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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 126.8 203.4 it is the complementary color RGB 106 128.2 51.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 126.8 203.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 126.8 203.4 shade: RGB 154 126.8 198.4, RGB 171 144.8 217.4, RGB 188 162.8 236.4, RGB 205 180.8 255 and RGB 222 198.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 126.8 203.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 126.8 203.4 shade: RGB 149 126.8 203.4, RGB 132 108.8 184.4, RGB 115 90.8 165.4, RGB 98 72.8 146.4 and RGB 81 54.8 127.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 126.8 203.4 shade: RGB 150 127 204, RGB 170 127 204, RGB 191 127 204, RGB 204 127 197 and RGB 204 127 176

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 126.8 203.4 shade: RGB 150 127 204, RGB 129 127 204 and RGB 127 127 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 126.8 203.4 shade matches the following richer shades: RGB 150 127 204, RGB 144 113 219, RGB 137 98 233 and RGB 131 84 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 126.8 203.4 shade: RGB 150 127 204, RGB 156 142 190, RGB 162 156 175, RGB 168 171 161 and RGB 174 185 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 126.8 203.4 shade: RGB 127 147 204, RGB 129 127 204, RGB 149 127 204, RGB 170 127 204 and RGB 190 127 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 126.8 203.4 shade: RGB 102 71 178, RGB 125 98 192, RGB 150 127 204, RGB 174 157 216 and RGB 198 186 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 126.8 203.4 shade: RGB 149 126.8 203.4, RGB 204 127 167 and RGB 136 204 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 126.8 203.4 shade: RGB 149 126.8 203.4, RGB 204 149 127 and RGB 127 204 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 126.8 203.4 shade: RGB 149 126.8 203.4, RGB 204 127 167, RGB 182 204 127 and RGB 127 204 164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 126.8 203.4 shade: RGB 149 126.8 203.4, RGB 204 127 144, RGB 182 204 127 and RGB 127 204 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 38 / 0 / 20

HEX #957ECB

RGB 149 126.8 203.4

HSL 257.39, 0.43%, 0.65%

LAB 57.89, 24.88, -36.67

 

Complementary color

CMYK 17 / 0 / 60 / 50

HEX #6A8033

RGB 106 128.2 51.6

HSL 77.39, 0.43%, 0.35%

LAB 50.45, -20.5, 38.14

 

CMYK 22 / 36 / 0 / 22

HEX #9A7EC6

RGB 154 126.8 198.4

HSL 262.79, 0.39%, 0.64%

LAB 58.13, 25.15, -33.45

 

CMYK 21 / 33 / 0 / 15

HEX #AB90D9

RGB 171 144.8 217.4

HSL 261.65, 0.49%, 0.71%

LAB 64.87, 24.46, -33.5

 

CMYK 20 / 31 / 0 / 7

HEX #BCA2EC

RGB 188 162.8 236.4

HSL 260.54, 0.66%, 0.78%

LAB 71.48, 23.83, -33.58

 

CMYK 20 / 29 / 0 / 0

HEX #CDB4FF

RGB 205 180.8 255

HSL 259.57, 1%, 0.85%

LAB 77.97, 23.17, -33.49

 

CMYK 13 / 22 / 0 / 0

HEX #DEC6FF

RGB 222 198.8 255

HSL 264.77, 1%, 0.89%

LAB 83.71, 18.63, -24.58

 

CMYK 27 / 38 / 0 / 20

HEX #957ECB

RGB 149 126.8 203.4

HSL 257.39, 0.43%, 0.65%

LAB 57.89, 24.88, -36.67

 

CMYK 28 / 41 / 0 / 28

HEX #846CB8

RGB 132 108.8 184.4

HSL 258.41, 0.35%, 0.57%

LAB 51.01, 25.68, -36.72

 

CMYK 30 / 45 / 0 / 35

HEX #735AA5

RGB 115 90.8 165.4

HSL 259.46, 0.29%, 0.5%

LAB 43.98, 26.58, -36.81

 

CMYK 33 / 50 / 0 / 43

HEX #624892

RGB 98 72.8 146.4

HSL 260.54, 0.34%, 0.43%

LAB 36.79, 27.59, -36.94

 

CMYK 36 / 57 / 0 / 50

HEX #51367F

RGB 81 54.8 127.4

HSL 261.65, 0.4%, 0.36%

LAB 29.43, 28.73, -37.09

 

CMYK 26 / 38 / 0 / 20

HEX #967FCC

RGB 150 127 204

HSL 257.92, 0.43%, 0.65%

LAB 58.06, 25.2, -36.75

 

CMYK 17 / 38 / 0 / 20

HEX #AA7FCC

RGB 170 127 204

HSL 273.51, 0.43%, 0.65%

LAB 59.96, 31.17, -33.63

 

CMYK 6 / 38 / 0 / 20

HEX #BF7FCC

RGB 191 127 204

HSL 289.87, 0.43%, 0.65%

LAB 62.18, 37.63, -30.02

 

CMYK 0 / 38 / 3 / 20

HEX #CC7FC5

RGB 204 127 197

HSL 305.45, 0.43%, 0.65%

LAB 63.38, 40.39, -24.1

 

CMYK 0 / 38 / 14 / 20

HEX #CC7FB0

RGB 204 127 176

HSL 321.82, 0.43%, 0.65%

LAB 62.63, 36.77, -13.36

 

CMYK 26 / 38 / 0 / 20

HEX #967FCC

RGB 150 127 204

HSL 257.92, 0.43%, 0.65%

LAB 58.06, 25.2, -36.75

 

CMYK 37 / 38 / 0 / 20

HEX #817FCC

RGB 129 127 204

HSL 241.56, 0.43%, 0.65%

LAB 56.29, 19.26, -39.64

 

CMYK 38 / 38 / 0 / 20

HEX #7F7FCC

RGB 127 127 204

HSL 240, 0.43%, 0.65%

LAB 56.14, 18.72, -39.9

 

CMYK 26 / 38 / 0 / 20

HEX #967FCC

RGB 150 127 204

HSL 257.92, 0.43%, 0.65%

LAB 58.06, 25.2, -36.75

 

CMYK 34 / 48 / 0 / 14

HEX #9071DB

RGB 144 113 219

HSL 257.55, 0.6%, 0.65%

LAB 54.92, 35.46, -50.2

 

CMYK 41 / 58 / 0 / 9

HEX #8962E9

RGB 137 98 233

HSL 257.33, 0.75%, 0.65%

LAB 51.77, 46.02, -63.17

 

CMYK 47 / 66 / 0 / 3

HEX #8354F7

RGB 131 84 247

HSL 257.3, 0.91%, 0.65%

LAB 49.35, 56.15, -74.95

 

CMYK 26 / 38 / 0 / 20

HEX #967FCC

RGB 150 127 204

HSL 257.92, 0.43%, 0.65%

LAB 58.06, 25.2, -36.75

 

CMYK 18 / 25 / 0 / 25

HEX #9C8EBE

RGB 156 142 190

HSL 257.5, 0.27%, 0.65%

LAB 61.77, 15.07, -23.06

 

CMYK 7 / 11 / 0 / 31

HEX #A29CAF

RGB 162 156 175

HSL 258.95, 0.11%, 0.65%

LAB 65.4, 5.9, -9.08

 

CMYK 2 / 0 / 6 / 33

HEX #A8ABA1

RGB 168 171 161

HSL 78, 0.06%, 0.65%

LAB 69.49, -2.92, 4.77

 

CMYK 6 / 0 / 21 / 27

HEX #AEB992

RGB 174 185 146

HSL 76.92, 0.22%, 0.65%

LAB 73.4, -10.66, 18.55

 

CMYK 38 / 28 / 0 / 20

HEX #7F93CC

RGB 127 147 204

HSL 224.42, 0.43%, 0.65%

LAB 61.43, 7.01, -31.63

 

CMYK 37 / 38 / 0 / 20

HEX #817FCC

RGB 129 127 204

HSL 241.56, 0.43%, 0.65%

LAB 56.29, 19.26, -39.64

 

CMYK 27 / 38 / 0 / 20

HEX #957FCC

RGB 149 127 204

HSL 257.14, 0.43%, 0.65%

LAB 57.97, 24.91, -36.89

 

CMYK 17 / 38 / 0 / 20

HEX #AA7FCC

RGB 170 127 204

HSL 273.51, 0.43%, 0.65%

LAB 59.96, 31.17, -33.63

 

CMYK 7 / 38 / 0 / 20

HEX #BE7FCC

RGB 190 127 204

HSL 289.09, 0.43%, 0.65%

LAB 62.07, 37.32, -30.19

 

CMYK 43 / 60 / 0 / 30

HEX #6647B2

RGB 102 71 178

HSL 257.38, 0.43%, 0.49%

LAB 38.8, 38.51, -52.61

 

CMYK 35 / 49 / 0 / 25

HEX #7D62C0

RGB 125 98 192

HSL 257.23, 0.43%, 0.57%

LAB 48.14, 32.12, -45.71

 

CMYK 26 / 38 / 0 / 20

HEX #967FCC

RGB 150 127 204

HSL 257.92, 0.43%, 0.65%

LAB 58.06, 25.2, -36.75

 

CMYK 19 / 27 / 0 / 15

HEX #AE9DD8

RGB 174 157 216

HSL 257.29, 0.43%, 0.73%

LAB 68.07, 18.18, -27.75

 

CMYK 13 / 18 / 0 / 11

HEX #C6BAE4

RGB 198 186 228

HSL 257.14, 0.44%, 0.81%

LAB 77.71, 12.35, -19.41

 

CMYK 27 / 38 / 0 / 20

HEX #957ECB

RGB 149 126.8 203.4

HSL 257.39, 0.43%, 0.65%

LAB 57.89, 24.88, -36.67

 

CMYK 0 / 38 / 18 / 20

HEX #CC7FA7

RGB 204 127 167

HSL 328.83, 0.43%, 0.65%

LAB 62.34, 35.33, -8.67

 

CMYK 33 / 0 / 38 / 20

HEX #88CC7F

RGB 136 204 127

HSL 112.99, 0.43%, 0.65%

LAB 76.04, -36.38, 31.74

 

CMYK 27 / 38 / 0 / 20

HEX #957ECB

RGB 149 126.8 203.4

HSL 257.39, 0.43%, 0.65%

LAB 57.89, 24.88, -36.67

 

CMYK 0 / 27 / 38 / 20

HEX #CC957F

RGB 204 149 127

HSL 17.14, 0.43%, 0.65%

LAB 66.42, 17.82, 19.76

 

CMYK 38 / 0 / 27 / 20

HEX #7FCC95

RGB 127 204 149

HSL 137.14, 0.43%, 0.65%

LAB 75.99, -35.51, 20.08

 

CMYK 27 / 38 / 0 / 20

HEX #957ECB

RGB 149 126.8 203.4

HSL 257.39, 0.43%, 0.65%

LAB 57.89, 24.88, -36.67

 

CMYK 0 / 38 / 18 / 20

HEX #CC7FA7

RGB 204 127 167

HSL 328.83, 0.43%, 0.65%

LAB 62.34, 35.33, -8.67

 

CMYK 11 / 0 / 38 / 20

HEX #B6CC7F

RGB 182 204 127

HSL 77.14, 0.43%, 0.65%

LAB 78.85, -19.95, 35.93

 

CMYK 38 / 0 / 20 / 20

HEX #7FCCA4

RGB 127 204 164

HSL 148.83, 0.43%, 0.65%

LAB 76.3, -32.61, 12.53

 

CMYK 27 / 38 / 0 / 20

HEX #957ECB

RGB 149 126.8 203.4

HSL 257.39, 0.43%, 0.65%

LAB 57.89, 24.88, -36.67

 

CMYK 0 / 38 / 29 / 20

HEX #CC7F90

RGB 204 127 144

HSL 346.75, 0.43%, 0.65%

LAB 61.68, 31.98, 3.49

 

CMYK 11 / 0 / 38 / 20

HEX #B6CC7F

RGB 182 204 127

HSL 77.14, 0.43%, 0.65%

LAB 78.85, -19.95, 35.93

 

CMYK 38 / 0 / 8 / 20

HEX #7FCCBB

RGB 127 204 187

HSL 166.75, 0.43%, 0.65%

LAB 76.85, -27.68, 0.96

 

Description

Color code: RGB 149 126.8 203.4 | qconv.com Color code: RGB 149 126.8 203.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 126.8 green and 203.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 126.8 203.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 38 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 38% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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