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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 148 179 237 it is the complementary color RGB 107 76 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 148 179 237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 148 179 237: RGB 153 179 232, RGB 170 197 251, RGB 187 215 255, RGB 204 233 255 and RGB 221 251 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 148 179 237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 148 179 237: RGB 148 179 237, RGB 131 161 218, RGB 114 143 199, RGB 97 125 180 and RGB 80 107 161

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 24 / 0 / 7

HEX #94B3ED

RGB 148 179 237

HSL 219.1, 0.71%, 0.75%

LAB 72.66, 3.51, -32.32

 

Complementary color

CMYK 0 / 29 / 83 / 58

HEX #6B4C12

RGB 107 76 18

HSL 39.1, 0.71%, 0.25%

LAB 34.68, 7.39, 37.19

 

CMYK 34 / 23 / 0 / 9

HEX #99B3E8

RGB 153 179 232

HSL 220.25, 0.63%, 0.75%

LAB 72.79, 3.57, -29.39

 

CMYK 32 / 22 / 0 / 2

HEX #AAC5FB

RGB 170 197 251

HSL 220, 0.91%, 0.83%

LAB 79.3, 3.25, -29.53

 

CMYK 27 / 16 / 0 / 0

HEX #BBD7FF

RGB 187 215 255

HSL 215.29, 1%, 0.87%

LAB 85.19, -0.59, -22.56

 

CMYK 20 / 9 / 0 / 0

HEX #CCE9FF

RGB 204 233 255

HSL 205.88, 1%, 0.9%

LAB 90.93, -4.93, -13.81

 

CMYK 13 / 2 / 0 / 0

HEX #DDFBFF

RGB 221 251 255

HSL 187.06, 1%, 0.93%

LAB 96.65, -8.87, -5.2

 

CMYK 38 / 24 / 0 / 7

HEX #94B3ED

RGB 148 179 237

HSL 219.1, 0.71%, 0.75%

LAB 72.66, 3.51, -32.32

 

CMYK 40 / 26 / 0 / 15

HEX #83A1DA

RGB 131 161 218

HSL 219.31, 0.54%, 0.68%

LAB 66.04, 3.94, -32.25

 

CMYK 43 / 28 / 0 / 22

HEX #728FC7

RGB 114 143 199

HSL 219.53, 0.43%, 0.61%

LAB 59.29, 4.43, -32.2

 

CMYK 46 / 31 / 0 / 29

HEX #617DB4

RGB 97 125 180

HSL 219.76, 0.36%, 0.54%

LAB 52.4, 5.02, -32.2

 

CMYK 50 / 34 / 0 / 37

HEX #506BA1

RGB 80 107 161

HSL 220, 0.34%, 0.47%

LAB 45.35, 5.75, -32.24

 

CMYK 38 / 24 / 0 / 7

HEX #94B3ED

RGB 148 179 237

HSL 219.1, 0.71%, 0.75%

LAB 72.66, 3.51, -32.32

 

CMYK 39 / 31 / 0 / 7

HEX #91A2EC

RGB 145 162 236

HSL 228.79, 0.71%, 0.75%

LAB 67.96, 11.98, -39.09

 

CMYK 39 / 38 / 0 / 7

HEX #9193EC

RGB 145 147 236

HSL 238.68, 0.71%, 0.75%

LAB 64.11, 20.58, -45.12

 

CMYK 33 / 39 / 0 / 7

HEX #9F91EC

RGB 159 145 236

HSL 249.23, 0.71%, 0.75%

LAB 64.71, 25.46, -44.12

 

CMYK 26 / 39 / 0 / 7

HEX #AE91EC

RGB 174 145 236

HSL 259.12, 0.71%, 0.75%

LAB 65.99, 29.62, -42.02

 

CMYK 38 / 24 / 0 / 7

HEX #94B3ED

RGB 148 179 237

HSL 219.1, 0.71%, 0.75%

LAB 72.66, 3.51, -32.32

 

CMYK 36 / 24 / 0 / 87

HEX #151921

RGB 21 25 33

HSL 220, 0.22%, 0.11%

LAB 8.69, 0.57, -6.17

 

CMYK 38 / 25 / 0 / 67

HEX #343F54

RGB 52 63 84

HSL 219.38, 0.24%, 0.27%

LAB 26.52, 1.46, -14.09

 

CMYK 38 / 24 / 0 / 47

HEX #546687

RGB 84 102 135

HSL 218.82, 0.23%, 0.43%

LAB 42.97, 1.98, -20.44

 

CMYK 38 / 25 / 0 / 27

HEX #748CBA

RGB 116 140 186

HSL 219.43, 0.34%, 0.59%

LAB 58.05, 3.06, -26.77

 

CMYK 38 / 24 / 0 / 7

HEX #94B3ED

RGB 148 179 237

HSL 219.1, 0.71%, 0.75%

LAB 72.66, 3.51, -32.32

 

CMYK 6 / 39 / 0 / 7

HEX #DE91EC

RGB 222 145 236

HSL 290.77, 0.71%, 0.75%

LAB 70.76, 43.68, -34.22

 

CMYK 10 / 0 / 39 / 7

HEX #D5EC91

RGB 213 236 145

HSL 75.16, 0.71%, 0.75%

LAB 89.94, -21.75, 41.61

 

CMYK 38 / 24 / 0 / 7

HEX #94B3ED

RGB 148 179 237

HSL 219.1, 0.71%, 0.75%

LAB 72.66, 3.51, -32.32

 

CMYK 0 / 39 / 25 / 7

HEX #EC91B1

RGB 236 145 177

HSL 338.9, 0.71%, 0.75%

LAB 70.36, 38.42, -2.03

 

CMYK 25 / 0 / 39 / 7

HEX #B1EC91

RGB 177 236 145

HSL 98.9, 0.71%, 0.75%

LAB 87.67, -34.7, 38.23

 

CMYK 38 / 24 / 0 / 7

HEX #94B3ED

RGB 148 179 237

HSL 219.1, 0.71%, 0.75%

LAB 72.66, 3.51, -32.32

 

CMYK 6 / 39 / 0 / 7

HEX #DE91EC

RGB 222 145 236

HSL 290.77, 0.71%, 0.75%

LAB 70.76, 43.68, -34.22

 

CMYK 0 / 14 / 39 / 7

HEX #ECCC91

RGB 236 204 145

HSL 38.9, 0.71%, 0.75%

LAB 83.48, 3.21, 33.56

 

CMYK 33 / 0 / 39 / 7

HEX #9FEC91

RGB 159 236 145

HSL 110.77, 0.71%, 0.75%

LAB 86.7, -40.67, 36.79

 

CMYK 38 / 24 / 0 / 7

HEX #94B3ED

RGB 148 179 237

HSL 219.1, 0.71%, 0.75%

LAB 72.66, 3.51, -32.32

 

CMYK 0 / 39 / 6 / 7

HEX #EC91DE

RGB 236 145 222

HSL 309.23, 0.71%, 0.75%

LAB 71.8, 45.42, -24.8

 

CMYK 0 / 14 / 39 / 7

HEX #ECCC91

RGB 236 204 145

HSL 38.9, 0.71%, 0.75%

LAB 83.48, 3.21, 33.56

 

CMYK 39 / 0 / 33 / 7

HEX #91EC9F

RGB 145 236 159

HSL 129.23, 0.71%, 0.75%

LAB 86.26, -42.81, 29.01

 

Description

Color code: RGB 148 179 237 | qconv.com Color code: RGB 148 179 237 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 179 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 179 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 24 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 24% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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