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Color name
RGB 141 198 63

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 198 63 it is the complementary color RGB 114 57 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 198 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 141 198 63: RGB 146 198 58, RGB 163 216 77, RGB 180 234 96, RGB 197 252 115 and RGB 214 255 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 198 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 141 198 63: RGB 141 198 63, RGB 124 180 44, RGB 107 162 25, RGB 90 144 6 and RGB 73 126 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 68 / 22

HEX #8DC63F

RGB 141 198 63

HSL 85.33, 0.54%, 0.51%

LAB 73.81, -39, 59.04

 

Complementary color

CMYK 41 / 70 / 0 / 25

HEX #7239C0

RGB 114 57 192

HSL 265.33, 0.54%, 0.49%

LAB 38.39, 52.24, -61.46

 

CMYK 26 / 0 / 71 / 22

HEX #92C63A

RGB 146 198 58

HSL 82.29, 0.55%, 0.5%

LAB 74.06, -37.46, 61.27

 

CMYK 25 / 0 / 64 / 15

HEX #A3D84D

RGB 163 216 77

HSL 82.88, 0.64%, 0.57%

LAB 80.42, -37.83, 60.83

 

CMYK 23 / 0 / 59 / 8

HEX #B4EA60

RGB 180 234 96

HSL 83.48, 0.77%, 0.65%

LAB 86.7, -38.08, 60.05

 

CMYK 22 / 0 / 54 / 1

HEX #C5FC73

RGB 197 252 115

HSL 84.09, 0.96%, 0.72%

LAB 92.9, -38.25, 59.11

 

CMYK 16 / 0 / 47 / 0

HEX #D6FF86

RGB 214 255 134

HSL 80.33, 1%, 0.76%

LAB 94.97, -31.56, 53.18

 

CMYK 29 / 0 / 68 / 22

HEX #8DC63F

RGB 141 198 63

HSL 85.33, 0.54%, 0.51%

LAB 73.81, -39, 59.04

 

CMYK 31 / 0 / 76 / 29

HEX #7CB42C

RGB 124 180 44

HSL 84.71, 0.61%, 0.44%

LAB 67.36, -38.57, 59.18

 

CMYK 34 / 0 / 85 / 36

HEX #6BA219

RGB 107 162 25

HSL 84.09, 0.73%, 0.37%

LAB 60.81, -37.93, 58.44

 

CMYK 38 / 0 / 96 / 44

HEX #5A9006

RGB 90 144 6

HSL 83.48, 0.92%, 0.29%

LAB 54.17, -37, 56.23

 

CMYK 42 / 0 / 100 / 51

HEX #497E00

RGB 73 126 0

HSL 85.24, 1%, 0.25%

LAB 47.42, -35.67, 51.63

 

CMYK 29 / 0 / 68 / 22

HEX #8DC63F

RGB 141 198 63

HSL 85.33, 0.54%, 0.51%

LAB 73.81, -39, 59.04

 

CMYK 40 / 0 / 69 / 23

HEX #76C53E

RGB 118 197 62

HSL 95.11, 0.54%, 0.51%

LAB 72.32, -46.77, 57.5

 

CMYK 51 / 0 / 69 / 23

HEX #60C53E

RGB 96 197 62

HSL 104.89, 0.54%, 0.51%

LAB 71.4, -53.56, 56.26

 

CMYK 63 / 0 / 69 / 23

HEX #49C53E

RGB 73 197 62

HSL 115.11, 0.54%, 0.51%

LAB 70.66, -59.35, 55.26

 

CMYK 69 / 0 / 63 / 23

HEX #3EC549

RGB 62 197 73

HSL 124.89, 0.54%, 0.51%

LAB 70.48, -60.49, 50.42

 

CMYK 29 / 0 / 68 / 22

HEX #8DC63F

RGB 141 198 63

HSL 85.33, 0.54%, 0.51%

LAB 73.81, -39, 59.04

 

CMYK 29 / 0 / 68 / 2

HEX #B1F94F

RGB 177 249 79

HSL 85.41, 0.93%, 0.64%

LAB 90.63, -46.97, 70.96

 

CMYK 29 / 0 / 69 / 82

HEX #202D0E

RGB 32 45 14

HSL 85.16, 0.53%, 0.12%

LAB 16.58, -11.93, 17.74

 

CMYK 29 / 0 / 68 / 62

HEX #44601F

RGB 68 96 31

HSL 85.85, 0.51%, 0.25%

LAB 37.29, -21.97, 32.78

 

CMYK 29 / 0 / 68 / 42

HEX #69932F

RGB 105 147 47

HSL 85.2, 0.52%, 0.38%

LAB 56.16, -30.6, 46.45

 

CMYK 29 / 0 / 68 / 22

HEX #8DC63F

RGB 141 198 63

HSL 85.33, 0.54%, 0.51%

LAB 73.81, -39, 59.04

 

CMYK 69 / 0 / 26 / 23

HEX #3EC591

RGB 62 197 145

HSL 156.89, 0.54%, 0.51%

LAB 71.56, -48.45, 15.72

 

CMYK 0 / 69 / 1 / 23

HEX #C53EC3

RGB 197 62 195

HSL 300.89, 0.54%, 0.51%

LAB 50.99, 68.28, -42.35

 

CMYK 29 / 0 / 68 / 22

HEX #8DC63F

RGB 141 198 63

HSL 85.33, 0.54%, 0.51%

LAB 73.81, -39, 59.04

 

CMYK 69 / 28 / 0 / 23

HEX #3E8DC5

RGB 62 141 197

HSL 204.89, 0.54%, 0.51%

LAB 56.19, -6.1, -36.09

 

CMYK 0 / 69 / 28 / 23

HEX #C53E8D

RGB 197 62 141

HSL 324.89, 0.54%, 0.51%

LAB 48.56, 60.47, -14.29

 

CMYK 29 / 0 / 68 / 22

HEX #8DC63F

RGB 141 198 63

HSL 85.33, 0.54%, 0.51%

LAB 73.81, -39, 59.04

 

CMYK 69 / 0 / 26 / 23

HEX #3EC591

RGB 62 197 145

HSL 156.89, 0.54%, 0.51%

LAB 71.56, -48.45, 15.72

 

CMYK 40 / 69 / 0 / 23

HEX #763EC5

RGB 118 62 197

HSL 264.89, 0.54%, 0.51%

LAB 40.13, 51.81, -61.53

 

CMYK 0 / 69 / 42 / 23

HEX #C53E72

RGB 197 62 114

HSL 336.89, 0.54%, 0.51%

LAB 47.66, 57.43, 0.72

 

CMYK 29 / 0 / 68 / 22

HEX #8DC63F

RGB 141 198 63

HSL 85.33, 0.54%, 0.51%

LAB 73.81, -39, 59.04

 

CMYK 69 / 0 / 6 / 23

HEX #3EC5BA

RGB 62 197 186

HSL 175.11, 0.54%, 0.51%

LAB 72.56, -38.24, -5.05

 

CMYK 40 / 69 / 0 / 23

HEX #763EC5

RGB 118 62 197

HSL 264.89, 0.54%, 0.51%

LAB 40.13, 51.81, -61.53

 

CMYK 0 / 69 / 63 / 23

HEX #C53E49

RGB 197 62 73

HSL 355.11, 0.54%, 0.51%

LAB 46.71, 54.09, 24.4

 

Description

Color code: RGB 141 198 63 | qconv.com Color code: RGB 141 198 63 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 198 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 198 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 68 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 68% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

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Link: http://www.rleonardi.com

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Link: http://letsclub.com.tr

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Link: http://b-efficientusa.inkt.us

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Link: http://tryfusionmarketing.com

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Link: http://www.carsaver.com

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