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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 145 124 0 it is the complementary color RGB 110 131 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 145 124 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 145 124 0: RGB 150 124 0, RGB 167 142 14, RGB 184 160 33, RGB 201 178 52 and RGB 218 196 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 145 124 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 145 124 0: RGB 145 124 0, RGB 128 106 0, RGB 111 88 0, RGB 94 70 0 and RGB 77 52 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 100 / 43

HEX #917C00

RGB 145 124 0

HSL 51.31, 1%, 0.28%

LAB 52.33, -2.75, 57.74

 

Complementary color

CMYK 57 / 49 / 0 / 0

HEX #6E83FF

RGB 110 131 255

HSL 231.31, 1%, 0.72%

LAB 58.76, 27.75, -64.24

 

CMYK 0 / 17 / 100 / 41

HEX #967C00

RGB 150 124 0

HSL 49.6, 1%, 0.29%

LAB 52.84, -0.39, 58.34

 

CMYK 0 / 15 / 92 / 35

HEX #A78E0E

RGB 167 142 14

HSL 50.2, 0.85%, 0.35%

LAB 59.52, -2.24, 61.64

 

CMYK 0 / 13 / 82 / 28

HEX #B8A021

RGB 184 160 33

HSL 50.46, 0.7%, 0.43%

LAB 66.09, -3.8, 63.13

 

CMYK 0 / 11 / 74 / 21

HEX #C9B234

RGB 201 178 52

HSL 50.74, 0.59%, 0.5%

LAB 72.57, -5.1, 63.38

 

CMYK 0 / 10 / 67 / 15

HEX #DAC447

RGB 218 196 71

HSL 51.02, 0.67%, 0.57%

LAB 78.95, -6.2, 62.95

 

CMYK 0 / 14 / 100 / 43

HEX #917C00

RGB 145 124 0

HSL 51.31, 1%, 0.28%

LAB 52.33, -2.75, 57.74

 

CMYK 0 / 17 / 100 / 50

HEX #806A00

RGB 128 106 0

HSL 49.69, 1%, 0.25%

LAB 45.49, -0.65, 52.09

 

CMYK 0 / 21 / 100 / 56

HEX #6F5800

RGB 111 88 0

HSL 47.57, 1%, 0.22%

LAB 38.48, 1.57, 46.31

 

CMYK 0 / 26 / 100 / 63

HEX #5E4600

RGB 94 70 0

HSL 44.68, 1%, 0.18%

LAB 31.25, 3.95, 40.35

 

CMYK 0 / 32 / 100 / 70

HEX #4D3400

RGB 77 52 0

HSL 40.52, 1%, 0.15%

LAB 23.78, 6.53, 33.1

 

CMYK 0 / 14 / 100 / 43

HEX #917C00

RGB 145 124 0

HSL 51.31, 1%, 0.28%

LAB 52.33, -2.75, 57.74

 

CMYK 1 / 0 / 100 / 44

HEX #8C8E00

RGB 140 142 0

HSL 60.85, 1%, 0.28%

LAB 57, -14.85, 60.9

 

CMYK 18 / 0 / 100 / 44

HEX #748E00

RGB 116 142 0

HSL 70.99, 1%, 0.28%

LAB 55.13, -25.58, 58.68

 

CMYK 35 / 0 / 100 / 44

HEX #5C8E00

RGB 92 142 0

HSL 81.13, 1%, 0.28%

LAB 53.62, -35.5, 56.87

 

CMYK 51 / 0 / 100 / 44

HEX #458E00

RGB 69 142 0

HSL 90.85, 1%, 0.28%

LAB 52.52, -43.63, 55.54

 

CMYK 0 / 14 / 100 / 43

HEX #917C00

RGB 145 124 0

HSL 51.31, 1%, 0.28%

LAB 52.33, -2.75, 57.74

 

CMYK 0 / 14 / 100 / 23

HEX #C4A800

RGB 196 168 0

HSL 51.43, 1%, 0.38%

LAB 69.28, -3.29, 72.08

 

CMYK 0 / 15 / 100 / 3

HEX #F7D300

RGB 247 211 0

HSL 51.26, 1%, 0.48%

LAB 85.18, -3.31, 85.56

 

CMYK 0 / 14 / 100 / 83

HEX #2B2500

RGB 43 37 0

HSL 51.63, 1%, 0.08%

LAB 14.61, -2.25, 21.36

 

CMYK 0 / 15 / 100 / 63

HEX #5E5000

RGB 94 80 0

HSL 51.06, 1%, 0.18%

LAB 34.23, -2.18, 42.43

 

CMYK 0 / 14 / 100 / 43

HEX #917C00

RGB 145 124 0

HSL 51.31, 1%, 0.28%

LAB 52.33, -2.75, 57.74

 

CMYK 100 / 0 / 95 / 44

HEX #008E07

RGB 0 142 7

HSL 122.96, 1%, 0.28%

LAB 51.11, -55.51, 52.56

 

CMYK 55 / 100 / 0 / 44

HEX #40008E

RGB 64 0 142

HSL 267.04, 1%, 0.28%

LAB 20.22, 53.45, -61.34

 

CMYK 0 / 14 / 100 / 43

HEX #917C00

RGB 145 124 0

HSL 51.31, 1%, 0.28%

LAB 52.33, -2.75, 57.74

 

CMYK 100 / 0 / 15 / 44

HEX #008E79

RGB 0 142 121

HSL 171.13, 1%, 0.28%

LAB 52.65, -37.47, 2.08

 

CMYK 15 / 100 / 0 / 44

HEX #79008E

RGB 121 0 142

HSL 291.13, 1%, 0.28%

LAB 29.46, 60.13, -45.83

 

CMYK 0 / 14 / 100 / 43

HEX #917C00

RGB 145 124 0

HSL 51.31, 1%, 0.28%

LAB 52.33, -2.75, 57.74

 

CMYK 100 / 0 / 95 / 44

HEX #008E07

RGB 0 142 7

HSL 122.96, 1%, 0.28%

LAB 51.11, -55.51, 52.56

 

CMYK 100 / 85 / 0 / 44

HEX #00158E

RGB 0 21 142

HSL 231.13, 1%, 0.28%

LAB 17.87, 43.22, -65.36

 

CMYK 0 / 100 / 5 / 44

HEX #8E0087

RGB 142 0 135

HSL 302.96, 1%, 0.28%

LAB 32.92, 62.48, -35.71

 

CMYK 0 / 14 / 100 / 43

HEX #917C00

RGB 145 124 0

HSL 51.31, 1%, 0.28%

LAB 52.33, -2.75, 57.74

 

CMYK 100 / 0 / 65 / 44

HEX #008E31

RGB 0 142 49

HSL 140.7, 1%, 0.28%

LAB 51.34, -52.46, 39.4

 

CMYK 100 / 85 / 0 / 44

HEX #00158E

RGB 0 21 142

HSL 231.13, 1%, 0.28%

LAB 17.87, 43.22, -65.36

 

CMYK 0 / 100 / 35 / 44

HEX #8E005C

RGB 142 0 92

HSL 321.13, 1%, 0.28%

LAB 30.7, 56.91, -11.77

 

Description

Color code: RGB 145 124 0 | qconv.com Color code: RGB 145 124 0 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 124 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 124 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 100 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 100% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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