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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 201 233 it is the complementary color RGB 112 54 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 201 233. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 143 201 233: RGB 148 201 228, RGB 165 219 247, RGB 182 237 255, RGB 199 255 255 and RGB 216 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 201 233. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 143 201 233: RGB 143 201 233, RGB 126 183 214, RGB 109 165 195, RGB 92 147 176 and RGB 75 129 157

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 14 / 0 / 9

HEX #8FC9E9

RGB 143 201 233

HSL 201.33, 0.67%, 0.74%

LAB 78.17, -10.72, -21.76

 

Complementary color

CMYK 0 / 52 / 80 / 56

HEX #703616

RGB 112 54 22

HSL 21.33, 0.67%, 0.26%

LAB 29.77, 23.18, 30.8

 

CMYK 35 / 12 / 0 / 11

HEX #94C9E4

RGB 148 201 228

HSL 200.25, 0.6%, 0.74%

LAB 78.27, -10.66, -18.89

 

CMYK 33 / 11 / 0 / 3

HEX #A5DBF7

RGB 165 219 247

HSL 200.49, 0.84%, 0.81%

LAB 84.68, -10.75, -19.24

 

CMYK 29 / 7 / 0 / 0

HEX #B6EDFF

RGB 182 237 255

HSL 194.79, 1%, 0.86%

LAB 90.66, -13.36, -14.36

 

CMYK 22 / 0 / 0 / 0

HEX #C7FFFF

RGB 199 255 255

HSL 180, 1%, 0.89%

LAB 96.36, -17.48, -5.78

 

CMYK 15 / 0 / 0 / 0

HEX #D8FFFF

RGB 216 255 255

HSL 180, 1%, 0.92%

LAB 97.36, -12.41, -4.18

 

CMYK 39 / 14 / 0 / 9

HEX #8FC9E9

RGB 143 201 233

HSL 201.33, 0.67%, 0.74%

LAB 78.17, -10.72, -21.76

 

CMYK 41 / 14 / 0 / 16

HEX #7EB7D6

RGB 126 183 214

HSL 201.14, 0.52%, 0.67%

LAB 71.66, -10.56, -21.44

 

CMYK 44 / 15 / 0 / 24

HEX #6DA5C3

RGB 109 165 195

HSL 200.93, 0.42%, 0.6%

LAB 65.04, -10.36, -21.13

 

CMYK 48 / 16 / 0 / 31

HEX #5C93B0

RGB 92 147 176

HSL 200.71, 0.35%, 0.53%

LAB 58.3, -10.11, -20.82

 

CMYK 52 / 18 / 0 / 38

HEX #4B819D

RGB 75 129 157

HSL 200.49, 0.35%, 0.45%

LAB 51.42, -9.78, -20.51

 

CMYK 39 / 14 / 0 / 9

HEX #8FC9E9

RGB 143 201 233

HSL 201.33, 0.67%, 0.74%

LAB 78.17, -10.72, -21.76

 

CMYK 38 / 20 / 0 / 9

HEX #90BBE9

RGB 144 187 233

HSL 211.01, 0.67%, 0.74%

LAB 74.42, -2.99, -27.48

 

CMYK 38 / 26 / 0 / 9

HEX #90ACE9

RGB 144 172 233

HSL 221.12, 0.67%, 0.74%

LAB 70.4, 5.27, -33.67

 

CMYK 38 / 33 / 0 / 9

HEX #909DE9

RGB 144 157 233

HSL 231.24, 0.67%, 0.74%

LAB 66.46, 13.75, -39.79

 

CMYK 38 / 38 / 0 / 9

HEX #9190E9

RGB 145 144 233

HSL 240.67, 0.67%, 0.74%

LAB 63.22, 21.5, -44.88

 

CMYK 39 / 14 / 0 / 9

HEX #8FC9E9

RGB 143 201 233

HSL 201.33, 0.67%, 0.74%

LAB 78.17, -10.72, -21.76

 

CMYK 38 / 14 / 0 / 89

HEX #12191D

RGB 18 25 29

HSL 201.82, 0.23%, 0.09%

LAB 8.24, -1.98, -3.86

 

CMYK 39 / 14 / 0 / 69

HEX #314550

RGB 49 69 80

HSL 201.29, 0.24%, 0.25%

LAB 28.08, -4.65, -9.11

 

CMYK 39 / 14 / 0 / 49

HEX #507183

RGB 80 113 131

HSL 201.18, 0.24%, 0.41%

LAB 45.84, -6.93, -13.67

 

CMYK 38 / 14 / 0 / 29

HEX #709DB6

RGB 112 157 182

HSL 201.43, 0.32%, 0.58%

LAB 62.45, -8.74, -17.79

 

CMYK 39 / 14 / 0 / 9

HEX #8FC9E9

RGB 143 201 233

HSL 201.33, 0.67%, 0.74%

LAB 78.17, -10.72, -21.76

 

CMYK 17 / 38 / 0 / 9

HEX #C190E9

RGB 193 144 233

HSL 273.03, 0.67%, 0.74%

LAB 67.4, 34.98, -38.02

 

CMYK 0 / 2 / 38 / 9

HEX #E9E490

RGB 233 228 144

HSL 56.63, 0.67%, 0.74%

LAB 89.31, -10.31, 41.59

 

CMYK 39 / 14 / 0 / 9

HEX #8FC9E9

RGB 143 201 233

HSL 201.33, 0.67%, 0.74%

LAB 78.17, -10.72, -21.76

 

CMYK 0 / 38 / 13 / 9

HEX #E990CA

RGB 233 144 202

HSL 320.9, 0.67%, 0.74%

LAB 70.55, 41.67, -15.68

 

CMYK 13 / 0 / 38 / 9

HEX #CAE990

RGB 202 233 144

HSL 80.9, 0.67%, 0.74%

LAB 88.38, -24.51, 39.94

 

CMYK 39 / 14 / 0 / 9

HEX #8FC9E9

RGB 143 201 233

HSL 201.33, 0.67%, 0.74%

LAB 78.17, -10.72, -21.76

 

CMYK 17 / 38 / 0 / 9

HEX #C190E9

RGB 193 144 233

HSL 273.03, 0.67%, 0.74%

LAB 67.4, 34.98, -38.02

 

CMYK 0 / 25 / 38 / 9

HEX #E9AF90

RGB 233 175 144

HSL 20.9, 0.67%, 0.74%

LAB 76.07, 17.19, 24.13

 

CMYK 21 / 0 / 38 / 9

HEX #B8E990

RGB 184 233 144

HSL 93.03, 0.67%, 0.74%

LAB 87.23, -31.01, 38.24

 

CMYK 39 / 14 / 0 / 9

HEX #8FC9E9

RGB 143 201 233

HSL 201.33, 0.67%, 0.74%

LAB 78.17, -10.72, -21.76

 

CMYK 6 / 38 / 0 / 9

HEX #DB90E9

RGB 219 144 233

HSL 290.56, 0.67%, 0.74%

LAB 70.1, 42.73, -33.62

 

CMYK 0 / 25 / 38 / 9

HEX #E9AF90

RGB 233 175 144

HSL 20.9, 0.67%, 0.74%

LAB 76.07, 17.19, 24.13

 

CMYK 33 / 0 / 38 / 9

HEX #9DE990

RGB 157 233 144

HSL 111.24, 0.67%, 0.74%

LAB 85.74, -40.13, 36

 

Description

Color code: RGB 143 201 233 | qconv.com Color code: RGB 143 201 233 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 201 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 201 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 14 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 14% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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