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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 144 140 134 it is the complementary color RGB 111 115 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 144 140 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 144 140 134: RGB 149 140 129, RGB 166 158 148, RGB 183 176 167, RGB 200 194 186 and RGB 217 212 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 144 140 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 144 140 134: RGB 144 140 134, RGB 127 122 115, RGB 110 104 96, RGB 93 86 77 and RGB 76 68 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 7 / 44

HEX #908C86

RGB 144 140 134

HSL 36, 0.04%, 0.55%

LAB 58.42, 0.36, 3.72

 

Complementary color

CMYK 8 / 5 / 0 / 53

HEX #6F7379

RGB 111 115 121

HSL 216, 0.04%, 0.45%

LAB 48.29, -0.23, -3.83

 

CMYK 0 / 6 / 13 / 42

HEX #958C81

RGB 149 140 129

HSL 33, 0.09%, 0.55%

LAB 58.72, 1.38, 7.07

 

CMYK 0 / 5 / 11 / 35

HEX #A69E94

RGB 166 158 148

HSL 33.33, 0.09%, 0.62%

LAB 65.51, 1.13, 6.25

 

CMYK 0 / 4 / 9 / 28

HEX #B7B0A7

RGB 183 176 167

HSL 33.75, 0.1%, 0.69%

LAB 72.17, 0.9, 5.48

 

CMYK 0 / 3 / 7 / 22

HEX #C8C2BA

RGB 200 194 186

HSL 34.29, 0.11%, 0.76%

LAB 78.7, 0.69, 4.75

 

CMYK 0 / 2 / 6 / 15

HEX #D9D4CD

RGB 217 212 205

HSL 35, 0.14%, 0.83%

LAB 85.12, 0.49, 4.05

 

CMYK 0 / 3 / 7 / 44

HEX #908C86

RGB 144 140 134

HSL 36, 0.04%, 0.55%

LAB 58.42, 0.36, 3.72

 

CMYK 0 / 4 / 9 / 50

HEX #7F7A73

RGB 127 122 115

HSL 35, 0.05%, 0.47%

LAB 51.46, 0.58, 4.5

 

CMYK 0 / 5 / 13 / 57

HEX #6E6860

RGB 110 104 96

HSL 34.29, 0.07%, 0.4%

LAB 44.32, 0.83, 5.34

 

CMYK 0 / 8 / 17 / 64

HEX #5D564D

RGB 93 86 77

HSL 33.75, 0.09%, 0.33%

LAB 36.96, 1.13, 6.26

 

CMYK 0 / 11 / 24 / 70

HEX #4C443A

RGB 76 68 58

HSL 33.33, 0.13%, 0.26%

LAB 29.35, 1.49, 7.3

 

CMYK 0 / 3 / 7 / 44

HEX #908C86

RGB 144 140 134

HSL 36, 0.04%, 0.55%

LAB 58.42, 0.36, 3.72

 

CMYK 0 / 1 / 6 / 44

HEX #908E87

RGB 144 142 135

HSL 46.67, 0.04%, 0.55%

LAB 59, -0.58, 3.98

 

CMYK 0 / 0 / 6 / 44

HEX #909087

RGB 144 144 135

HSL 60, 0.04%, 0.55%

LAB 59.55, -1.7, 4.77

 

CMYK 1 / 0 / 6 / 44

HEX #8F9087

RGB 143 144 135

HSL 66.67, 0.04%, 0.55%

LAB 59.47, -2.07, 4.65

 

CMYK 1 / 0 / 6 / 44

HEX #8E9087

RGB 142 144 135

HSL 73.33, 0.04%, 0.55%

LAB 59.39, -2.45, 4.52

 

CMYK 0 / 3 / 7 / 44

HEX #908C86

RGB 144 140 134

HSL 36, 0.04%, 0.55%

LAB 58.42, 0.36, 3.72

 

CMYK 0 / 3 / 7 / 24

HEX #C3BEB5

RGB 195 190 181

HSL 38.57, 0.1%, 0.74%

LAB 77.14, 0.16, 5.15

 

CMYK 0 / 3 / 7 / 4

HEX #F6EFE5

RGB 246 239 229

HSL 35.29, 0.49%, 0.93%

LAB 94.73, 0.65, 5.65

 

CMYK 0 / 2 / 7 / 84

HEX #2A2927

RGB 42 41 39

HSL 40, 0.04%, 0.16%

LAB 16.62, -0.01, 1.47

 

CMYK 0 / 3 / 6 / 64

HEX #5D5A57

RGB 93 90 87

HSL 30, 0.03%, 0.35%

LAB 38.42, 0.59, 2.15

 

CMYK 0 / 3 / 7 / 44

HEX #908C86

RGB 144 140 134

HSL 36, 0.04%, 0.55%

LAB 58.42, 0.36, 3.72

 

CMYK 5 / 0 / 6 / 44

HEX #899087

RGB 137 144 135

HSL 106.67, 0.04%, 0.55%

LAB 58.99, -4.31, 3.89

 

CMYK 5 / 6 / 0 / 44

HEX #898790

RGB 137 135 144

HSL 253.33, 0.04%, 0.55%

LAB 56.74, 2.55, -4.55

 

CMYK 0 / 3 / 7 / 44

HEX #908C86

RGB 144 140 134

HSL 36, 0.04%, 0.55%

LAB 58.42, 0.36, 3.72

 

CMYK 6 / 0 / 2 / 44

HEX #87908D

RGB 135 144 141

HSL 160, 0.04%, 0.55%

LAB 58.99, -3.86, 0.46

 

CMYK 2 / 6 / 0 / 44

HEX #8D8790

RGB 141 135 144

HSL 280, 0.04%, 0.55%

LAB 57.08, 4, -4.01

 

CMYK 0 / 3 / 7 / 44

HEX #908C86

RGB 144 140 134

HSL 36, 0.04%, 0.55%

LAB 58.42, 0.36, 3.72

 

CMYK 5 / 0 / 6 / 44

HEX #899087

RGB 137 144 135

HSL 106.67, 0.04%, 0.55%

LAB 58.99, -4.31, 3.89

 

CMYK 6 / 3 / 0 / 44

HEX #878B90

RGB 135 139 144

HSL 213.33, 0.04%, 0.55%

LAB 57.68, -0.44, -3.18

 

CMYK 1 / 6 / 0 / 44

HEX #8F8790

RGB 143 135 144

HSL 293.33, 0.04%, 0.55%

LAB 57.25, 4.73, -3.74

 

CMYK 0 / 3 / 7 / 44

HEX #908C86

RGB 144 140 134

HSL 36, 0.04%, 0.55%

LAB 58.42, 0.36, 3.72

 

CMYK 6 / 0 / 6 / 44

HEX #879088

RGB 135 144 136

HSL 126.67, 0.04%, 0.55%

LAB 58.86, -4.85, 3.12

 

CMYK 6 / 3 / 0 / 44

HEX #878B90

RGB 135 139 144

HSL 213.33, 0.04%, 0.55%

LAB 57.68, -0.44, -3.18

 

CMYK 0 / 6 / 1 / 44

HEX #90878F

RGB 144 135 143

HSL 306.67, 0.04%, 0.55%

LAB 57.31, 4.9, -3.07

 

Description

Color code: RGB 144 140 134 | qconv.com Color code: RGB 144 140 134 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 140 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 140 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 7 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 7% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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