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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 145 245 it is the complementary color RGB 115 110 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 145 245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 140 145 245: RGB 145 145 240, RGB 162 163 255, RGB 179 181 255, RGB 196 199 255 and RGB 213 217 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 145 245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 140 145 245: RGB 140 145 245, RGB 123 127 226, RGB 106 109 207, RGB 89 91 188 and RGB 72 73 169

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 41 / 0 / 4

HEX #8C91F5

RGB 140 145 245

HSL 237.14, 0.84%, 0.75%

LAB 63.69, 22.98, -50.77

 

Complementary color

CMYK 0 / 4 / 91 / 55

HEX #736E0A

RGB 115 110 10

HSL 57.14, 0.84%, 0.25%

LAB 45.38, -8.96, 49.16

 

CMYK 40 / 40 / 0 / 6

HEX #9191F0

RGB 145 145 240

HSL 240, 0.76%, 0.75%

LAB 63.8, 22.83, -47.81

 

CMYK 36 / 36 / 0 / 0

HEX #A2A3FF

RGB 162 163 255

HSL 239.35, 1%, 0.82%

LAB 70.24, 20.96, -45.78

 

CMYK 30 / 29 / 0 / 0

HEX #B3B5FF

RGB 179 181 255

HSL 238.42, 1%, 0.85%

LAB 75.98, 15.51, -36.74

 

CMYK 23 / 22 / 0 / 0

HEX #C4C7FF

RGB 196 199 255

HSL 236.95, 1%, 0.88%

LAB 81.73, 10.6, -27.78

 

CMYK 16 / 15 / 0 / 0

HEX #D5D9FF

RGB 213 217 255

HSL 234.29, 1%, 0.92%

LAB 87.48, 6.15, -18.93

 

CMYK 43 / 41 / 0 / 4

HEX #8C91F5

RGB 140 145 245

HSL 237.14, 0.84%, 0.75%

LAB 63.69, 22.98, -50.77

 

CMYK 46 / 44 / 0 / 11

HEX #7B7FE2

RGB 123 127 226

HSL 237.67, 0.64%, 0.68%

LAB 56.96, 24, -51

 

CMYK 49 / 47 / 0 / 19

HEX #6A6DCF

RGB 106 109 207

HSL 238.22, 0.51%, 0.61%

LAB 50.1, 25.17, -51.27

 

CMYK 53 / 52 / 0 / 26

HEX #595BBC

RGB 89 91 188

HSL 238.79, 0.42%, 0.54%

LAB 43.12, 26.55, -51.59

 

CMYK 57 / 57 / 0 / 34

HEX #4849A9

RGB 72 73 169

HSL 239.38, 0.4%, 0.47%

LAB 36, 28.2, -51.93

 

CMYK 43 / 41 / 0 / 4

HEX #8C91F5

RGB 140 145 245

HSL 237.14, 0.84%, 0.75%

LAB 63.69, 22.98, -50.77

 

CMYK 39 / 44 / 0 / 4

HEX #9689F4

RGB 150 137 244

HSL 247.29, 0.83%, 0.75%

LAB 62.43, 29.81, -52.17

 

CMYK 31 / 44 / 0 / 4

HEX #A889F4

RGB 168 137 244

HSL 257.38, 0.83%, 0.75%

LAB 63.96, 34.45, -49.65

 

CMYK 24 / 44 / 0 / 4

HEX #B989F4

RGB 185 137 244

HSL 266.92, 0.83%, 0.75%

LAB 65.54, 39.03, -47.04

 

CMYK 17 / 44 / 0 / 4

HEX #CB89F4

RGB 203 137 244

HSL 277.01, 0.83%, 0.75%

LAB 67.37, 44.03, -44.05

 

CMYK 43 / 41 / 0 / 4

HEX #8C91F5

RGB 140 145 245

HSL 237.14, 0.84%, 0.75%

LAB 63.69, 22.98, -50.77

 

CMYK 44 / 41 / 0 / 84

HEX #171829

RGB 23 24 41

HSL 236.67, 0.28%, 0.13%

LAB 8.95, 4.86, -11.72

 

CMYK 42 / 41 / 0 / 64

HEX #35365C

RGB 53 54 92

HSL 238.46, 0.27%, 0.28%

LAB 24.22, 10.41, -22.9

 

CMYK 43 / 41 / 0 / 44

HEX #52558F

RGB 82 85 143

HSL 237.05, 0.27%, 0.44%

LAB 38.33, 14.45, -32.52

 

CMYK 43 / 41 / 0 / 24

HEX #6F73C2

RGB 111 115 194

HSL 237.11, 0.4%, 0.6%

LAB 51.31, 18.83, -41.9

 

CMYK 43 / 41 / 0 / 4

HEX #8C91F5

RGB 140 145 245

HSL 237.14, 0.84%, 0.75%

LAB 63.69, 22.98, -50.77

 

CMYK 0 / 44 / 7 / 4

HEX #F489E4

RGB 244 137 228

HSL 308.97, 0.83%, 0.75%

LAB 71.37, 52.94, -28.68

 

CMYK 24 / 0 / 44 / 4

HEX #B9F489

RGB 185 244 137

HSL 93.08, 0.83%, 0.75%

LAB 90.24, -36.59, 45.52

 

CMYK 43 / 41 / 0 / 4

HEX #8C91F5

RGB 140 145 245

HSL 237.14, 0.84%, 0.75%

LAB 63.69, 22.98, -50.77

 

CMYK 0 / 44 / 41 / 4

HEX #F4898F

RGB 244 137 143

HSL 356.64, 0.83%, 0.75%

LAB 68.83, 41.22, 14.92

 

CMYK 41 / 0 / 44 / 4

HEX #8FF489

RGB 143 244 137

HSL 116.64, 0.83%, 0.75%

LAB 88.14, -50.15, 42.42

 

CMYK 43 / 41 / 0 / 4

HEX #8C91F5

RGB 140 145 245

HSL 237.14, 0.84%, 0.75%

LAB 63.69, 22.98, -50.77

 

CMYK 0 / 44 / 7 / 4

HEX #F489E4

RGB 244 137 228

HSL 308.97, 0.83%, 0.75%

LAB 71.37, 52.94, -28.68

 

CMYK 0 / 2 / 44 / 4

HEX #F4EF89

RGB 244 239 137

HSL 57.2, 0.83%, 0.75%

LAB 92.91, -12.21, 49.73

 

CMYK 44 / 0 / 37 / 4

HEX #89F499

RGB 137 244 153

HSL 128.97, 0.83%, 0.75%

LAB 88.12, -49.48, 34.46

 

CMYK 43 / 41 / 0 / 4

HEX #8C91F5

RGB 140 145 245

HSL 237.14, 0.84%, 0.75%

LAB 63.69, 22.98, -50.77

 

CMYK 0 / 44 / 20 / 4

HEX #F489C4

RGB 244 137 196

HSL 326.92, 0.83%, 0.75%

LAB 70.25, 47.93, -12.66

 

CMYK 0 / 2 / 44 / 4

HEX #F4EF89

RGB 244 239 137

HSL 57.2, 0.83%, 0.75%

LAB 92.91, -12.21, 49.73

 

CMYK 44 / 0 / 24 / 4

HEX #89F4B9

RGB 137 244 185

HSL 146.92, 0.83%, 0.75%

LAB 88.7, -43.85, 18.96

 

Description

Color code: RGB 140 145 245 | qconv.com Color code: RGB 140 145 245 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 145 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 145 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 41 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 41% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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