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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 144 190 92 it is the complementary color RGB 111 65 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 144 190 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 144 190 92: RGB 149 190 87, RGB 166 208 106, RGB 183 226 125, RGB 200 244 144 and RGB 217 255 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 144 190 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 144 190 92: RGB 144 190 92, RGB 127 172 73, RGB 110 154 54, RGB 93 136 35 and RGB 76 118 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 52 / 25

HEX #90BE5C

RGB 144 190 92

HSL 88.16, 0.43%, 0.55%

LAB 71.91, -31.65, 44.2

 

Complementary color

CMYK 32 / 60 / 0 / 36

HEX #6F41A3

RGB 111 65 163

HSL 268.16, 0.43%, 0.45%

LAB 37.49, 39.98, -45.75

 

CMYK 22 / 0 / 54 / 25

HEX #95BE57

RGB 149 190 87

HSL 83.88, 0.44%, 0.54%

LAB 72.16, -30.28, 46.96

 

CMYK 20 / 0 / 49 / 18

HEX #A6D06A

RGB 166 208 106

HSL 84.71, 0.52%, 0.62%

LAB 78.61, -30.38, 45.85

 

CMYK 19 / 0 / 45 / 11

HEX #B7E27D

RGB 183 226 125

HSL 85.54, 0.64%, 0.69%

LAB 84.97, -30.43, 44.71

 

CMYK 18 / 0 / 41 / 4

HEX #C8F490

RGB 200 244 144

HSL 86.4, 0.82%, 0.76%

LAB 91.23, -30.44, 43.57

 

CMYK 15 / 0 / 36 / 0

HEX #D9FFA3

RGB 217 255 163

HSL 84.78, 1%, 0.82%

LAB 95.55, -27.15, 40.03

 

CMYK 24 / 0 / 52 / 25

HEX #90BE5C

RGB 144 190 92

HSL 88.16, 0.43%, 0.55%

LAB 71.91, -31.65, 44.2

 

CMYK 26 / 0 / 58 / 33

HEX #7FAC49

RGB 127 172 73

HSL 87.27, 0.4%, 0.48%

LAB 65.36, -31.57, 45.29

 

CMYK 29 / 0 / 65 / 40

HEX #6E9A36

RGB 110 154 54

HSL 86.4, 0.48%, 0.41%

LAB 58.69, -31.38, 46.21

 

CMYK 32 / 0 / 74 / 47

HEX #5D8823

RGB 93 136 35

HSL 85.54, 0.59%, 0.34%

LAB 51.9, -31.02, 46.7

 

CMYK 36 / 0 / 86 / 54

HEX #4C7610

RGB 76 118 16

HSL 84.71, 0.76%, 0.26%

LAB 44.98, -30.4, 46.17

 

CMYK 24 / 0 / 52 / 25

HEX #90BE5C

RGB 144 190 92

HSL 88.16, 0.43%, 0.55%

LAB 71.91, -31.65, 44.2

 

CMYK 33 / 0 / 52 / 26

HEX #7FBD5A

RGB 127 189 90

HSL 97.58, 0.43%, 0.55%

LAB 70.63, -37.57, 43.39

 

CMYK 42 / 0 / 52 / 26

HEX #6EBD5A

RGB 110 189 90

HSL 107.88, 0.43%, 0.55%

LAB 69.79, -43.24, 42.18

 

CMYK 50 / 0 / 52 / 26

HEX #5EBD5A

RGB 94 189 90

HSL 117.58, 0.43%, 0.55%

LAB 69.12, -48.01, 41.22

 

CMYK 52 / 0 / 45 / 26

HEX #5ABD68

RGB 90 189 104

HSL 128.48, 0.43%, 0.55%

LAB 69.16, -47.09, 34.25

 

CMYK 24 / 0 / 52 / 25

HEX #90BE5C

RGB 144 190 92

HSL 88.16, 0.43%, 0.55%

LAB 71.91, -31.65, 44.2

 

CMYK 24 / 0 / 51 / 5

HEX #B7F175

RGB 183 241 117

HSL 88.06, 0.82%, 0.7%

LAB 89.05, -38.17, 53.47

 

CMYK 24 / 0 / 51 / 85

HEX #1C2512

RGB 28 37 18

HSL 88.42, 0.35%, 0.11%

LAB 13.31, -8.34, 11.26

 

CMYK 24 / 0 / 51 / 65

HEX #43582B

RGB 67 88 43

HSL 88, 0.34%, 0.26%

LAB 34.7, -16.8, 23.41

 

CMYK 24 / 0 / 52 / 45

HEX #698B43

RGB 105 139 67

HSL 88.33, 0.35%, 0.4%

LAB 53.89, -24.77, 34.41

 

CMYK 24 / 0 / 52 / 25

HEX #90BE5C

RGB 144 190 92

HSL 88.16, 0.43%, 0.55%

LAB 71.91, -31.65, 44.2

 

CMYK 52 / 0 / 17 / 26

HEX #5ABD9C

RGB 90 189 156

HSL 160, 0.43%, 0.55%

LAB 70.15, -37.03, 7.9

 

CMYK 0 / 52 / 3 / 26

HEX #BD5AB7

RGB 189 90 183

HSL 303.64, 0.43%, 0.55%

LAB 53.55, 52.33, -31.47

 

CMYK 24 / 0 / 52 / 25

HEX #90BE5C

RGB 144 190 92

HSL 88.16, 0.43%, 0.55%

LAB 71.91, -31.65, 44.2

 

CMYK 52 / 24 / 0 / 26

HEX #5A8FBD

RGB 90 143 189

HSL 207.88, 0.43%, 0.55%

LAB 57.55, -4.45, -29.36

 

CMYK 0 / 52 / 24 / 26

HEX #BD5A8F

RGB 189 90 143

HSL 327.88, 0.43%, 0.55%

LAB 51.97, 45.96, -10.47

 

CMYK 24 / 0 / 52 / 25

HEX #90BE5C

RGB 144 190 92

HSL 88.16, 0.43%, 0.55%

LAB 71.91, -31.65, 44.2

 

CMYK 52 / 0 / 17 / 26

HEX #5ABD9C

RGB 90 189 156

HSL 160, 0.43%, 0.55%

LAB 70.15, -37.03, 7.9

 

CMYK 28 / 52 / 0 / 26

HEX #885ABD

RGB 136 90 189

HSL 267.88, 0.43%, 0.55%

LAB 47.26, 38.87, -45.29

 

CMYK 0 / 52 / 35 / 26

HEX #BD5A7B

RGB 189 90 123

HSL 340, 0.43%, 0.55%

LAB 51.34, 43.3, 0.5

 

CMYK 24 / 0 / 52 / 25

HEX #90BE5C

RGB 144 190 92

HSL 88.16, 0.43%, 0.55%

LAB 71.91, -31.65, 44.2

 

CMYK 52 / 0 / 2 / 26

HEX #5ABDBA

RGB 90 189 186

HSL 178.18, 0.43%, 0.55%

LAB 70.95, -29.59, -7.35

 

CMYK 28 / 52 / 0 / 26

HEX #885ABD

RGB 136 90 189

HSL 267.88, 0.43%, 0.55%

LAB 47.26, 38.87, -45.29

 

CMYK 0 / 52 / 50 / 26

HEX #BD5A5E

RGB 189 90 94

HSL 357.58, 0.43%, 0.55%

LAB 50.62, 40.17, 16.78

 

Description

Color code: RGB 144 190 92 | qconv.com Color code: RGB 144 190 92 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 190 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 190 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 52 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 52% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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