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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 178 195 it is the complementary color RGB 114 77 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 178 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 141 178 195: RGB 146 178 190, RGB 163 196 209, RGB 180 214 228, RGB 197 232 247 and RGB 214 250 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 178 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 141 178 195: RGB 141 178 195, RGB 124 160 176, RGB 107 142 157, RGB 90 124 138 and RGB 73 106 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 9 / 0 / 24

HEX #8DB2C3

RGB 141 178 195

HSL 198.89, 0.31%, 0.66%

LAB 70.49, -8.51, -12.73

 

Complementary color

CMYK 0 / 32 / 47 / 55

HEX #724D3C

RGB 114 77 60

HSL 18.89, 0.31%, 0.34%

LAB 36.39, 13.41, 16.37

 

CMYK 23 / 6 / 0 / 25

HEX #92B2BE

RGB 146 178 190

HSL 196.36, 0.25%, 0.66%

LAB 70.64, -8.15, -9.71

 

CMYK 22 / 6 / 0 / 18

HEX #A3C4D1

RGB 163 196 209

HSL 196.96, 0.33%, 0.73%

LAB 77.2, -8.17, -10.17

 

CMYK 21 / 6 / 0 / 11

HEX #B4D6E4

RGB 180 214 228

HSL 197.5, 0.47%, 0.8%

LAB 83.65, -8.2, -10.62

 

CMYK 20 / 6 / 0 / 3

HEX #C5E8F7

RGB 197 232 247

HSL 198, 0.76%, 0.87%

LAB 90, -8.23, -11.07

 

CMYK 16 / 2 / 0 / 0

HEX #D6FAFF

RGB 214 250 255

HSL 187.32, 1%, 0.92%

LAB 95.95, -10.52, -6.28

 

CMYK 28 / 9 / 0 / 24

HEX #8DB2C3

RGB 141 178 195

HSL 198.89, 0.31%, 0.66%

LAB 70.49, -8.51, -12.73

 

CMYK 30 / 9 / 0 / 31

HEX #7CA0B0

RGB 124 160 176

HSL 198.46, 0.25%, 0.59%

LAB 63.8, -8.47, -12.31

 

CMYK 32 / 10 / 0 / 38

HEX #6B8E9D

RGB 107 142 157

HSL 198, 0.2%, 0.52%

LAB 56.98, -8.42, -11.89

 

CMYK 35 / 10 / 0 / 46

HEX #5A7C8A

RGB 90 124 138

HSL 197.5, 0.21%, 0.45%

LAB 50.01, -8.37, -11.47

 

CMYK 39 / 11 / 0 / 53

HEX #496A77

RGB 73 106 119

HSL 196.96, 0.24%, 0.38%

LAB 42.85, -8.3, -11.04

 

CMYK 28 / 9 / 0 / 24

HEX #8DB2C3

RGB 141 178 195

HSL 198.89, 0.31%, 0.66%

LAB 70.49, -8.51, -12.73

 

CMYK 28 / 13 / 0 / 24

HEX #8DAAC3

RGB 141 170 195

HSL 207.78, 0.31%, 0.66%

LAB 68.28, -4.18, -16.05

 

CMYK 28 / 17 / 0 / 24

HEX #8DA1C3

RGB 141 161 195

HSL 217.78, 0.31%, 0.66%

LAB 65.82, 0.79, -19.77

 

CMYK 28 / 22 / 0 / 24

HEX #8D98C3

RGB 141 152 195

HSL 227.78, 0.31%, 0.66%

LAB 63.39, 5.86, -23.48

 

CMYK 28 / 27 / 0 / 24

HEX #8D8FC3

RGB 141 143 195

HSL 237.78, 0.31%, 0.66%

LAB 61, 11.01, -27.16

 

CMYK 28 / 9 / 0 / 24

HEX #8DB2C3

RGB 141 178 195

HSL 198.89, 0.31%, 0.66%

LAB 70.49, -8.51, -12.73

 

CMYK 28 / 9 / 0 / 4

HEX #B2E1F6

RGB 178 225 246

HSL 198.53, 0.79%, 0.83%

LAB 86.98, -10.44, -15.17

 

CMYK 29 / 10 / 0 / 84

HEX #1E262A

RGB 30 38 42

HSL 200, 0.17%, 0.14%

LAB 14.57, -2.37, -3.82

 

CMYK 28 / 9 / 0 / 64

HEX #43555D

RGB 67 85 93

HSL 198.46, 0.16%, 0.31%

LAB 34.96, -4.84, -6.93

 

CMYK 28 / 9 / 0 / 44

HEX #688390

RGB 104 131 144

HSL 199.5, 0.16%, 0.49%

LAB 53.16, -6.46, -10.15

 

CMYK 28 / 9 / 0 / 24

HEX #8DB2C3

RGB 141 178 195

HSL 198.89, 0.31%, 0.66%

LAB 70.49, -8.51, -12.73

 

CMYK 14 / 28 / 0 / 24

HEX #A88DC3

RGB 168 141 195

HSL 270, 0.31%, 0.66%

LAB 62.77, 20.62, -24.24

 

CMYK 0 / 3 / 28 / 24

HEX #C3BD8D

RGB 195 189 141

HSL 53.33, 0.31%, 0.66%

LAB 76.02, -5.47, 25.08

 

CMYK 28 / 9 / 0 / 24

HEX #8DB2C3

RGB 141 178 195

HSL 198.89, 0.31%, 0.66%

LAB 70.49, -8.51, -12.73

 

CMYK 0 / 28 / 8 / 24

HEX #C38DB3

RGB 195 141 179

HSL 317.78, 0.31%, 0.66%

LAB 64.89, 26.56, -11.77

 

CMYK 8 / 0 / 28 / 24

HEX #B3C38D

RGB 179 195 141

HSL 77.78, 0.31%, 0.66%

LAB 76.4, -14.69, 25.38

 

CMYK 28 / 9 / 0 / 24

HEX #8DB2C3

RGB 141 178 195

HSL 198.89, 0.31%, 0.66%

LAB 70.49, -8.51, -12.73

 

CMYK 14 / 28 / 0 / 24

HEX #A88DC3

RGB 168 141 195

HSL 270, 0.31%, 0.66%

LAB 62.77, 20.62, -24.24

 

CMYK 0 / 19 / 28 / 24

HEX #C39D8D

RGB 195 157 141

HSL 17.78, 0.31%, 0.66%

LAB 67.75, 11.71, 13.7

 

CMYK 14 / 0 / 28 / 24

HEX #A8C38D

RGB 168 195 141

HSL 90, 0.31%, 0.66%

LAB 75.62, -18.77, 24.2

 

CMYK 28 / 9 / 0 / 24

HEX #8DB2C3

RGB 141 178 195

HSL 198.89, 0.31%, 0.66%

LAB 70.49, -8.51, -12.73

 

CMYK 6 / 28 / 0 / 24

HEX #B88DC3

RGB 184 141 195

HSL 287.78, 0.31%, 0.66%

LAB 64.31, 25.85, -21.75

 

CMYK 0 / 19 / 28 / 24

HEX #C39D8D

RGB 195 157 141

HSL 17.78, 0.31%, 0.66%

LAB 67.75, 11.71, 13.7

 

CMYK 22 / 0 / 28 / 24

HEX #98C38D

RGB 152 195 141

HSL 107.78, 0.31%, 0.66%

LAB 74.59, -24.5, 22.63

 

Description

Color code: RGB 141 178 195 | qconv.com Color code: RGB 141 178 195 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 178 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 178 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 9 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 9% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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