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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 92.6 18.6 it is the complementary color RGB 113 162.4 236.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 92.6 18.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 92.6 18.6 shade: RGB 147 92.6 13.6, RGB 164 110.6 32.6, RGB 181 128.6 51.6, RGB 198 146.6 70.6 and RGB 215 164.6 89.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 92.6 18.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 92.6 18.6 shade: RGB 142 92.6 18.6, RGB 125 74.6 0, RGB 108 56.6 0, RGB 91 38.6 0 and RGB 74 20.6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 92.6 18.6 shade: RGB 140 91 18, RGB 140 58 18, RGB 140 26 18 and RGB 140 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 92.6 18.6 shade: RGB 140 91 18, RGB 140 124 18, RGB 123 140 18, RGB 90 140 18 and RGB 57 140 18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 92.6 18.6 shade matches the following richer shades: RGB 140 91 18 and RGB 153 94 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 92.6 18.6 shade: RGB 140 91 18, RGB 127 89 31, RGB 114 86 44, RGB 102 84 57 and RGB 89 81 69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 92.6 18.6 shade: RGB 140 24 18, RGB 140 57 18, RGB 140 89 18, RGB 140 122 18 and RGB 126 140 18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 92.6 18.6 shade: RGB 67 44 9, RGB 103 67 13, RGB 140 91 18, RGB 176 115 23 and RGB 213 139 28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 92.6 18.6 shade: RGB 142 92.6 18.6, RGB 45 140 18 and RGB 40 18 140

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 92.6 18.6 shade: RGB 142 92.6 18.6, RGB 18 140 89 and RGB 89 18 140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 92.6 18.6 shade: RGB 142 92.6 18.6, RGB 45 140 18, RGB 18 69 140 and RGB 114 18 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 92.6 18.6 shade: RGB 142 92.6 18.6, RGB 18 140 28, RGB 18 69 140 and RGB 140 18 130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 87 / 44

HEX #8E5C12

RGB 142 92.6 18.6

HSL 35.98, 0.77%, 0.31%

LAB 43.59, 14.25, 46.53

 

Complementary color

CMYK 52 / 31 / 0 / 7

HEX #71A2EC

RGB 113 162.4 236.4

HSL 215.98, 0.77%, 0.69%

LAB 66.19, 4.11, -42.22

 

CMYK 0 / 37 / 91 / 42

HEX #935C0D

RGB 147 92.6 13.6

HSL 35.53, 0.83%, 0.31%

LAB 44.22, 16.43, 48.87

 

CMYK 0 / 33 / 80 / 36

HEX #A46E20

RGB 164 110.6 32.6

HSL 35.62, 0.67%, 0.39%

LAB 51.02, 14.46, 48.99

 

CMYK 0 / 29 / 71 / 29

HEX #B58033

RGB 181 128.6 51.6

HSL 35.7, 0.56%, 0.46%

LAB 57.72, 12.82, 48.11

 

CMYK 0 / 26 / 64 / 22

HEX #C69246

RGB 198 146.6 70.6

HSL 35.79, 0.53%, 0.53%

LAB 64.32, 11.43, 46.86

 

CMYK 0 / 23 / 58 / 16

HEX #D7A459

RGB 215 164.6 89.6

HSL 35.89, 0.61%, 0.6%

LAB 70.83, 10.26, 45.51

 

CMYK 0 / 35 / 87 / 44

HEX #8E5C12

RGB 142 92.6 18.6

HSL 35.98, 0.77%, 0.31%

LAB 43.59, 14.25, 46.53

 

CMYK 0 / 40 / 100 / 51

HEX #7D4A00

RGB 125 74.6 0

HSL 35.81, 1%, 0.25%

LAB 36.63, 16.43, 45.92

 

CMYK 0 / 48 / 100 / 58

HEX #6C3800

RGB 108 56.6 0

HSL 31.44, 1%, 0.21%

LAB 29.6, 19.11, 40.01

 

CMYK 0 / 58 / 100 / 64

HEX #5B2600

RGB 91 38.6 0

HSL 25.45, 1%, 0.18%

LAB 22.48, 21.84, 32.47

 

CMYK 0 / 72 / 100 / 71

HEX #4A1400

RGB 74 20.6 0

HSL 16.7, 1%, 0.15%

LAB 15.37, 24.28, 23.36

 

CMYK 0 / 35 / 87 / 45

HEX #8C5B12

RGB 140 91 18

HSL 35.9, 0.77%, 0.31%

LAB 42.92, 14.23, 46.07

 

CMYK 0 / 59 / 87 / 45

HEX #8C3A12

RGB 140 58 18

HSL 19.67, 0.77%, 0.31%

LAB 35.29, 32.76, 39.6

 

CMYK 0 / 81 / 87 / 45

HEX #8C1A12

RGB 140 26 18

HSL 3.93, 0.77%, 0.31%

LAB 30.3, 46.25, 35.26

 

CMYK 0 / 87 / 87 / 45

HEX #8C1212

RGB 140 18 18

HSL 0, 0.77%, 0.31%

LAB 29.54, 48.39, 34.6

 

CMYK 0 / 35 / 87 / 45

HEX #8C5B12

RGB 140 91 18

HSL 35.9, 0.77%, 0.31%

LAB 42.92, 14.23, 46.07

 

CMYK 0 / 11 / 87 / 45

HEX #8C7C12

RGB 140 124 18

HSL 52.13, 0.77%, 0.31%

LAB 51.88, -4.74, 53.54

 

CMYK 12 / 0 / 87 / 45

HEX #7B8C12

RGB 123 140 18

HSL 68.36, 0.77%, 0.31%

LAB 55.08, -21.11, 55.61

 

CMYK 36 / 0 / 87 / 45

HEX #5A8C12

RGB 90 140 18

HSL 84.59, 0.77%, 0.31%

LAB 52.92, -34.89, 52.91

 

CMYK 59 / 0 / 87 / 45

HEX #398C12

RGB 57 140 18

HSL 100.82, 0.77%, 0.31%

LAB 51.46, -45.84, 51.07

 

CMYK 0 / 35 / 87 / 45

HEX #8C5B12

RGB 140 91 18

HSL 35.9, 0.77%, 0.31%

LAB 42.92, 14.23, 46.07

 

CMYK 0 / 39 / 97 / 40

HEX #995E05

RGB 153 94 5

HSL 36.08, 0.94%, 0.31%

LAB 45.34, 18.22, 52.19

 

CMYK 0 / 35 / 87 / 45

HEX #8C5B12

RGB 140 91 18

HSL 35.9, 0.77%, 0.31%

LAB 42.92, 14.23, 46.07

 

CMYK 0 / 30 / 76 / 50

HEX #7F591F

RGB 127 89 31

HSL 36.25, 0.61%, 0.31%

LAB 40.83, 9.82, 38.23

 

CMYK 0 / 25 / 61 / 55

HEX #72562C

RGB 114 86 44

HSL 36, 0.44%, 0.31%

LAB 38.58, 6.35, 28.58

 

CMYK 0 / 18 / 44 / 60

HEX #665439

RGB 102 84 57

HSL 36, 0.28%, 0.31%

LAB 36.86, 3.3, 18.56

RGB 102 84 57

CMYK 0 / 9 / 22 / 65

HEX #595145

RGB 89 81 69

HSL 36, 0.13%, 0.31%

LAB 34.88, 1.05, 8.26

RGB 89 81 69

CMYK 0 / 83 / 87 / 45

HEX #8C1812

RGB 140 24 18

HSL 2.95, 0.77%, 0.31%

LAB 30.09, 46.84, 35.08

 

CMYK 0 / 59 / 87 / 45

HEX #8C3912

RGB 140 57 18

HSL 19.18, 0.77%, 0.31%

LAB 35.09, 33.27, 39.43

 

CMYK 0 / 36 / 87 / 45

HEX #8C5912

RGB 140 89 18

HSL 34.92, 0.77%, 0.31%

LAB 42.41, 15.4, 45.64

 

CMYK 0 / 13 / 87 / 45

HEX #8C7A12

RGB 140 122 18

HSL 51.15, 0.77%, 0.31%

LAB 51.31, -3.62, 53.07

 

CMYK 10 / 0 / 87 / 45

HEX #7E8C12

RGB 126 140 18

HSL 66.89, 0.77%, 0.31%

LAB 55.31, -19.77, 55.9

 

CMYK 0 / 34 / 87 / 74

HEX #432C09

RGB 67 44 9

HSL 36.21, 0.76%, 0.15%

LAB 20.1, 6.92, 25.1

 

CMYK 0 / 35 / 87 / 60

HEX #67430D

RGB 103 67 13

HSL 36, 0.78%, 0.23%

LAB 31.64, 10.75, 36.27

 

CMYK 0 / 35 / 87 / 45

HEX #8C5B12

RGB 140 91 18

HSL 35.9, 0.77%, 0.31%

LAB 42.92, 14.23, 46.07

 

CMYK 0 / 35 / 87 / 31

HEX #B07317

RGB 176 115 23

HSL 36.08, 0.77%, 0.39%

LAB 53.55, 17.08, 55.16

 

CMYK 0 / 35 / 87 / 16

HEX #D58B1C

RGB 213 139 28

HSL 36, 0.77%, 0.47%

LAB 63.91, 20.24, 64

 

CMYK 0 / 35 / 87 / 44

HEX #8E5C12

RGB 142 92.6 18.6

HSL 35.98, 0.77%, 0.31%

LAB 43.59, 14.25, 46.53

 

CMYK 68 / 0 / 87 / 45

HEX #2D8C12

RGB 45 140 18

HSL 106.72, 0.77%, 0.31%

LAB 51.1, -48.8, 50.61

 

CMYK 71 / 87 / 0 / 45

HEX #28128C

RGB 40 18 140

HSL 250.82, 0.77%, 0.31%

LAB 19.13, 45.72, -61.97

 

CMYK 0 / 35 / 87 / 44

HEX #8E5C12

RGB 142 92.6 18.6

HSL 35.98, 0.77%, 0.31%

LAB 43.59, 14.25, 46.53

 

CMYK 87 / 0 / 36 / 45

HEX #128C59

RGB 18 140 89

HSL 154.92, 0.77%, 0.31%

LAB 51.39, -43.67, 18.64

 

CMYK 36 / 87 / 0 / 45

HEX #59128C

RGB 89 18 140

HSL 274.92, 0.77%, 0.31%

LAB 25.11, 51.3, -51.91

 

CMYK 0 / 35 / 87 / 44

HEX #8E5C12

RGB 142 92.6 18.6

HSL 35.98, 0.77%, 0.31%

LAB 43.59, 14.25, 46.53

 

CMYK 68 / 0 / 87 / 45

HEX #2D8C12

RGB 45 140 18

HSL 106.72, 0.77%, 0.31%

LAB 51.1, -48.8, 50.61

 

CMYK 87 / 51 / 0 / 45

HEX #12458C

RGB 18 69 140

HSL 214.92, 0.77%, 0.31%

LAB 30.1, 11.96, -44.03

 

CMYK 19 / 87 / 0 / 45

HEX #72128C

RGB 114 18 140

HSL 287.21, 0.77%, 0.31%

LAB 29.17, 55.37, -45.12

 

CMYK 0 / 35 / 87 / 44

HEX #8E5C12

RGB 142 92.6 18.6

HSL 35.98, 0.77%, 0.31%

LAB 43.59, 14.25, 46.53

 

CMYK 87 / 0 / 80 / 45

HEX #128C1C

RGB 18 140 28

HSL 124.92, 0.77%, 0.31%

LAB 50.65, -52.53, 47.12

 

CMYK 87 / 51 / 0 / 45

HEX #12458C

RGB 18 69 140

HSL 214.92, 0.77%, 0.31%

LAB 30.1, 11.96, -44.03

 

CMYK 0 / 87 / 7 / 45

HEX #8C1282

RGB 140 18 130

HSL 304.92, 0.77%, 0.31%

LAB 33.18, 58.59, -32.21

 

Description

Color code: RGB 142 92.6 18.6 | qconv.com Color code: RGB 142 92.6 18.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 92.6 green and 18.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 92.6 18.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 87 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 87% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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