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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 58 45 it is the complementary color RGB 112 197 210. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 58 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 143 58 45: RGB 148 58 40, RGB 165 76 59, RGB 182 94 78, RGB 199 112 97 and RGB 216 130 116

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 58 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 143 58 45: RGB 143 58 45, RGB 126 40 26, RGB 109 22 7, RGB 92 4 0 and RGB 75 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 69 / 44

HEX #8F3A2D

RGB 143 58 45

HSL 7.96, 0.52%, 0.37%

LAB 36.09, 35.15, 26.05

 

Complementary color

CMYK 47 / 6 / 0 / 18

HEX #70C5D2

RGB 112 197 210

HSL 187.96, 0.52%, 0.63%

LAB 74.84, -22.32, -14.52

 

CMYK 0 / 61 / 73 / 42

HEX #943A28

RGB 148 58 40

HSL 10, 0.57%, 0.37%

LAB 36.88, 36.79, 30.16

 

CMYK 0 / 54 / 64 / 35

HEX #A54C3B

RGB 165 76 59

HSL 9.62, 0.47%, 0.44%

LAB 43.48, 35.4, 27.55

 

CMYK 0 / 48 / 57 / 29

HEX #B65E4E

RGB 182 94 78

HSL 9.23, 0.42%, 0.51%

LAB 50.1, 34.04, 25.32

 

CMYK 0 / 44 / 51 / 22

HEX #C77061

RGB 199 112 97

HSL 8.82, 0.48%, 0.58%

LAB 56.68, 32.77, 23.42

 

CMYK 0 / 40 / 46 / 15

HEX #D88274

RGB 216 130 116

HSL 8.4, 0.56%, 0.65%

LAB 63.2, 31.61, 21.76

 

CMYK 0 / 59 / 69 / 44

HEX #8F3A2D

RGB 143 58 45

HSL 7.96, 0.52%, 0.37%

LAB 36.09, 35.15, 26.05

 

CMYK 0 / 68 / 79 / 51

HEX #7E281A

RGB 126 40 26

HSL 8.4, 0.66%, 0.3%

LAB 29.48, 36.4, 29.05

 

CMYK 0 / 80 / 94 / 57

HEX #6D1607

RGB 109 22 7

HSL 8.82, 0.88%, 0.23%

LAB 23.14, 37.15, 31.41

 

CMYK 0 / 96 / 100 / 64

HEX #5C0400

RGB 92 4 0

HSL 2.61, 1%, 0.18%

LAB 17.28, 36.84, 26.64

 

CMYK 0 / 100 / 100 / 71

HEX #4B0000

RGB 75 0 0

HSL 0, 1%, 0.15%

LAB 12.58, 33.07, 19.75

 

CMYK 0 / 59 / 69 / 44

HEX #8F3A2D

RGB 143 58 45

HSL 7.96, 0.52%, 0.37%

LAB 36.09, 35.15, 26.05

 

CMYK 0 / 49 / 69 / 44

HEX #8F492D

RGB 143 73 45

HSL 17.14, 0.52%, 0.37%

LAB 39.23, 27.14, 29.76

 

CMYK 0 / 38 / 69 / 44

HEX #8F592D

RGB 143 89 45

HSL 26.94, 0.52%, 0.37%

LAB 43.02, 18.01, 34.11

 

CMYK 0 / 27 / 69 / 44

HEX #8F692D

RGB 143 105 45

HSL 36.73, 0.52%, 0.37%

LAB 47.15, 8.71, 38.68

 

CMYK 0 / 15 / 69 / 44

HEX #8F7A2D

RGB 143 122 45

HSL 47.14, 0.52%, 0.37%

LAB 51.78, -1.03, 43.63

 

CMYK 0 / 59 / 69 / 44

HEX #8F3A2D

RGB 143 58 45

HSL 7.96, 0.52%, 0.37%

LAB 36.09, 35.15, 26.05

 

CMYK 0 / 59 / 69 / 24

HEX #C24F3D

RGB 194 79 61

HSL 8.12, 0.52%, 0.5%

LAB 48.76, 44.97, 33.85

 

CMYK 0 / 60 / 69 / 4

HEX #F5634D

RGB 245 99 77

HSL 7.86, 0.89%, 0.63%

LAB 60.67, 54.73, 41.05

 

CMYK 0 / 59 / 68 / 84

HEX #29110D

RGB 41 17 13

HSL 8.57, 0.52%, 0.11%

LAB 8.14, 11.97, 7

 

CMYK 0 / 60 / 68 / 64

HEX #5C251D

RGB 92 37 29

HSL 7.62, 0.52%, 0.24%

LAB 22.61, 24.57, 17.63

 

CMYK 0 / 59 / 69 / 44

HEX #8F3A2D

RGB 143 58 45

HSL 7.96, 0.52%, 0.37%

LAB 36.09, 35.15, 26.05

 

CMYK 22 / 0 / 69 / 44

HEX #708F2D

RGB 112 143 45

HSL 78.98, 0.52%, 0.37%

LAB 55.36, -25.99, 46.58

 

CMYK 69 / 49 / 0 / 44

HEX #2D498F

RGB 45 73 143

HSL 222.86, 0.52%, 0.37%

LAB 32.49, 13.89, -41.97

 

CMYK 0 / 59 / 69 / 44

HEX #8F3A2D

RGB 143 58 45

HSL 7.96, 0.52%, 0.37%

LAB 36.09, 35.15, 26.05

 

CMYK 69 / 0 / 61 / 44

HEX #2D8F38

RGB 45 143 56

HSL 126.73, 0.52%, 0.37%

LAB 52.38, -46.62, 37.47

 

CMYK 61 / 69 / 0 / 44

HEX #382D8F

RGB 56 45 143

HSL 246.73, 0.52%, 0.37%

LAB 25.86, 34.27, -52.69

 

CMYK 0 / 59 / 69 / 44

HEX #8F3A2D

RGB 143 58 45

HSL 7.96, 0.52%, 0.37%

LAB 36.09, 35.15, 26.05

 

CMYK 22 / 0 / 69 / 44

HEX #708F2D

RGB 112 143 45

HSL 78.98, 0.52%, 0.37%

LAB 55.36, -25.99, 46.58

 

CMYK 69 / 8 / 0 / 44

HEX #2D838F

RGB 45 131 143

HSL 187.35, 0.52%, 0.37%

LAB 50.42, -21.26, -13.96

 

CMYK 47 / 69 / 0 / 44

HEX #4C2D8F

RGB 76 45 143

HSL 258.98, 0.52%, 0.37%

LAB 27.84, 37.91, -49.39

 

CMYK 0 / 59 / 69 / 44

HEX #8F3A2D

RGB 143 58 45

HSL 7.96, 0.52%, 0.37%

LAB 36.09, 35.15, 26.05

 

CMYK 43 / 0 / 69 / 44

HEX #528F2D

RGB 82 143 45

HSL 97.35, 0.52%, 0.37%

LAB 53.63, -37.49, 44.24

 

CMYK 69 / 8 / 0 / 44

HEX #2D838F

RGB 45 131 143

HSL 187.35, 0.52%, 0.37%

LAB 50.42, -21.26, -13.96

 

CMYK 27 / 69 / 0 / 44

HEX #692D8F

RGB 105 45 143

HSL 276.73, 0.52%, 0.37%

LAB 31.49, 44.17, -43.29

 

Description

Color code: RGB 143 58 45 | qconv.com Color code: RGB 143 58 45 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 58 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 58 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 69 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 69% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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