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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 92.2 243.6 it is the complementary color RGB 115 162.8 11.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 92.2 243.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 92.2 243.6 shade: RGB 145 92.2 238.6, RGB 162 110.2 255, RGB 179 128.2 255, RGB 196 146.2 255 and RGB 213 164.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 92.2 243.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 92.2 243.6 shade: RGB 140 92.2 243.6, RGB 123 74.2 224.6, RGB 106 56.2 205.6, RGB 89 38.2 186.6 and RGB 72 20.2 167.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 92.2 243.6 shade: RGB 140 93 244, RGB 181 93 244, RGB 222 93 244, RGB 244 93 225 and RGB 244 93 184

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 92.2 243.6 shade: RGB 140 93 244, RGB 100 93 244 and RGB 93 93 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 92.2 243.6 shade matches the following richer shades: RGB 140 93 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 92.2 243.6 shade: RGB 140 93 244, RGB 146 107 230, RGB 151 121 216, RGB 156 135 202 and RGB 161 149 188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 92.2 243.6 shade: RGB 93 128 244, RGB 98 93 244, RGB 138 93 244, RGB 178 93 244 and RGB 219 93 244

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 92.2 243.6 shade: RGB 86 17 238, RGB 113 54 241, RGB 140 93 244, RGB 168 131 246 and RGB 195 170 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 92.2 243.6 shade: RGB 140 92.2 243.6, RGB 244 93 168 and RGB 108 244 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 92.2 243.6 shade: RGB 140 92.2 243.6, RGB 244 138 93 and RGB 93 244 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 92.2 243.6 shade: RGB 140 92.2 243.6, RGB 244 93 168, RGB 198 244 93 and RGB 93 244 168

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 92.2 243.6 shade: RGB 140 92.2 243.6, RGB 244 93 123, RGB 198 244 93 and RGB 93 244 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 62 / 0 / 4

HEX #8C5CF3

RGB 140 92.2 243.6

HSL 258.94, 0.87%, 0.66%

LAB 51.58, 52.62, -69.4

 

Complementary color

CMYK 29 / 0 / 93 / 36

HEX #73A20B

RGB 115 162.8 11.4

HSL 78.94, 0.87%, 0.34%

LAB 61.48, -35.59, 61.89

 

CMYK 39 / 61 / 0 / 6

HEX #915CEE

RGB 145 92.2 238.6

HSL 261.64, 0.82%, 0.65%

LAB 51.74, 52.33, -66.31

 

CMYK 36 / 57 / 0 / 0

HEX #A26EFF

RGB 162 110.2 255

HSL 261.46, 1%, 0.72%

LAB 58.13, 50.58, -65.04

 

CMYK 30 / 50 / 0 / 0

HEX #B380FF

RGB 179 128.2 255

HSL 264.04, 1%, 0.75%

LAB 63.59, 44.88, -56.21

 

CMYK 23 / 43 / 0 / 0

HEX #C492FF

RGB 196 146.2 255

HSL 267.46, 1%, 0.79%

LAB 69.17, 39.54, -47.28

 

CMYK 16 / 36 / 0 / 0

HEX #D5A4FF

RGB 213 164.2 255

HSL 272.25, 1%, 0.82%

LAB 74.82, 34.59, -38.32

 

CMYK 43 / 62 / 0 / 4

HEX #8C5CF3

RGB 140 92.2 243.6

HSL 258.94, 0.87%, 0.66%

LAB 51.58, 52.62, -69.4

 

CMYK 45 / 67 / 0 / 12

HEX #7B4AE0

RGB 123 74.2 224.6

HSL 259.47, 0.71%, 0.59%

LAB 45.01, 53.78, -69.44

 

CMYK 48 / 73 / 0 / 19

HEX #6A38CD

RGB 106 56.2 205.6

HSL 260, 0.6%, 0.51%

LAB 38.46, 54.81, -69.3

 

CMYK 52 / 80 / 0 / 27

HEX #5926BA

RGB 89 38.2 186.6

HSL 260.54, 0.66%, 0.44%

LAB 32.02, 55.47, -68.82

 

CMYK 57 / 88 / 0 / 34

HEX #4814A7

RGB 72 20.2 167.6

HSL 261.09, 0.78%, 0.37%

LAB 25.85, 55.29, -67.69

 

CMYK 43 / 62 / 0 / 4

HEX #8C5DF4

RGB 140 93 244

HSL 258.68, 0.87%, 0.66%

LAB 51.76, 52.3, -69.32

 

CMYK 26 / 62 / 0 / 4

HEX #B55DF4

RGB 181 93 244

HSL 274.97, 0.87%, 0.66%

LAB 56.27, 60.98, -61.82

 

CMYK 9 / 62 / 0 / 4

HEX #DE5DF4

RGB 222 93 244

HSL 291.26, 0.87%, 0.66%

LAB 61.56, 70.31, -53.07

 

CMYK 0 / 62 / 8 / 4

HEX #F45DE1

RGB 244 93 225

HSL 307.55, 0.87%, 0.66%

LAB 63.75, 72.42, -38.83

 

CMYK 0 / 62 / 25 / 4

HEX #F45DB8

RGB 244 93 184

HSL 323.84, 0.87%, 0.66%

LAB 62.1, 66.64, -18.2

 

CMYK 43 / 62 / 0 / 4

HEX #8C5DF4

RGB 140 93 244

HSL 258.68, 0.87%, 0.66%

LAB 51.76, 52.3, -69.32

 

CMYK 59 / 62 / 0 / 4

HEX #645DF4

RGB 100 93 244

HSL 242.78, 0.87%, 0.66%

LAB 48.35, 45.12, -75.03

 

CMYK 62 / 62 / 0 / 4

HEX #5D5DF4

RGB 93 93 244

HSL 240, 0.87%, 0.66%

LAB 47.86, 44.05, -75.84

 

CMYK 43 / 62 / 0 / 4

HEX #8C5DF4

RGB 140 93 244

HSL 258.68, 0.87%, 0.66%

LAB 51.76, 52.3, -69.32

 

CMYK 43 / 62 / 0 / 4

HEX #8C5DF4

RGB 140 93 244

HSL 258.68, 0.87%, 0.66%

LAB 51.76, 52.3, -69.32

 

CMYK 37 / 53 / 0 / 10

HEX #926BE6

RGB 146 107 230

HSL 259.02, 0.71%, 0.66%

LAB 54.39, 42.24, -57.23

 

CMYK 30 / 44 / 0 / 15

HEX #9779D8

RGB 151 121 216

HSL 258.95, 0.55%, 0.66%

LAB 57.28, 31.95, -44.73

 

CMYK 23 / 33 / 0 / 21

HEX #9C87CA

RGB 156 135 202

HSL 258.81, 0.39%, 0.66%

LAB 60.48, 21.89, -31.8

 

CMYK 14 / 21 / 0 / 26

HEX #A195BC

RGB 161 149 188

HSL 258.46, 0.23%, 0.66%

LAB 63.92, 12.26, -18.61

 

CMYK 62 / 48 / 0 / 4

HEX #5D80F4

RGB 93 128 244

HSL 226.09, 0.87%, 0.66%

LAB 56.38, 22.91, -62.04

 

CMYK 60 / 62 / 0 / 4

HEX #625DF4

RGB 98 93 244

HSL 241.99, 0.87%, 0.66%

LAB 48.21, 44.8, -75.26

 

CMYK 43 / 62 / 0 / 4

HEX #8A5DF4

RGB 138 93 244

HSL 257.88, 0.87%, 0.66%

LAB 51.57, 51.91, -69.65

 

CMYK 27 / 62 / 0 / 4

HEX #B25DF4

RGB 178 93 244

HSL 273.77, 0.87%, 0.66%

LAB 55.91, 60.31, -62.42

 

CMYK 10 / 62 / 0 / 4

HEX #DB5DF4

RGB 219 93 244

HSL 290.07, 0.87%, 0.66%

LAB 61.15, 69.61, -53.74

 

CMYK 64 / 93 / 0 / 7

HEX #5611EE

RGB 86 17 238

HSL 258.73, 0.87%, 0.5%

LAB 35.11, 74.46, -93.48

 

CMYK 53 / 78 / 0 / 5

HEX #7136F1

RGB 113 54 241

HSL 258.93, 0.87%, 0.58%

LAB 42, 66.06, -83.7

 

CMYK 43 / 62 / 0 / 4

HEX #8C5DF4

RGB 140 93 244

HSL 258.68, 0.87%, 0.66%

LAB 51.76, 52.3, -69.32

 

CMYK 32 / 47 / 0 / 4

HEX #A883F6

RGB 168 131 246

HSL 259.3, 0.86%, 0.74%

LAB 62.69, 38.32, -52.76

 

CMYK 22 / 32 / 0 / 2

HEX #C3AAF9

RGB 195 170 249

HSL 258.99, 0.87%, 0.82%

LAB 74.31, 24.79, -35.99

 

CMYK 43 / 62 / 0 / 4

HEX #8C5CF3

RGB 140 92.2 243.6

HSL 258.94, 0.87%, 0.66%

LAB 51.58, 52.62, -69.4

 

CMYK 0 / 62 / 31 / 4

HEX #F45DA8

RGB 244 93 168

HSL 330.2, 0.87%, 0.66%

LAB 61.56, 64.67, -9.84

 

CMYK 56 / 0 / 62 / 4

HEX #6CF45D

RGB 108 244 93

HSL 114.04, 0.87%, 0.66%

LAB 86.35, -64.86, 60.03

 

CMYK 43 / 62 / 0 / 4

HEX #8C5CF3

RGB 140 92.2 243.6

HSL 258.94, 0.87%, 0.66%

LAB 51.58, 52.62, -69.4

 

CMYK 0 / 43 / 62 / 4

HEX #F48A5D

RGB 244 138 93

HSL 17.88, 0.87%, 0.66%

LAB 68.17, 36.41, 41.41

 

CMYK 62 / 0 / 43 / 4

HEX #5DF48A

RGB 93 244 138

HSL 137.88, 0.87%, 0.66%

LAB 86.44, -62.36, 39.41

 

CMYK 43 / 62 / 0 / 4

HEX #8C5CF3

RGB 140 92.2 243.6

HSL 258.94, 0.87%, 0.66%

LAB 51.58, 52.62, -69.4

 

CMYK 0 / 62 / 31 / 4

HEX #F45DA8

RGB 244 93 168

HSL 330.2, 0.87%, 0.66%

LAB 61.56, 64.67, -9.84

 

CMYK 19 / 0 / 62 / 4

HEX #C6F45D

RGB 198 244 93

HSL 78.28, 0.87%, 0.66%

LAB 90.55, -36.11, 65.86

 

CMYK 62 / 0 / 31 / 4

HEX #5DF4A8

RGB 93 244 168

HSL 149.8, 0.87%, 0.66%

LAB 86.93, -57.05, 25.02

 

CMYK 43 / 62 / 0 / 4

HEX #8C5CF3

RGB 140 92.2 243.6

HSL 258.94, 0.87%, 0.66%

LAB 51.58, 52.62, -69.4

 

CMYK 0 / 62 / 50 / 4

HEX #F45D7B

RGB 244 93 123

HSL 348.08, 0.87%, 0.66%

LAB 60.33, 60.1, 14.46

 

CMYK 19 / 0 / 62 / 4

HEX #C6F45D

RGB 198 244 93

HSL 78.28, 0.87%, 0.66%

LAB 90.55, -36.11, 65.86

 

CMYK 62 / 0 / 12 / 4

HEX #5DF4D6

RGB 93 244 214

HSL 168.08, 0.87%, 0.66%

LAB 87.91, -46.97, 2.6

 

Description

Color code: RGB 140 92.2 243.6 | qconv.com Color code: RGB 140 92.2 243.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 92.2 green and 243.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 92.2 243.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 62 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 62% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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