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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 147 153 93 it is the complementary color RGB 108 102 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 147 153 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 147 153 93: RGB 152 153 88, RGB 169 171 107, RGB 186 189 126, RGB 203 207 145 and RGB 220 225 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 147 153 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 147 153 93: RGB 147 153 93, RGB 130 135 74, RGB 113 117 55, RGB 96 99 36 and RGB 79 81 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 39 / 40

HEX #93995D

RGB 147 153 93

HSL 66, 0.24%, 0.48%

LAB 61.46, -11.82, 30.8

 

Complementary color

CMYK 33 / 37 / 0 / 36

HEX #6C66A2

RGB 108 102 162

HSL 246, 0.24%, 0.52%

LAB 46.04, 16.8, -31.6

 

CMYK 1 / 0 / 42 / 40

HEX #989958

RGB 152 153 88

HSL 60.92, 0.27%, 0.47%

LAB 61.79, -10.32, 33.96

 

CMYK 1 / 0 / 37 / 33

HEX #A9AB6B

RGB 169 171 107

HSL 61.88, 0.28%, 0.55%

LAB 68.48, -10.66, 32.73

 

CMYK 2 / 0 / 33 / 26

HEX #BABD7E

RGB 186 189 126

HSL 62.86, 0.32%, 0.62%

LAB 75.04, -10.93, 31.56

 

CMYK 2 / 0 / 30 / 19

HEX #CBCF91

RGB 203 207 145

HSL 63.87, 0.39%, 0.69%

LAB 81.49, -11.15, 30.43

 

CMYK 2 / 0 / 27 / 12

HEX #DCE1A4

RGB 220 225 164

HSL 64.92, 0.5%, 0.76%

LAB 87.85, -11.34, 29.36

 

CMYK 4 / 0 / 39 / 40

HEX #93995D

RGB 147 153 93

HSL 66, 0.24%, 0.48%

LAB 61.46, -11.82, 30.8

 

CMYK 4 / 0 / 45 / 47

HEX #82874A

RGB 130 135 74

HSL 64.92, 0.29%, 0.41%

LAB 54.62, -11.52, 32.05

 

CMYK 3 / 0 / 53 / 54

HEX #717537

RGB 113 117 55

HSL 63.87, 0.36%, 0.34%

LAB 47.64, -11.11, 33.31

 

CMYK 3 / 0 / 64 / 61

HEX #606324

RGB 96 99 36

HSL 62.86, 0.47%, 0.26%

LAB 40.47, -10.53, 34.45

 

CMYK 2 / 0 / 79 / 68

HEX #4F5111

RGB 79 81 17

HSL 61.88, 0.65%, 0.19%

LAB 33.11, -9.67, 35.03

 

CMYK 4 / 0 / 39 / 40

HEX #93995D

RGB 147 153 93

HSL 66, 0.24%, 0.48%

LAB 61.46, -11.82, 30.8

 

CMYK 10 / 0 / 38 / 41

HEX #88975D

RGB 136 151 93

HSL 75.52, 0.24%, 0.48%

LAB 60.03, -15.26, 28.79

 

CMYK 17 / 0 / 38 / 41

HEX #7E975D

RGB 126 151 93

HSL 85.86, 0.24%, 0.48%

LAB 59.31, -19.25, 27.71

 

CMYK 23 / 0 / 38 / 41

HEX #74975D

RGB 116 151 93

HSL 96.21, 0.24%, 0.48%

LAB 58.64, -23.1, 26.71

 

CMYK 30 / 0 / 38 / 41

HEX #6A975D

RGB 106 151 93

HSL 106.55, 0.24%, 0.48%

LAB 58.03, -26.79, 25.8

 

CMYK 4 / 0 / 39 / 40

HEX #93995D

RGB 147 153 93

HSL 66, 0.24%, 0.48%

LAB 61.46, -11.82, 30.8

 

CMYK 4 / 0 / 39 / 20

HEX #C4CC7C

RGB 196 204 124

HSL 66, 0.44%, 0.64%

LAB 79.83, -14.89, 38.92

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 4 / 0 / 39 / 80

HEX #31331F

RGB 49 51 31

HSL 66, 0.24%, 0.16%

LAB 20.52, -4.88, 12.43

 

CMYK 4 / 0 / 39 / 60

HEX #62663E

RGB 98 102 62

HSL 66, 0.24%, 0.32%

LAB 41.92, -8.54, 22.1

 

CMYK 4 / 0 / 39 / 40

HEX #93995D

RGB 147 153 93

HSL 66, 0.24%, 0.48%

LAB 61.46, -11.82, 30.8

 

CMYK 38 / 0 / 27 / 41

HEX #5D976E

RGB 93 151 110

HSL 137.59, 0.24%, 0.48%

LAB 57.64, -28.2, 15.76

 

CMYK 11 / 38 / 0 / 41

HEX #865D97

RGB 134 93 151

HSL 282.41, 0.24%, 0.48%

LAB 45.81, 27.61, -25.25

 

CMYK 4 / 0 / 39 / 40

HEX #93995D

RGB 147 153 93

HSL 66, 0.24%, 0.48%

LAB 61.46, -11.82, 30.8

 

CMYK 38 / 4 / 0 / 41

HEX #5D9197

RGB 93 145 151

HSL 186.21, 0.24%, 0.48%

LAB 56.89, -15.68, -8.67

 

CMYK 0 / 38 / 4 / 41

HEX #975D91

RGB 151 93 145

HSL 306.21, 0.24%, 0.48%

LAB 47.56, 32.03, -18.82

 

CMYK 4 / 0 / 39 / 40

HEX #93995D

RGB 147 153 93

HSL 66, 0.24%, 0.48%

LAB 61.46, -11.82, 30.8

 

CMYK 38 / 0 / 27 / 41

HEX #5D976E

RGB 93 151 110

HSL 137.59, 0.24%, 0.48%

LAB 57.64, -28.2, 15.76

 

CMYK 35 / 38 / 0 / 41

HEX #625D97

RGB 98 93 151

HSL 245.17, 0.24%, 0.48%

LAB 42.25, 16.33, -31.09

 

CMYK 0 / 38 / 11 / 41

HEX #975D86

RGB 151 93 134

HSL 317.59, 0.24%, 0.48%

LAB 47.14, 30, -12.88

 

CMYK 4 / 0 / 39 / 40

HEX #93995D

RGB 147 153 93

HSL 66, 0.24%, 0.48%

LAB 61.46, -11.82, 30.8

 

CMYK 38 / 0 / 15 / 41

HEX #5D9780

RGB 93 151 128

HSL 156.21, 0.24%, 0.48%

LAB 58.05, -24.42, 6.17

 

CMYK 35 / 38 / 0 / 41

HEX #625D97

RGB 98 93 151

HSL 245.17, 0.24%, 0.48%

LAB 42.25, 16.33, -31.09

 

CMYK 0 / 38 / 23 / 41

HEX #975D74

RGB 151 93 116

HSL 336.21, 0.24%, 0.48%

LAB 46.54, 26.99, -2.95

 

Description

Color code: RGB 147 153 93 | qconv.com Color code: RGB 147 153 93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 153 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 153 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 39 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 39% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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