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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 145 203 138 it is the complementary color RGB 110 52 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 145 203 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 145 203 138: RGB 150 203 133, RGB 167 221 152, RGB 184 239 171, RGB 201 255 190 and RGB 218 255 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 145 203 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 145 203 138: RGB 145 203 138, RGB 128 185 119, RGB 111 167 100, RGB 94 149 81 and RGB 77 131 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 32 / 20

HEX #91CB8A

RGB 145 203 138

HSL 113.54, 0.38%, 0.67%

LAB 76.42, -31.23, 26.61

 

Complementary color

CMYK 6 / 56 / 0 / 54

HEX #6E3475

RGB 110 52 117

HSL 293.54, 0.38%, 0.33%

LAB 31.93, 36.09, -26.34

 

CMYK 26 / 0 / 34 / 20

HEX #96CB85

RGB 150 203 133

HSL 105.43, 0.4%, 0.66%

LAB 76.61, -30.31, 29.53

 

CMYK 24 / 0 / 31 / 13

HEX #A7DD98

RGB 167 221 152

HSL 106.96, 0.5%, 0.73%

LAB 83.02, -30.12, 28.43

 

CMYK 23 / 0 / 28 / 6

HEX #B8EFAB

RGB 184 239 171

HSL 108.53, 0.68%, 0.8%

LAB 89.33, -29.94, 27.38

 

CMYK 21 / 0 / 25 / 0

HEX #C9FFBE

RGB 201 255 190

HSL 109.85, 1%, 0.87%

LAB 95.02, -28.84, 25.64

 

CMYK 15 / 0 / 18 / 0

HEX #DAFFD1

RGB 218 255 209

HSL 108.26, 1%, 0.91%

LAB 96.42, -20.12, 18.09

 

CMYK 29 / 0 / 32 / 20

HEX #91CB8A

RGB 145 203 138

HSL 113.54, 0.38%, 0.67%

LAB 76.42, -31.23, 26.61

 

CMYK 31 / 0 / 36 / 27

HEX #80B977

RGB 128 185 119

HSL 111.82, 0.32%, 0.6%

LAB 69.91, -31.45, 27.75

 

CMYK 34 / 0 / 40 / 35

HEX #6FA764

RGB 111 167 100

HSL 110.15, 0.28%, 0.52%

LAB 63.29, -31.67, 28.96

 

CMYK 37 / 0 / 46 / 42

HEX #5E9551

RGB 94 149 81

HSL 108.53, 0.3%, 0.45%

LAB 56.55, -31.86, 30.23

 

CMYK 41 / 0 / 53 / 49

HEX #4D833E

RGB 77 131 62

HSL 106.96, 0.36%, 0.38%

LAB 49.69, -31.98, 31.54

 

CMYK 29 / 0 / 32 / 20

HEX #91CB8A

RGB 145 203 138

HSL 113.54, 0.38%, 0.67%

LAB 76.42, -31.23, 26.61

 

CMYK 32 / 0 / 30 / 21

HEX #8ACA8E

RGB 138 202 142

HSL 123.75, 0.38%, 0.67%

LAB 75.82, -32.4, 23.64

 

CMYK 32 / 0 / 25 / 21

HEX #8ACA98

RGB 138 202 152

HSL 133.13, 0.38%, 0.67%

LAB 76.01, -30.65, 18.61

 

CMYK 32 / 0 / 19 / 21

HEX #8ACAA3

RGB 138 202 163

HSL 143.44, 0.38%, 0.67%

LAB 76.25, -28.58, 13.06

 

CMYK 32 / 0 / 14 / 21

HEX #8ACAAE

RGB 138 202 174

HSL 153.75, 0.38%, 0.67%

LAB 76.5, -26.38, 7.51

 

CMYK 29 / 0 / 32 / 20

HEX #91CB8A

RGB 145 203 138

HSL 113.54, 0.38%, 0.67%

LAB 76.42, -31.23, 26.61

 

CMYK 29 / 0 / 32 / 0

HEX #B5FEAD

RGB 181 254 173

HSL 114.07, 0.98%, 0.84%

LAB 93.33, -37.53, 31.75

 

CMYK 28 / 0 / 32 / 80

HEX #243222

RGB 36 50 34

HSL 112.5, 0.19%, 0.16%

LAB 19.11, -9.76, 8.34

 

CMYK 29 / 0 / 32 / 60

HEX #486545

RGB 72 101 69

HSL 114.38, 0.19%, 0.33%

LAB 39.77, -17.68, 14.79

 

CMYK 28 / 0 / 32 / 40

HEX #6D9867

RGB 109 152 103

HSL 112.65, 0.19%, 0.5%

LAB 58.68, -24.6, 21.22

 

CMYK 29 / 0 / 32 / 20

HEX #91CB8A

RGB 145 203 138

HSL 113.54, 0.38%, 0.67%

LAB 76.42, -31.23, 26.61

 

CMYK 32 / 2 / 0 / 21

HEX #8AC5CA

RGB 138 197 202

HSL 184.69, 0.38%, 0.67%

LAB 75.82, -17.67, -8.59

 

CMYK 0 / 32 / 15 / 21

HEX #CA8AAB

RGB 202 138 171

HSL 329.06, 0.38%, 0.67%

LAB 64.7, 29.31, -7.45

 

CMYK 29 / 0 / 32 / 20

HEX #91CB8A

RGB 145 203 138

HSL 113.54, 0.38%, 0.67%

LAB 76.42, -31.23, 26.61

 

CMYK 32 / 28 / 0 / 21

HEX #8A92CA

RGB 138 146 202

HSL 232.5, 0.38%, 0.67%

LAB 61.85, 10.17, -29.8

 

CMYK 0 / 32 / 28 / 21

HEX #CA8A92

RGB 202 138 146

HSL 352.5, 0.38%, 0.67%

LAB 64.01, 25.53, 5.68

 

CMYK 29 / 0 / 32 / 20

HEX #91CB8A

RGB 145 203 138

HSL 113.54, 0.38%, 0.67%

LAB 76.42, -31.23, 26.61

 

CMYK 32 / 2 / 0 / 21

HEX #8AC5CA

RGB 138 197 202

HSL 184.69, 0.38%, 0.67%

LAB 75.82, -17.67, -8.59

 

CMYK 3 / 32 / 0 / 21

HEX #C38ACA

RGB 195 138 202

HSL 293.44, 0.38%, 0.67%

LAB 65, 32.48, -24.52

 

CMYK 0 / 29 / 32 / 21

HEX #CA908A

RGB 202 144 138

HSL 5.63, 0.38%, 0.67%

LAB 65.23, 21.16, 11.93

 

CMYK 29 / 0 / 32 / 20

HEX #91CB8A

RGB 145 203 138

HSL 113.54, 0.38%, 0.67%

LAB 76.42, -31.23, 26.61

 

CMYK 32 / 12 / 0 / 21

HEX #8AB2CA

RGB 138 178 202

HSL 202.5, 0.38%, 0.67%

LAB 70.53, -7.69, -16.52

 

CMYK 3 / 32 / 0 / 21

HEX #C38ACA

RGB 195 138 202

HSL 293.44, 0.38%, 0.67%

LAB 65, 32.48, -24.52

 

CMYK 0 / 19 / 32 / 21

HEX #CAA38A

RGB 202 163 138

HSL 23.44, 0.38%, 0.67%

LAB 69.88, 10.77, 18.42

 

Description

Color code: RGB 145 203 138 | qconv.com Color code: RGB 145 203 138 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 203 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 203 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 32 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 32% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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