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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 20 140 it is the complementary color RGB 115 235 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 20 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 140 20 140: RGB 145 20 135, RGB 162 38 154, RGB 179 56 173, RGB 196 74 192 and RGB 213 92 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 20 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 140 20 140: RGB 140 20 140, RGB 123 2 121, RGB 106 0 102, RGB 89 0 83 and RGB 72 0 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 0 / 45

HEX #8C148C

RGB 140 20 140

HSL 300, 0.75%, 0.31%

LAB 33.92, 59.75, -37.24

 

Complementary color

CMYK 51 / 0 / 51 / 8

HEX #73EB73

RGB 115 235 115

HSL 120, 0.75%, 0.69%

LAB 84.12, -57.26, 47.71

 

CMYK 0 / 86 / 7 / 43

HEX #911487

RGB 145 20 135

HSL 304.8, 0.76%, 0.32%

LAB 34.54, 59.96, -33.1

 

CMYK 0 / 77 / 5 / 36

HEX #A2269A

RGB 162 38 154

HSL 303.87, 0.62%, 0.39%

LAB 40.25, 61.86, -35.5

 

CMYK 0 / 69 / 3 / 30

HEX #B338AD

RGB 179 56 173

HSL 302.93, 0.52%, 0.46%

LAB 46.22, 62.72, -37.23

 

CMYK 0 / 62 / 2 / 23

HEX #C44AC0

RGB 196 74 192

HSL 301.97, 0.51%, 0.53%

LAB 52.33, 62.93, -38.5

 

CMYK 0 / 57 / 1 / 16

HEX #D55CD3

RGB 213 92 211

HSL 300.99, 0.59%, 0.6%

LAB 58.51, 62.74, -39.48

 

CMYK 0 / 86 / 0 / 45

HEX #8C148C

RGB 140 20 140

HSL 300, 0.75%, 0.31%

LAB 33.92, 59.75, -37.24

 

CMYK 0 / 98 / 2 / 52

HEX #7B0279

RGB 123 2 121

HSL 300.99, 0.97%, 0.25%

LAB 28.47, 56.62, -34.22

 

CMYK 0 / 100 / 4 / 58

HEX #6A0066

RGB 106 0 102

HSL 302.26, 1%, 0.21%

LAB 23.75, 50.87, -29.71

 

CMYK 0 / 100 / 7 / 65

HEX #590053

RGB 89 0 83

HSL 304.04, 1%, 0.17%

LAB 19.01, 44.6, -24.83

 

CMYK 0 / 100 / 11 / 72

HEX #480040

RGB 72 0 64

HSL 306.67, 1%, 0.14%

LAB 14.1, 38.12, -19.71

 

CMYK 0 / 86 / 0 / 45

HEX #8C148C

RGB 140 20 140

HSL 300, 0.75%, 0.31%

LAB 33.92, 59.75, -37.24

 

CMYK 0 / 86 / 14 / 46

HEX #8A1376

RGB 138 19 118

HSL 310.08, 0.76%, 0.31%

LAB 32.21, 56.17, -26.22

 

CMYK 0 / 86 / 29 / 46

HEX #8A1362

RGB 138 19 98

HSL 320.17, 0.76%, 0.31%

LAB 31.23, 53.49, -14.92

 

CMYK 0 / 86 / 43 / 46

HEX #8A134F

RGB 138 19 79

HSL 329.75, 0.76%, 0.31%

LAB 30.48, 51.35, -3.63

 

CMYK 0 / 86 / 57 / 46

HEX #8A133B

RGB 138 19 59

HSL 339.83, 0.76%, 0.31%

LAB 29.87, 49.59, 8.81

 

CMYK 0 / 86 / 0 / 45

HEX #8C148C

RGB 140 20 140

HSL 300, 0.75%, 0.31%

LAB 33.92, 59.75, -37.24

 

CMYK 0 / 86 / 0 / 25

HEX #BF1BBF

RGB 191 27 191

HSL 300, 0.75%, 0.43%

LAB 46.47, 75.93, -47.26

 

CMYK 0 / 86 / 0 / 5

HEX #F223F2

RGB 242 35 242

HSL 300, 0.89%, 0.54%

LAB 58.5, 91.06, -56.65

 

CMYK 0 / 87 / 0 / 85

HEX #260526

RGB 38 5 38

HSL 300, 0.77%, 0.08%

LAB 5.97, 21.85, -13.98

 

CMYK 0 / 85 / 0 / 65

HEX #590D59

RGB 89 13 89

HSL 300, 0.75%, 0.2%

LAB 20.57, 42.2, -26.39

 

CMYK 0 / 86 / 0 / 45

HEX #8C148C

RGB 140 20 140

HSL 300, 0.75%, 0.31%

LAB 33.92, 59.75, -37.24

 

CMYK 0 / 69 / 86 / 46

HEX #8A2B13

RGB 138 43 19

HSL 12.1, 0.76%, 0.31%

LAB 32.21, 39.23, 36.29

 

CMYK 86 / 0 / 35 / 46

HEX #138A5A

RGB 19 138 90

HSL 155.8, 0.76%, 0.31%

LAB 50.75, -42.57, 17.21

 

CMYK 0 / 86 / 0 / 45

HEX #8C148C

RGB 140 20 140

HSL 300, 0.75%, 0.31%

LAB 33.92, 59.75, -37.24

 

CMYK 0 / 0 / 86 / 46

HEX #8A8A13

RGB 138 138 19

HSL 60, 0.76%, 0.31%

LAB 55.71, -13.27, 56.4

 

CMYK 86 / 0 / 0 / 46

HEX #138A8A

RGB 19 138 138

HSL 180, 0.76%, 0.31%

LAB 52.01, -29.42, -8.71

 

CMYK 0 / 86 / 0 / 45

HEX #8C148C

RGB 140 20 140

HSL 300, 0.75%, 0.31%

LAB 33.92, 59.75, -37.24

 

CMYK 0 / 69 / 86 / 46

HEX #8A2B13

RGB 138 43 19

HSL 12.1, 0.76%, 0.31%

LAB 32.21, 39.23, 36.29

 

CMYK 86 / 0 / 86 / 46

HEX #138A13

RGB 19 138 19

HSL 120, 0.76%, 0.31%

LAB 49.93, -52.36, 49.12

 

CMYK 86 / 17 / 0 / 46

HEX #13728A

RGB 19 114 138

HSL 192.1, 0.76%, 0.31%

LAB 44.24, -16.95, -20.49

 

CMYK 0 / 86 / 0 / 45

HEX #8C148C

RGB 140 20 140

HSL 300, 0.75%, 0.31%

LAB 33.92, 59.75, -37.24

 

CMYK 0 / 43 / 86 / 46

HEX #8A4F13

RGB 138 79 19

HSL 30.25, 0.76%, 0.31%

LAB 39.65, 20.32, 42.82

 

CMYK 86 / 0 / 86 / 46

HEX #138A13

RGB 19 138 19

HSL 120, 0.76%, 0.31%

LAB 49.93, -52.36, 49.12

 

CMYK 86 / 43 / 0 / 46

HEX #134F8A

RGB 19 79 138

HSL 209.75, 0.76%, 0.31%

LAB 33.06, 4.43, -38.05

 

Description

Color code: RGB 140 20 140 | qconv.com Color code: RGB 140 20 140 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 20 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 20 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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