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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 147 136 37 it is the complementary color RGB 108 119 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 147 136 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 147 136 37 shade: RGB 152 136 32, RGB 169 154 51, RGB 186 172 70, RGB 203 190 89 and RGB 220 208 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 147 136 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 147 136 37 shade: RGB 147 136 37, RGB 130 118 18, RGB 113 100 0, RGB 96 82 0 and RGB 79 64 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 147 136 37 shade: RGB 147 136 37, RGB 147 106 37, RGB 147 76 37, RGB 147 47 37 and RGB 147 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 147 136 37 shade: RGB 147 136 37, RGB 128 147 37, RGB 98 147 37, RGB 69 147 37 and RGB 39 147 37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 147 136 37 shade matches the following richer shades: RGB 147 136 37, RGB 162 148 22 and RGB 177 160 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 147 136 37 shade: RGB 147 136 37, RGB 132 124 52, RGB 117 112 66, RGB 102 100 81 and RGB 87 88 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 147 136 37 shade: RGB 147 77 37, RGB 147 106 37, RGB 147 136 37, RGB 129 147 37 and RGB 99 147 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 147 136 37 shade: RGB 81 75 20, RGB 114 105 28, RGB 147 136 37, RGB 180 166 45 and RGB 206 192 60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 147 136 37 shade: RGB 147 136 37, RGB 37 147 48 and RGB 92 37 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 147 136 37 shade: RGB 147 136 37, RGB 37 147 136 and RGB 136 37 147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 147 136 37 shade: RGB 147 136 37, RGB 37 147 48, RGB 37 48 147 and RGB 147 37 136

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 147 136 37 shade: RGB 147 136 37, RGB 37 147 81, RGB 37 48 147 and RGB 147 37 103

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 75 / 42

HEX #938825

RGB 147 136 37

HSL 54, 0.6%, 0.36%

LAB 56.03, -7.4, 51.37

 

Complementary color

CMYK 50 / 45 / 0 / 15

HEX #6C77DA

RGB 108 119 218

HSL 234, 0.6%, 0.64%

LAB 53.43, 22.94, -52.18

 

CMYK 0 / 11 / 79 / 40

HEX #988820

RGB 152 136 32

HSL 52, 0.65%, 0.36%

LAB 56.47, -5.33, 53.75

 

CMYK 0 / 9 / 70 / 34

HEX #A99A33

RGB 169 154 51

HSL 52.37, 0.54%, 0.43%

LAB 63.16, -6.51, 53.56

 

CMYK 0 / 8 / 62 / 27

HEX #BAAC46

RGB 186 172 70

HSL 52.76, 0.46%, 0.5%

LAB 69.74, -7.46, 52.79

 

CMYK 0 / 6 / 56 / 20

HEX #CBBE59

RGB 203 190 89

HSL 53.16, 0.52%, 0.57%

LAB 76.22, -8.25, 51.76

 

CMYK 0 / 5 / 51 / 14

HEX #DCD06C

RGB 220 208 108

HSL 53.57, 0.62%, 0.64%

LAB 82.6, -8.9, 50.62

 

CMYK 0 / 7 / 75 / 42

HEX #938825

RGB 147 136 37

HSL 54, 0.6%, 0.36%

LAB 56.03, -7.4, 51.37

 

CMYK 0 / 9 / 86 / 49

HEX #827612

RGB 130 118 18

HSL 53.57, 0.76%, 0.29%

LAB 49.19, -6.09, 50.9

 

CMYK 0 / 12 / 100 / 56

HEX #716400

RGB 113 100 0

HSL 53.1, 1%, 0.22%

LAB 42.19, -4.49, 49.03

 

CMYK 0 / 15 / 100 / 62

HEX #605200

RGB 96 82 0

HSL 51.25, 1%, 0.19%

LAB 35.05, -2.36, 43.12

 

CMYK 0 / 19 / 100 / 69

HEX #4F4000

RGB 79 64 0

HSL 48.61, 1%, 0.15%

LAB 27.65, -0.09, 36.78

 

CMYK 0 / 7 / 75 / 42

HEX #938825

RGB 147 136 37

HSL 54, 0.6%, 0.36%

LAB 56.03, -7.4, 51.37

 

CMYK 0 / 28 / 75 / 42

HEX #936A25

RGB 147 106 37

HSL 37.64, 0.6%, 0.36%

LAB 47.81, 9.52, 43.31

 

CMYK 0 / 48 / 75 / 42

HEX #934C25

RGB 147 76 37

HSL 21.27, 0.6%, 0.36%

LAB 40.42, 26.72, 35.66

 

CMYK 0 / 68 / 75 / 42

HEX #932F25

RGB 147 47 37

HSL 5.45, 0.6%, 0.36%

LAB 34.74, 41.41, 29.45

 

CMYK 0 / 75 / 75 / 42

HEX #932525

RGB 147 37 37

HSL 0, 0.6%, 0.36%

LAB 33.26, 45.46, 27.78

 

CMYK 0 / 7 / 75 / 42

HEX #938825

RGB 147 136 37

HSL 54, 0.6%, 0.36%

LAB 56.03, -7.4, 51.37

 

CMYK 13 / 0 / 75 / 42

HEX #809325

RGB 128 147 37

HSL 70.36, 0.6%, 0.36%

LAB 57.65, -21.69, 52.37

 

CMYK 33 / 0 / 75 / 42

HEX #629325

RGB 98 147 37

HSL 86.73, 0.6%, 0.36%

LAB 55.68, -34.03, 49.78

 

CMYK 53 / 0 / 75 / 42

HEX #459325

RGB 69 147 37

HSL 102.55, 0.6%, 0.36%

LAB 54.31, -43.98, 47.96

 

CMYK 73 / 0 / 75 / 42

HEX #279325

RGB 39 147 37

HSL 118.91, 0.6%, 0.36%

LAB 53.42, -51.18, 46.78

 

CMYK 0 / 7 / 75 / 42

HEX #938825

RGB 147 136 37

HSL 54, 0.6%, 0.36%

LAB 56.03, -7.4, 51.37

 

CMYK 0 / 9 / 86 / 36

HEX #A29416

RGB 162 148 22

HSL 54, 0.76%, 0.36%

LAB 60.71, -7.6, 60.69

 

CMYK 0 / 10 / 96 / 31

HEX #B1A007

RGB 177 160 7

HSL 54, 0.92%, 0.36%

LAB 65.36, -7.48, 67.53

 

CMYK 0 / 7 / 75 / 42

HEX #938825

RGB 147 136 37

HSL 54, 0.6%, 0.36%

LAB 56.03, -7.4, 51.37

 

CMYK 0 / 6 / 61 / 48

HEX #847C34

RGB 132 124 52

HSL 54, 0.43%, 0.36%

LAB 51.35, -6.69, 39.54

 

CMYK 0 / 4 / 44 / 54

HEX #757042

RGB 117 112 66

HSL 54.12, 0.28%, 0.36%

LAB 46.66, -5.33, 26.23

 

CMYK 0 / 2 / 21 / 60

HEX #666451

RGB 102 100 81

HSL 54.29, 0.11%, 0.36%

LAB 42.05, -2.77, 11.08

 

CMYK 9 / 8 / 0 / 62

HEX #575860

RGB 87 88 96

HSL 233.33, 0.05%, 0.36%

LAB 37.57, 1.38, -4.75

 

CMYK 0 / 48 / 75 / 42

HEX #934D25

RGB 147 77 37

HSL 21.82, 0.6%, 0.36%

LAB 40.65, 26.16, 35.9

 

CMYK 0 / 28 / 75 / 42

HEX #936A25

RGB 147 106 37

HSL 37.64, 0.6%, 0.36%

LAB 47.81, 9.52, 43.31

 

CMYK 0 / 7 / 75 / 42

HEX #938825

RGB 147 136 37

HSL 54, 0.6%, 0.36%

LAB 56.03, -7.4, 51.37

 

CMYK 12 / 0 / 75 / 42

HEX #819325

RGB 129 147 37

HSL 69.82, 0.6%, 0.36%

LAB 57.72, -21.26, 52.46

 

CMYK 33 / 0 / 75 / 42

HEX #639325

RGB 99 147 37

HSL 86.18, 0.6%, 0.36%

LAB 55.74, -33.64, 49.86

 

CMYK 0 / 7 / 75 / 68

HEX #514B14

RGB 81 75 20

HSL 54.1, 0.6%, 0.2%

LAB 31.42, -4.92, 32.14

 

CMYK 0 / 8 / 75 / 55

HEX #72691C

RGB 114 105 28

HSL 53.72, 0.61%, 0.28%

LAB 43.89, -5.94, 42.11

 

CMYK 0 / 7 / 75 / 42

HEX #938825

RGB 147 136 37

HSL 54, 0.6%, 0.36%

LAB 56.03, -7.4, 51.37

 

CMYK 0 / 8 / 75 / 29

HEX #B4A62D

RGB 180 166 45

HSL 53.78, 0.6%, 0.44%

LAB 67.4, -8.31, 60.31

 

CMYK 0 / 7 / 71 / 19

HEX #CEC03C

RGB 206 192 60

HSL 54.25, 0.6%, 0.52%

LAB 76.77, -9.82, 64.67

 

CMYK 0 / 7 / 75 / 42

HEX #938825

RGB 147 136 37

HSL 54, 0.6%, 0.36%

LAB 56.03, -7.4, 51.37

 

CMYK 75 / 0 / 67 / 42

HEX #259330

RGB 37 147 48

HSL 126, 0.6%, 0.36%

LAB 53.46, -50.48, 42.32

 

CMYK 37 / 75 / 0 / 42

HEX #5C2593

RGB 92 37 147

HSL 270, 0.6%, 0.36%

LAB 28.66, 46.22, -50.43

 

CMYK 0 / 7 / 75 / 42

HEX #938825

RGB 147 136 37

HSL 54, 0.6%, 0.36%

LAB 56.03, -7.4, 51.37

 

CMYK 75 / 0 / 7 / 42

HEX #259388

RGB 37 147 136

HSL 174, 0.6%, 0.36%

LAB 55.11, -32.52, -2.91

 

CMYK 7 / 75 / 0 / 42

HEX #882593

RGB 136 37 147

HSL 294, 0.6%, 0.36%

LAB 35.33, 55.3, -39.33

 

CMYK 0 / 7 / 75 / 42

HEX #938825

RGB 147 136 37

HSL 54, 0.6%, 0.36%

LAB 56.03, -7.4, 51.37

 

CMYK 75 / 0 / 67 / 42

HEX #259330

RGB 37 147 48

HSL 126, 0.6%, 0.36%

LAB 53.46, -50.48, 42.32

 

CMYK 75 / 67 / 0 / 42

HEX #253093

RGB 37 48 147

HSL 234, 0.6%, 0.36%

LAB 25.6, 31.11, -55.63

 

CMYK 0 / 75 / 7 / 42

HEX #932588

RGB 147 37 136

HSL 306, 0.6%, 0.36%

LAB 36.56, 55.91, -30.5

 

CMYK 0 / 7 / 75 / 42

HEX #938825

RGB 147 136 37

HSL 54, 0.6%, 0.36%

LAB 56.03, -7.4, 51.37

 

CMYK 75 / 0 / 45 / 42

HEX #259351

RGB 37 147 81

HSL 144, 0.6%, 0.36%

LAB 53.87, -45.68, 26.39

 

CMYK 75 / 67 / 0 / 42

HEX #253093

RGB 37 48 147

HSL 234, 0.6%, 0.36%

LAB 25.6, 31.11, -55.63

 

CMYK 0 / 75 / 30 / 42

HEX #932567

RGB 147 37 103

HSL 324, 0.6%, 0.36%

LAB 35.01, 51.17, -12.2

 

Description

Color code: RGB 147 136 37 | qconv.com Color code: RGB 147 136 37 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 136 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 136 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 75 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 75% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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