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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 110.6 27.6 it is the complementary color RGB 106 144.4 227.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 110.6 27.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 110.6 27.6 shade: RGB 154 110.6 22.6, RGB 171 128.6 41.6, RGB 188 146.6 60.6, RGB 205 164.6 79.6 and RGB 222 182.6 98.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 110.6 27.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 110.6 27.6 shade: RGB 149 110.6 27.6, RGB 132 92.6 8.6, RGB 115 74.6 0, RGB 98 56.6 0 and RGB 81 38.6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 110.6 27.6 shade: RGB 151 112 28, RGB 151 79 28, RGB 151 45 28 and RGB 151 28 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 110.6 27.6 shade: RGB 151 112 28, RGB 151 145 28, RGB 123 151 28, RGB 90 151 28 and RGB 57 151 28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 110.6 27.6 shade matches the following richer shades: RGB 151 112 28 and RGB 165 117 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 110.6 27.6 shade: RGB 151 112 28, RGB 136 107 42, RGB 122 101 57, RGB 108 96 71 and RGB 93 91 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 110.6 27.6 shade: RGB 151 46 28, RGB 151 79 28, RGB 151 112 28, RGB 151 145 28 and RGB 124 151 28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 110.6 27.6 shade: RGB 81 60 15, RGB 116 86 21, RGB 151 112 28, RGB 186 138 34 and RGB 216 162 45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 110.6 27.6 shade: RGB 149 110.6 27.6, RGB 42 151 28 and RGB 63 28 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 110.6 27.6 shade: RGB 149 110.6 27.6, RGB 28 151 112 and RGB 112 28 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 110.6 27.6 shade: RGB 149 110.6 27.6, RGB 42 151 28, RGB 28 67 151 and RGB 136 28 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 110.6 27.6 shade: RGB 149 110.6 27.6, RGB 28 151 50, RGB 28 67 151 and RGB 151 28 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 81 / 42

HEX #956E1B

RGB 149 110.6 27.6

HSL 41.02, 0.69%, 0.35%

LAB 49.2, 7.39, 48.58

 

Complementary color

CMYK 53 / 36 / 0 / 11

HEX #6A90E3

RGB 106 144.4 227.4

HSL 221.02, 0.69%, 0.65%

LAB 60.52, 10.24, -46.21

 

CMYK 0 / 28 / 85 / 40

HEX #9A6E16

RGB 154 110.6 22.6

HSL 40.18, 0.74%, 0.35%

LAB 49.75, 9.54, 51.03

 

CMYK 0 / 25 / 76 / 33

HEX #AB8029

RGB 171 128.6 41.6

HSL 40.34, 0.61%, 0.42%

LAB 56.5, 7.86, 50.86

 

CMYK 0 / 22 / 68 / 26

HEX #BC923C

RGB 188 146.6 60.6

HSL 40.5, 0.51%, 0.49%

LAB 63.15, 6.46, 49.97

 

CMYK 0 / 20 / 61 / 20

HEX #CDA44F

RGB 205 164.6 79.6

HSL 40.67, 0.56%, 0.56%

LAB 69.7, 5.29, 48.8

 

CMYK 0 / 18 / 56 / 13

HEX #DEB662

RGB 222 182.6 98.6

HSL 40.84, 0.65%, 0.63%

LAB 76.15, 4.31, 47.53

 

CMYK 0 / 26 / 81 / 42

HEX #956E1B

RGB 149 110.6 27.6

HSL 41.02, 0.69%, 0.35%

LAB 49.2, 7.39, 48.58

 

CMYK 0 / 30 / 93 / 48

HEX #845C08

RGB 132 92.6 8.6

HSL 40.84, 0.88%, 0.28%

LAB 42.28, 9.29, 47.83

 

CMYK 0 / 35 / 100 / 55

HEX #734A00

RGB 115 74.6 0

HSL 38.92, 1%, 0.23%

LAB 35.25, 11.63, 44.34

 

CMYK 0 / 42 / 100 / 62

HEX #623800

RGB 98 56.6 0

HSL 34.65, 1%, 0.19%

LAB 28.07, 14.31, 38.14

 

CMYK 0 / 52 / 100 / 68

HEX #512600

RGB 81 38.6 0

HSL 28.59, 1%, 0.16%

LAB 20.73, 17.12, 30.07

 

CMYK 0 / 26 / 81 / 41

HEX #97701C

RGB 151 112 28

HSL 40.98, 0.69%, 0.35%

LAB 49.8, 7.53, 49.06

 

CMYK 0 / 48 / 81 / 41

HEX #974F1C

RGB 151 79 28

HSL 24.88, 0.69%, 0.35%

LAB 41.62, 26.38, 41.51

 

CMYK 0 / 70 / 81 / 41

HEX #972D1C

RGB 151 45 28

HSL 8.29, 0.69%, 0.35%

LAB 35.08, 43.31, 35.18

 

CMYK 0 / 81 / 81 / 41

HEX #971C1C

RGB 151 28 28

HSL 0, 0.69%, 0.35%

LAB 32.91, 49.35, 33

 

CMYK 0 / 26 / 81 / 41

HEX #97701C

RGB 151 112 28

HSL 40.98, 0.69%, 0.35%

LAB 49.8, 7.53, 49.06

 

CMYK 0 / 4 / 81 / 41

HEX #97911C

RGB 151 145 28

HSL 57.07, 0.69%, 0.35%

LAB 58.89, -10.8, 57.15

 

CMYK 19 / 0 / 81 / 41

HEX #7B971C

RGB 123 151 28

HSL 73.66, 0.69%, 0.35%

LAB 58.44, -26.25, 55.9

 

CMYK 40 / 0 / 81 / 41

HEX #5A971C

RGB 90 151 28

HSL 89.76, 0.69%, 0.35%

LAB 56.48, -39.27, 53.39

 

CMYK 62 / 0 / 81 / 41

HEX #39971C

RGB 57 151 28

HSL 105.85, 0.69%, 0.35%

LAB 55.16, -49.36, 51.69

 

CMYK 0 / 26 / 81 / 41

HEX #97701C

RGB 151 112 28

HSL 40.98, 0.69%, 0.35%

LAB 49.8, 7.53, 49.06

 

CMYK 0 / 29 / 92 / 35

HEX #A5750D

RGB 165 117 13

HSL 41.05, 0.85%, 0.35%

LAB 52.68, 10.75, 56.5

 

CMYK 0 / 26 / 81 / 41

HEX #97701C

RGB 151 112 28

HSL 40.98, 0.69%, 0.35%

LAB 49.8, 7.53, 49.06

 

CMYK 0 / 21 / 69 / 47

HEX #886B2A

RGB 136 107 42

HSL 41.49, 0.53%, 0.35%

LAB 46.87, 4.12, 39.61

 

CMYK 0 / 17 / 53 / 52

HEX #7A6539

RGB 122 101 57

HSL 40.62, 0.36%, 0.35%

LAB 43.86, 2.34, 27.88

 

CMYK 0 / 11 / 34 / 58

HEX #6C6047

RGB 108 96 71

HSL 40.54, 0.21%, 0.35%

LAB 41.23, 0.65, 16.06

 

CMYK 0 / 2 / 9 / 64

HEX #5D5B55

RGB 93 91 85

HSL 45, 0.04%, 0.35%

LAB 38.66, -0.41, 3.74

 

CMYK 0 / 70 / 81 / 41

HEX #972E1C

RGB 151 46 28

HSL 8.78, 0.69%, 0.35%

LAB 35.24, 42.89, 35.34

 

CMYK 0 / 48 / 81 / 41

HEX #974F1C

RGB 151 79 28

HSL 24.88, 0.69%, 0.35%

LAB 41.62, 26.38, 41.51

 

CMYK 0 / 26 / 81 / 41

HEX #97701C

RGB 151 112 28

HSL 40.98, 0.69%, 0.35%

LAB 49.8, 7.53, 49.06

 

CMYK 0 / 4 / 81 / 41

HEX #97911C

RGB 151 145 28

HSL 57.07, 0.69%, 0.35%

LAB 58.89, -10.8, 57.15

 

CMYK 18 / 0 / 81 / 41

HEX #7C971C

RGB 124 151 28

HSL 73.17, 0.69%, 0.35%

LAB 58.51, -25.83, 55.99

 

CMYK 0 / 26 / 81 / 68

HEX #513C0F

RGB 81 60 15

HSL 40.91, 0.69%, 0.19%

LAB 26.78, 4.14, 29.86

 

CMYK 0 / 26 / 82 / 55

HEX #745615

RGB 116 86 21

HSL 41.05, 0.69%, 0.27%

LAB 38.59, 5.86, 39.99

 

CMYK 0 / 26 / 81 / 41

HEX #97701C

RGB 151 112 28

HSL 40.98, 0.69%, 0.35%

LAB 49.8, 7.53, 49.06

 

CMYK 0 / 26 / 82 / 27

HEX #BA8A22

RGB 186 138 34

HSL 41.05, 0.69%, 0.43%

LAB 60.54, 9.08, 58.05

 

CMYK 0 / 25 / 79 / 15

HEX #D8A22D

RGB 216 162 45

HSL 41.05, 0.69%, 0.51%

LAB 69.92, 9.64, 63.92

 

CMYK 0 / 26 / 81 / 42

HEX #956E1B

RGB 149 110.6 27.6

HSL 41.02, 0.69%, 0.35%

LAB 49.2, 7.39, 48.58

 

CMYK 72 / 0 / 81 / 41

HEX #2A971C

RGB 42 151 28

HSL 113.17, 0.69%, 0.35%

LAB 54.77, -52.62, 51.19

 

CMYK 58 / 81 / 0 / 41

HEX #3F1C97

RGB 63 28 151

HSL 257.07, 0.69%, 0.35%

LAB 24.07, 46.87, -60.55

 

CMYK 0 / 26 / 81 / 42

HEX #956E1B

RGB 149 110.6 27.6

HSL 41.02, 0.69%, 0.35%

LAB 49.2, 7.39, 48.58

 

CMYK 81 / 0 / 26 / 41

HEX #1C9770

RGB 28 151 112

HSL 160.98, 0.69%, 0.35%

LAB 55.63, -41.79, 11.53

 

CMYK 26 / 81 / 0 / 41

HEX #701C97

RGB 112 28 151

HSL 280.98, 0.69%, 0.35%

LAB 30.66, 54.37, -49.49

 

CMYK 0 / 26 / 81 / 42

HEX #956E1B

RGB 149 110.6 27.6

HSL 41.02, 0.69%, 0.35%

LAB 49.2, 7.39, 48.58

 

CMYK 72 / 0 / 81 / 41

HEX #2A971C

RGB 42 151 28

HSL 113.17, 0.69%, 0.35%

LAB 54.77, -52.62, 51.19

 

CMYK 81 / 56 / 0 / 41

HEX #1C4397

RGB 28 67 151

HSL 220.98, 0.69%, 0.35%

LAB 30.63, 18.79, -49.9

 

CMYK 10 / 81 / 0 / 41

HEX #881C97

RGB 136 28 151

HSL 292.68, 0.69%, 0.35%

LAB 34.6, 58.87, -42.94

 

CMYK 0 / 26 / 81 / 42

HEX #956E1B

RGB 149 110.6 27.6

HSL 41.02, 0.69%, 0.35%

LAB 49.2, 7.39, 48.58

 

CMYK 81 / 0 / 67 / 41

HEX #1C9732

RGB 28 151 50

HSL 130.73, 0.69%, 0.35%

LAB 54.67, -52.93, 42.72

 

CMYK 81 / 56 / 0 / 41

HEX #1C4397

RGB 28 67 151

HSL 220.98, 0.69%, 0.35%

LAB 30.63, 18.79, -49.9

 

CMYK 0 / 81 / 15 / 41

HEX #971C80

RGB 151 28 128

HSL 311.22, 0.69%, 0.35%

LAB 35.92, 58.31, -26.49

 

Description

Color code: RGB 149 110.6 27.6 | qconv.com Color code: RGB 149 110.6 27.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 110.6 green and 27.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 110.6 27.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 81 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 81% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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