 55.64, -36.13, 36.75

 

CMYK 55 / 0 / 53 / 42

HEX #429445

RGB 66 148 69

HSL 122.2, 0.38%, 0.42%

LAB 54.83, -41.81, 34.07

 

CMYK 0 / 3 / 55 / 42

HEX #949042

RGB 148 144 66

HSL 57.07, 0.38%, 0.42%

LAB 58.64, -9.36, 41.32

 

CMYK 0 / 4 / 70 / 35

HEX #A59F31

RGB 165 159 49

HSL 56.9, 0.54%, 0.42%

LAB 64.17, -11.04, 55.25

 

CMYK 0 / 4 / 82 / 29

HEX #B6AF20

RGB 182 175 32

HSL 57.2, 0.7%, 0.42%

LAB 69.97, -12.59, 66.66

 

CMYK 0 / 5 / 93 / 22

HEX #C8BE0E

RGB 200 190 14

HSL 56.77, 0.87%, 0.42%

LAB 75.54, -12.78, 75.22

 

CMYK 0 / 3 / 55 / 42

HEX #949042

RGB 148 144 66

HSL 57.07, 0.38%, 0.42%

LAB 58.64, -9.36, 41.32

 

CMYK 0 / 2 / 35 / 49

HEX #828054

RGB 130 128 84

HSL 57.39, 0.21%, 0.42%

LAB 52.76, -6.47, 24.2

 

CMYK 0 / 0 / 11 / 56

HEX #717165

RGB 113 113 101

HSL 60, 0.06%, 0.42%

LAB 47.31, -2.32, 6.66

 

CMYK 19 / 18 / 0 / 54

HEX #606176

RGB 96 97 118

HSL 237.27, 0.1%, 0.42%

LAB 41.76, 4.42, -11.92

 

CMYK 43 / 40 / 0 / 47

HEX #4E5188

RGB 78 81 136

HSL 236.9, 0.27%, 0.42%

LAB 36.52, 13.74, -31.14

 

CMYK 0 / 33 / 55 / 42

HEX #946342

RGB 148 99 66

HSL 24.15, 0.38%, 0.42%

LAB 46.46, 16.07, 26.68

 

CMYK 0 / 18 / 55 / 42

HEX #947942

RGB 148 121 66

HSL 40.24, 0.38%, 0.42%

LAB 52.25, 3.4, 33.8

 

CMYK 0 / 4 / 55 / 42

HEX #948E42

RGB 148 142 66

HSL 55.61, 0.38%, 0.42%

LAB 58.07, -8.28, 40.67

 

CMYK 11 / 0 / 55 / 42

HEX #849442

RGB 132 148 66

HSL 71.71, 0.38%, 0.42%

LAB 58.49, -18.37, 40.81

 

CMYK 26 / 0 / 55 / 42

HEX #6E9442

RGB 110 148 66

HSL 87.8, 0.38%, 0.42%

LAB 56.97, -27.36, 38.65

 

CMYK 0 / 3 / 55 / 64

HEX #5B5829

RGB 91 88 41

HSL 56.4, 0.38%, 0.26%

LAB 36.68, -6.08, 27.39

 

CMYK 0 / 3 / 55 / 53

HEX #777436

RGB 119 116 54

HSL 57.23, 0.38%, 0.34%

LAB 47.85, -7.95, 34.22

 

CMYK 0 / 3 / 55 / 42

HEX #949042

RGB 148 144 66

HSL 57.07, 0.38%, 0.42%

LAB 58.64, -9.36, 41.32

 

CMYK 0 / 3 / 55 / 31

HEX #B0AB4F

RGB 176 171 79

HSL 56.91, 0.38%, 0.5%

LAB 68.69, -10.55, 47.23

 

CMYK 0 / 2 / 43 / 26

HEX #BDB96C

RGB 189 185 108

HSL 57.04, 0.38%, 0.58%

LAB 73.93, -9.72, 39.47

 

CMYK 0 / 3 / 55 / 42

HEX #959043

RGB 149 144.8 67.4

HSL 56.91, 0.38%, 0.42%

LAB 58.96, -9.24, 41.03

 

CMYK 55 / 0 / 48 / 42

HEX #42944D

RGB 66 148 77

HSL 128.05, 0.38%, 0.42%

LAB 54.94, -40.62, 30.05

 

CMYK 26 / 55 / 0 / 42

HEX #6E4294

RGB 110 66 148

HSL 272.2, 0.38%, 0.42%

LAB 36.65, 35.38, -38.05

 

CMYK 0 / 3 / 55 / 42

HEX #959043

RGB 149 144.8 67.4

HSL 56.91, 0.38%, 0.42%

LAB 58.96, -9.24, 41.03

 

CMYK 55 / 0 / 4 / 42

HEX #42948E

RGB 66 148 142

HSL 175.61, 0.38%, 0.42%

LAB 56.38, -26.34, -4.4

 

CMYK 4 / 55 / 0 / 42

HEX #8E4294

RGB 142 66 148

HSL 295.61, 0.38%, 0.42%

LAB 40.87, 44.36, -31.09

 

CMYK 0 / 3 / 55 / 42

HEX #959043

RGB 149 144.8 67.4

HSL 56.91, 0.38%, 0.42%

LAB 58.96, -9.24, 41.03

 

CMYK 55 / 0 / 48 / 42

HEX #42944D

RGB 66 148 77

HSL 128.05, 0.38%, 0.42%

LAB 54.94, -40.62, 30.05

 

CMYK 55 / 51 / 0 / 42

HEX #424894

RGB 66 72 148

HSL 235.61, 0.38%, 0.42%

LAB 33.84, 20.5, -42.79

 

CMYK 0 / 55 / 7 / 42

HEX #944289

RGB 148 66 137

HSL 308.05, 0.38%, 0.42%

LAB 41.21, 44.07, -23.82

 

CMYK 0 / 3 / 55 / 42

HEX #959043

RGB 149 144.8 67.4

HSL 56.91, 0.38%, 0.42%

LAB 58.96, -9.24, 41.03

 

CMYK 55 / 0 / 31 / 42

HEX #429466

RGB 66 148 102

HSL 146.34, 0.38%, 0.42%

LAB 55.38, -36.06, 16.95

 

CMYK 55 / 51 / 0 / 42

HEX #424894

RGB 66 72 148

HSL 235.61, 0.38%, 0.42%

LAB 33.84, 20.5, -42.79

 

CMYK 0 / 55 / 24 / 42

HEX #944271

RGB 148 66 113

HSL 325.61, 0.38%, 0.42%

LAB 40.22, 40.16, -10.59

 

Description

Color code: RGB 149 144.8 67.4 | qconv.com Color code: RGB 149 144.8 67.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 144.8 green and 67.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 144.8 67.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 55 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 55% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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