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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149.3 126.4 111 it is the complementary color RGB 105.7 128.6 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149.3 126.4 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149.3 126.4 111 shade: RGB 154.3 126.4 106, RGB 171.3 144.4 125, RGB 188.3 162.4 144, RGB 205.3 180.4 163 and RGB 222.3 198.4 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149.3 126.4 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149.3 126.4 111 shade: RGB 149.3 126.4 111, RGB 132.3 108.4 92, RGB 115.3 90.4 73, RGB 98.3 72.4 54 and RGB 81.3 54.4 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149.3 126.4 111 shade: RGB 149 126 111, RGB 149 116 111 and RGB 149 111 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149.3 126.4 111 shade: RGB 149 126 111, RGB 149 136 111, RGB 149 147 111, RGB 141 149 111 and RGB 131 149 111

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149.3 126.4 111 shade matches the following richer shades: RGB 149 126 111, RGB 169 122 91, RGB 189 118 71, RGB 209 115 51 and RGB 230 111 30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149.3 126.4 111 shade: RGB 149 126 111, RGB 129 130 132, RGB 108 134 152, RGB 88 138 172 and RGB 68 142 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149.3 126.4 111 shade: RGB 149 111 116, RGB 149 116 111, RGB 149 126 111, RGB 149 136 111 and RGB 149 146 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149.3 126.4 111 shade: RGB 102 86 75, RGB 126 106 93, RGB 149 126 111, RGB 166 148 135 and RGB 184 169 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149.3 126.4 111 shade: RGB 149.3 126.4 111, RGB 126 149 111 and RGB 111 111 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149.3 126.4 111 shade: RGB 149.3 126.4 111, RGB 111 149 126 and RGB 126 111 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149.3 126.4 111 shade: RGB 149.3 126.4 111, RGB 126 149 111, RGB 111 134 149 and RGB 134 111 149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149.3 126.4 111 shade: RGB 149.3 126.4 111, RGB 115 149 111, RGB 111 134 149 and RGB 145 111 149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 26 / 41

HEX #957E6F

RGB 149.3 126.4 111

HSL 24.13, 0.15%, 0.51%

LAB 54.65, 6.3, 11.64

 

Complementary color

CMYK 27 / 11 / 0 / 44

HEX #698090

RGB 105.7 128.6 144

HSL 204.13, 0.15%, 0.49%

LAB 52.57, -4.54, -11.02

 

CMYK 0 / 18 / 31 / 39

HEX #9A7E6A

RGB 154.3 126.4 106

HSL 25.34, 0.19%, 0.51%

LAB 55.04, 7.62, 15.14

 

CMYK 0 / 16 / 27 / 33

HEX #AB907D

RGB 171.3 144.4 125

HSL 25.14, 0.22%, 0.58%

LAB 61.86, 7.06, 14.06

 

CMYK 0 / 14 / 24 / 26

HEX #BCA290

RGB 188.3 162.4 144

HSL 24.92, 0.25%, 0.65%

LAB 68.55, 6.58, 13.07

 

CMYK 0 / 12 / 21 / 19

HEX #CDB4A3

RGB 205.3 180.4 163

HSL 24.68, 0.3%, 0.72%

LAB 75.12, 6.16, 12.14

 

CMYK 0 / 11 / 18 / 13

HEX #DEC6B6

RGB 222.3 198.4 182

HSL 24.42, 0.38%, 0.79%

LAB 81.58, 5.79, 11.27

 

CMYK 0 / 15 / 26 / 41

HEX #957E6F

RGB 149.3 126.4 111

HSL 24.13, 0.15%, 0.51%

LAB 54.65, 6.3, 11.64

 

CMYK 0 / 18 / 30 / 48

HEX #846C5C

RGB 132.3 108.4 92

HSL 24.42, 0.18%, 0.44%

LAB 47.64, 6.85, 12.72

 

CMYK 0 / 22 / 37 / 55

HEX #735A49

RGB 115.3 90.4 73

HSL 24.68, 0.22%, 0.37%

LAB 40.45, 7.52, 13.93

 

CMYK 0 / 26 / 45 / 61

HEX #624836

RGB 98.3 72.4 54

HSL 24.92, 0.29%, 0.3%

LAB 33.06, 8.36, 15.32

 

CMYK 0 / 33 / 57 / 68

HEX #513623

RGB 81.3 54.4 35

HSL 25.14, 0.4%, 0.23%

LAB 25.44, 9.47, 16.95

 

CMYK 0 / 15 / 26 / 42

HEX #957E6F

RGB 149 126 111

HSL 23.68, 0.15%, 0.51%

LAB 54.51, 6.4, 11.45

 

CMYK 0 / 22 / 26 / 42

HEX #95746F

RGB 149 116 111

HSL 7.89, 0.15%, 0.51%

LAB 51.87, 12.16, 7.72

 

CMYK 0 / 26 / 26 / 42

HEX #956F6F

RGB 149 111 111

HSL 0, 0.15%, 0.51%

LAB 50.58, 15.05, 5.87

 

CMYK 0 / 15 / 26 / 42

HEX #957E6F

RGB 149 126 111

HSL 23.68, 0.15%, 0.51%

LAB 54.51, 6.4, 11.45

 

CMYK 0 / 9 / 26 / 42

HEX #95886F

RGB 149 136 111

HSL 39.47, 0.15%, 0.51%

LAB 57.22, 0.74, 15.22

 

CMYK 0 / 1 / 26 / 42

HEX #95936F

RGB 149 147 111

HSL 56.84, 0.15%, 0.51%

LAB 60.25, -5.36, 19.38

 

CMYK 5 / 0 / 26 / 42

HEX #8D956F

RGB 141 149 111

HSL 72.63, 0.15%, 0.51%

LAB 60.16, -9.64, 19.15

 

CMYK 12 / 0 / 26 / 42

HEX #83956F

RGB 131 149 111

HSL 88.42, 0.15%, 0.51%

LAB 59.4, -13.55, 17.99

 

CMYK 0 / 15 / 26 / 42

HEX #957E6F

RGB 149 126 111

HSL 23.68, 0.15%, 0.51%

LAB 54.51, 6.4, 11.45

 

CMYK 0 / 28 / 46 / 34

HEX #A97A5B

RGB 169 122 91

HSL 23.85, 0.31%, 0.51%

LAB 55.18, 14.42, 24.18

 

CMYK 0 / 38 / 62 / 26

HEX #BD7647

RGB 189 118 71

HSL 23.9, 0.47%, 0.51%

LAB 56.32, 23.34, 37.15

 

CMYK 0 / 45 / 76 / 18

HEX #D17333

RGB 209 115 51

HSL 24.3, 0.63%, 0.51%

LAB 58.09, 32.15, 49.89

 

CMYK 0 / 52 / 87 / 10

HEX #E66F1E

RGB 230 111 30

HSL 24.3, 0.8%, 0.51%

LAB 60.15, 41.9, 61.35

 

CMYK 0 / 15 / 26 / 42

HEX #957E6F

RGB 149 126 111

HSL 23.68, 0.15%, 0.51%

LAB 54.51, 6.4, 11.45

 

CMYK 2 / 2 / 0 / 48

HEX #818284

RGB 129 130 132

HSL 220, 0.01%, 0.51%

LAB 54.34, 0.03, -1.22

 

CMYK 29 / 12 / 0 / 40

HEX #6C8698

RGB 108 134 152

HSL 204.55, 0.18%, 0.51%

LAB 54.56, -4.88, -12.66

 

CMYK 49 / 20 / 0 / 33

HEX #588AAC

RGB 88 138 172

HSL 204.29, 0.34%, 0.51%

LAB 55.31, -7.22, -23.14

 

CMYK 65 / 26 / 0 / 25

HEX #448EC0

RGB 68 142 192

HSL 204.19, 0.5%, 0.51%

LAB 56.47, -7.37, -32.82

 

CMYK 0 / 26 / 22 / 42

HEX #956F74

RGB 149 111 116

HSL 352.11, 0.15%, 0.51%

LAB 50.71, 15.83, 3.11

 

CMYK 0 / 22 / 26 / 42

HEX #95746F

RGB 149 116 111

HSL 7.89, 0.15%, 0.51%

LAB 51.87, 12.16, 7.72

 

CMYK 0 / 15 / 26 / 42

HEX #957E6F

RGB 149 126 111

HSL 23.68, 0.15%, 0.51%

LAB 54.51, 6.4, 11.45

 

CMYK 0 / 9 / 26 / 42

HEX #95886F

RGB 149 136 111

HSL 39.47, 0.15%, 0.51%

LAB 57.22, 0.74, 15.22

 

CMYK 0 / 2 / 26 / 42

HEX #95926F

RGB 149 146 111

HSL 55.26, 0.15%, 0.51%

LAB 59.97, -4.82, 19

 

CMYK 0 / 16 / 26 / 60

HEX #66564B

RGB 102 86 75

HSL 24.44, 0.15%, 0.35%

LAB 37.82, 4.66, 8.84

 

CMYK 0 / 16 / 26 / 51

HEX #7E6A5D

RGB 126 106 93

HSL 23.64, 0.15%, 0.43%

LAB 46.36, 5.76, 10.24

 

CMYK 0 / 15 / 26 / 42

HEX #957E6F

RGB 149 126 111

HSL 23.68, 0.15%, 0.51%

LAB 54.51, 6.4, 11.45

 

CMYK 0 / 11 / 19 / 35

HEX #A69487

RGB 166 148 135

HSL 25.16, 0.15%, 0.59%

LAB 62.54, 4.49, 9.3

 

CMYK 0 / 8 / 14 / 28

HEX #B8A99F

RGB 184 169 159

HSL 24, 0.15%, 0.67%

LAB 70.22, 3.7, 7.1

 

CMYK 0 / 15 / 26 / 41

HEX #957E6F

RGB 149.3 126.4 111

HSL 24.13, 0.15%, 0.51%

LAB 54.65, 6.3, 11.64

 

CMYK 15 / 0 / 26 / 42

HEX #7E956F

RGB 126 149 111

HSL 96.32, 0.15%, 0.51%

LAB 59.05, -15.46, 17.44

 

CMYK 26 / 26 / 0 / 42

HEX #6F6F95

RGB 111 111 149

HSL 240, 0.15%, 0.51%

LAB 48.16, 8.8, -20.63

 

CMYK 0 / 15 / 26 / 41

HEX #957E6F

RGB 149.3 126.4 111

HSL 24.13, 0.15%, 0.51%

LAB 54.65, 6.3, 11.64

 

CMYK 26 / 0 / 15 / 42

HEX #6F957E

RGB 111 149 126

HSL 143.68, 0.15%, 0.51%

LAB 58.4, -18.07, 7.93

 

CMYK 15 / 26 / 0 / 42

HEX #7E6F95

RGB 126 111 149

HSL 263.68, 0.15%, 0.51%

LAB 49.47, 13.79, -18.51

 

CMYK 0 / 15 / 26 / 41

HEX #957E6F

RGB 149.3 126.4 111

HSL 24.13, 0.15%, 0.51%

LAB 54.65, 6.3, 11.64

 

CMYK 15 / 0 / 26 / 42

HEX #7E956F

RGB 126 149 111

HSL 96.32, 0.15%, 0.51%

LAB 59.05, -15.46, 17.44

 

CMYK 26 / 10 / 0 / 42

HEX #6F8695

RGB 111 134 149

HSL 203.68, 0.15%, 0.51%

LAB 54.66, -4.68, -10.75

 

CMYK 10 / 26 / 0 / 42

HEX #866F95

RGB 134 111 149

HSL 276.32, 0.15%, 0.51%

LAB 50.22, 16.54, -17.28

 

CMYK 0 / 15 / 26 / 41

HEX #957E6F

RGB 149.3 126.4 111

HSL 24.13, 0.15%, 0.51%

LAB 54.65, 6.3, 11.64

 

CMYK 23 / 0 / 26 / 42

HEX #73956F

RGB 115 149 111

HSL 113.68, 0.15%, 0.51%

LAB 58.31, -19.54, 16.31

 

CMYK 26 / 10 / 0 / 42

HEX #6F8695

RGB 111 134 149

HSL 203.68, 0.15%, 0.51%

LAB 54.66, -4.68, -10.75

 

CMYK 3 / 26 / 0 / 42

HEX #916F95

RGB 145 111 149

HSL 293.68, 0.15%, 0.51%

LAB 51.33, 20.38, -15.49

 

Description

Color code: RGB 149.3 126.4 111 | qconv.com Color code: RGB 149.3 126.4 111 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149.3 red, 126.4 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149.3 126.4 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 26 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 26% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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