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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 162 141 it is the complementary color RGB 113 93 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 162 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 162 141 shade: RGB 147 162 136, RGB 164 180 155, RGB 181 198 174, RGB 198 216 193 and RGB 215 234 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 162 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 162 141 shade: RGB 142 162 141, RGB 125 144 122, RGB 108 126 103, RGB 91 108 84 and RGB 74 90 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 162 141 shade: RGB 141 161 140, RGB 147 161 140, RGB 152 161 140, RGB 158 161 140 and RGB 161 158 140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 162 141 shade: RGB 141 161 140, RGB 140 161 145, RGB 140 161 150, RGB 140 161 156 and RGB 140 160 161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 162 141 shade matches the following richer shades: RGB 141 161 140, RGB 126 178 123, RGB 110 195 106, RGB 95 212 89 and RGB 80 229 72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 162 141 shade: RGB 141 161 140, RGB 156 144 157, RGB 172 127 174, RGB 187 110 191 and RGB 202 93 208

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 162 141 shade: RGB 152 161 140, RGB 147 161 140, RGB 141 161 140, RGB 140 161 145 and RGB 140 161 150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 162 141 shade: RGB 99 120 98, RGB 118 142 117, RGB 141 161 140, RGB 163 179 163 and RGB 186 198 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 162 141 shade: RGB 142 162 141, RGB 140 158 161 and RGB 161 140 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 162 141 shade: RGB 142 162 141, RGB 140 141 161 and RGB 161 140 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 162 141 shade: RGB 142 162 141, RGB 140 158 161, RGB 160 140 161 and RGB 161 143 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 162 141 shade: RGB 142 162 141, RGB 140 151 161, RGB 160 140 161 and RGB 161 149 140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 13 / 36

HEX #8EA28D

RGB 142 162 141

HSL 117.14, 0.1%, 0.59%

LAB 64.58, -11.15, 8.57

 

Complementary color

CMYK 1 / 18 / 0 / 55

HEX #715D72

RGB 113 93 114

HSL 297.14, 0.1%, 0.41%

LAB 42.08, 12.19, -8.84

 

CMYK 9 / 0 / 16 / 36

HEX #93A288

RGB 147 162 136

HSL 94.62, 0.12%, 0.58%

LAB 64.82, -10.23, 11.75

 

CMYK 9 / 0 / 14 / 29

HEX #A4B49B

RGB 164 180 155

HSL 98.4, 0.14%, 0.66%

LAB 71.49, -10.23, 10.88

 

CMYK 9 / 0 / 12 / 22

HEX #B5C6AE

RGB 181 198 174

HSL 102.5, 0.17%, 0.73%

LAB 78.03, -10.23, 10.06

 

CMYK 8 / 0 / 11 / 15

HEX #C6D8C1

RGB 198 216 193

HSL 106.96, 0.23%, 0.8%

LAB 84.47, -10.24, 9.28

 

CMYK 8 / 0 / 9 / 8

HEX #D7EAD4

RGB 215 234 212

HSL 111.82, 0.34%, 0.87%

LAB 90.8, -10.26, 8.54

 

CMYK 12 / 0 / 13 / 36

HEX #8EA28D

RGB 142 162 141

HSL 117.14, 0.1%, 0.59%

LAB 64.58, -11.15, 8.57

 

CMYK 13 / 0 / 15 / 44

HEX #7D907A

RGB 125 144 122

HSL 111.82, 0.09%, 0.52%

LAB 57.76, -11.21, 9.43

 

CMYK 14 / 0 / 18 / 51

HEX #6C7E67

RGB 108 126 103

HSL 106.96, 0.1%, 0.45%

LAB 50.79, -11.28, 10.35

 

CMYK 16 / 0 / 22 / 58

HEX #5B6C54

RGB 91 108 84

HSL 102.5, 0.13%, 0.38%

LAB 43.64, -11.37, 11.35

 

CMYK 18 / 0 / 28 / 65

HEX #4A5A41

RGB 74 90 65

HSL 98.4, 0.16%, 0.3%

LAB 36.27, -11.48, 12.46

 

CMYK 12 / 0 / 13 / 37

HEX #8DA18C

RGB 141 161 140

HSL 117.14, 0.1%, 0.59%

LAB 64.2, -11.16, 8.58

 

CMYK 9 / 0 / 13 / 37

HEX #93A18C

RGB 147 161 140

HSL 100, 0.1%, 0.59%

LAB 64.63, -8.98, 9.26

 

CMYK 6 / 0 / 13 / 37

HEX #98A18C

RGB 152 161 140

HSL 85.71, 0.1%, 0.59%

LAB 65.01, -7.14, 9.85

 

CMYK 2 / 0 / 13 / 37

HEX #9EA18C

RGB 158 161 140

HSL 68.57, 0.1%, 0.59%

LAB 65.48, -4.89, 10.57

 

CMYK 0 / 2 / 13 / 37

HEX #A19E8C

RGB 161 158 140

HSL 51.43, 0.1%, 0.59%

LAB 64.9, -2.12, 9.79

 

CMYK 12 / 0 / 13 / 37

HEX #8DA18C

RGB 141 161 140

HSL 117.14, 0.1%, 0.59%

LAB 64.2, -11.16, 8.58

 

CMYK 13 / 0 / 10 / 37

HEX #8CA191

RGB 140 161 145

HSL 134.29, 0.1%, 0.59%

LAB 64.25, -10.57, 5.85

 

CMYK 13 / 0 / 7 / 37

HEX #8CA196

RGB 140 161 150

HSL 148.57, 0.1%, 0.59%

LAB 64.38, -9.59, 3.24

 

CMYK 13 / 0 / 3 / 37

HEX #8CA19C

RGB 140 161 156

HSL 165.71, 0.1%, 0.59%

LAB 64.54, -8.38, 0.11

 

CMYK 13 / 1 / 0 / 37

HEX #8CA0A1

RGB 140 160 161

HSL 182.86, 0.1%, 0.59%

LAB 64.4, -6.78, -2.9

 

CMYK 12 / 0 / 13 / 37

HEX #8DA18C

RGB 141 161 140

HSL 117.14, 0.1%, 0.59%

LAB 64.2, -11.16, 8.58

 

CMYK 29 / 0 / 31 / 30

HEX #7EB27B

RGB 126 178 123

HSL 116.73, 0.26%, 0.59%

LAB 67.8, -28.14, 22.78

 

CMYK 44 / 0 / 46 / 24

HEX #6EC36A

RGB 110 195 106

HSL 117.3, 0.43%, 0.59%

LAB 71.82, -43.67, 36.77

 

CMYK 55 / 0 / 58 / 17

HEX #5FD459

RGB 95 212 89

HSL 117.07, 0.59%, 0.59%

LAB 76.22, -56.81, 50.12

 

CMYK 65 / 0 / 69 / 10

HEX #50E548

RGB 80 229 72

HSL 116.94, 0.75%, 0.59%

LAB 80.86, -67.86, 62.22

 

CMYK 12 / 0 / 13 / 37

HEX #8DA18C

RGB 141 161 140

HSL 117.14, 0.1%, 0.59%

LAB 64.2, -11.16, 8.58

 

CMYK 1 / 8 / 0 / 38

HEX #9C909D

RGB 156 144 157

HSL 295.38, 0.06%, 0.59%

LAB 61.18, 6.9, -5.25

 

CMYK 1 / 27 / 0 / 32

HEX #AC7FAE

RGB 172 127 174

HSL 297.45, 0.22%, 0.59%

LAB 58.98, 25.53, -18.09

 

CMYK 2 / 42 / 0 / 25

HEX #BB6EBF

RGB 187 110 191

HSL 297.04, 0.39%, 0.59%

LAB 57.54, 43.01, -29.88

 

CMYK 3 / 55 / 0 / 18

HEX #CA5DD0

RGB 202 93 208

HSL 296.87, 0.55%, 0.59%

LAB 57.02, 58.89, -40.23

 

CMYK 6 / 0 / 13 / 37

HEX #98A18C

RGB 152 161 140

HSL 85.71, 0.1%, 0.59%

LAB 65.01, -7.14, 9.85

 

CMYK 9 / 0 / 13 / 37

HEX #93A18C

RGB 147 161 140

HSL 100, 0.1%, 0.59%

LAB 64.63, -8.98, 9.26

 

CMYK 12 / 0 / 13 / 37

HEX #8DA18C

RGB 141 161 140

HSL 117.14, 0.1%, 0.59%

LAB 64.2, -11.16, 8.58

 

CMYK 13 / 0 / 10 / 37

HEX #8CA191

RGB 140 161 145

HSL 134.29, 0.1%, 0.59%

LAB 64.25, -10.57, 5.85

 

CMYK 13 / 0 / 7 / 37

HEX #8CA196

RGB 140 161 150

HSL 148.57, 0.1%, 0.59%

LAB 64.38, -9.59, 3.24

 

CMYK 18 / 0 / 18 / 53

HEX #637862

RGB 99 120 98

HSL 117.27, 0.1%, 0.43%

LAB 48.22, -12.33, 9.56

 

CMYK 17 / 0 / 18 / 44

HEX #768E75

RGB 118 142 117

HSL 117.6, 0.1%, 0.51%

LAB 56.57, -13.64, 10.52

 

CMYK 12 / 0 / 13 / 37

HEX #8DA18C

RGB 141 161 140

HSL 117.14, 0.1%, 0.59%

LAB 64.2, -11.16, 8.58

 

CMYK 9 / 0 / 9 / 30

HEX #A3B3A3

RGB 163 179 163

HSL 120, 0.1%, 0.67%

LAB 71.33, -8.62, 6.27

 

CMYK 6 / 0 / 7 / 22

HEX #BAC6B9

RGB 186 198 185

HSL 115.38, 0.1%, 0.75%

LAB 78.65, -6.53, 5.09

 

CMYK 12 / 0 / 13 / 36

HEX #8EA28D

RGB 142 162 141

HSL 117.14, 0.1%, 0.59%

LAB 64.58, -11.15, 8.57

 

CMYK 13 / 2 / 0 / 37

HEX #8C9EA1

RGB 140 158 161

HSL 188.57, 0.1%, 0.59%

LAB 63.84, -5.69, -3.72

 

CMYK 0 / 13 / 7 / 37

HEX #A18C95

RGB 161 140 149

HSL 334.29, 0.1%, 0.59%

LAB 60.34, 9.48, -1.88

 

CMYK 12 / 0 / 13 / 36

HEX #8EA28D

RGB 142 162 141

HSL 117.14, 0.1%, 0.59%

LAB 64.58, -11.15, 8.57

 

CMYK 13 / 12 / 0 / 37

HEX #8C8DA1

RGB 140 141 161

HSL 237.14, 0.1%, 0.59%

LAB 59.16, 3.81, -10.68

 

CMYK 0 / 13 / 12 / 37

HEX #A18C8D

RGB 161 140 141

HSL 357.14, 0.1%, 0.59%

LAB 60.12, 8.05, 2.37

 

CMYK 12 / 0 / 13 / 36

HEX #8EA28D

RGB 142 162 141

HSL 117.14, 0.1%, 0.59%

LAB 64.58, -11.15, 8.57

 

CMYK 13 / 2 / 0 / 37

HEX #8C9EA1

RGB 140 158 161

HSL 188.57, 0.1%, 0.59%

LAB 63.84, -5.69, -3.72

 

CMYK 1 / 13 / 0 / 37

HEX #A08CA1

RGB 160 140 161

HSL 297.14, 0.1%, 0.59%

LAB 60.61, 11.39, -8.33

 

CMYK 0 / 11 / 13 / 37

HEX #A18F8C

RGB 161 143 140

HSL 8.57, 0.1%, 0.59%

LAB 60.88, 6.19, 4.04

 

CMYK 12 / 0 / 13 / 36

HEX #8EA28D

RGB 142 162 141

HSL 117.14, 0.1%, 0.59%

LAB 64.58, -11.15, 8.57

 

CMYK 13 / 6 / 0 / 37

HEX #8C97A1

RGB 140 151 161

HSL 208.57, 0.1%, 0.59%

LAB 61.9, -1.83, -6.59

 

CMYK 1 / 13 / 0 / 37

HEX #A08CA1

RGB 160 140 161

HSL 297.14, 0.1%, 0.59%

LAB 60.61, 11.39, -8.33

 

CMYK 0 / 7 / 13 / 37

HEX #A1958C

RGB 161 149 140

HSL 25.71, 0.1%, 0.59%

LAB 62.48, 2.84, 6.34

 

Description

Color code: RGB 142 162 141 | qconv.com Color code: RGB 142 162 141 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 162 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 162 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 13 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 13% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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