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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 130 119 it is the complementary color RGB 115 125 136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 130 119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 140 130 119: RGB 145 130 114, RGB 162 148 133, RGB 179 166 152, RGB 196 184 171 and RGB 213 202 190

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 130 119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 140 130 119: RGB 140 130 119, RGB 123 112 100, RGB 106 94 81, RGB 89 76 62 and RGB 72 58 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 15 / 45

HEX #8C8277

RGB 140 130 119

HSL 31.43, 0.08%, 0.51%

LAB 54.94, 1.81, 7.31

 

Complementary color

CMYK 15 / 8 / 0 / 47

HEX #737D88

RGB 115 125 136

HSL 211.43, 0.08%, 0.49%

LAB 51.94, -1.27, -7.23

 

CMYK 0 / 10 / 21 / 43

HEX #918272

RGB 145 130 114

HSL 30.97, 0.12%, 0.51%

LAB 55.28, 2.97, 10.74

 

CMYK 0 / 9 / 18 / 36

HEX #A29485

RGB 162 148 133

HSL 31.03, 0.13%, 0.58%

LAB 62.13, 2.62, 9.8

 

CMYK 0 / 7 / 15 / 30

HEX #B3A698

RGB 179 166 152

HSL 31.11, 0.15%, 0.65%

LAB 68.84, 2.31, 8.93

 

CMYK 0 / 6 / 13 / 23

HEX #C4B8AB

RGB 196 184 171

HSL 31.2, 0.17%, 0.72%

LAB 75.42, 2.03, 8.12

 

CMYK 0 / 5 / 11 / 16

HEX #D5CABE

RGB 213 202 190

HSL 31.3, 0.21%, 0.79%

LAB 81.9, 1.78, 7.34

 

CMYK 0 / 7 / 15 / 45

HEX #8C8277

RGB 140 130 119

HSL 31.43, 0.08%, 0.51%

LAB 54.94, 1.81, 7.31

 

CMYK 0 / 9 / 19 / 52

HEX #7B7064

RGB 123 112 100

HSL 31.3, 0.1%, 0.44%

LAB 47.9, 2.13, 8.22

 

CMYK 0 / 11 / 24 / 58

HEX #6A5E51

RGB 106 94 81

HSL 31.2, 0.13%, 0.37%

LAB 40.68, 2.51, 9.22

 

CMYK 0 / 15 / 30 / 65

HEX #594C3E

RGB 89 76 62

HSL 31.11, 0.18%, 0.3%

LAB 33.22, 2.99, 10.34

 

CMYK 0 / 19 / 40 / 72

HEX #483A2B

RGB 72 58 43

HSL 31.03, 0.25%, 0.23%

LAB 25.5, 3.63, 11.64

 

CMYK 0 / 7 / 15 / 45

HEX #8C8277

RGB 140 130 119

HSL 31.43, 0.08%, 0.51%

LAB 54.94, 1.81, 7.31

 

CMYK 0 / 5 / 14 / 45

HEX #8C8578

RGB 140 133 120

HSL 39, 0.08%, 0.51%

LAB 55.79, 0.28, 7.94

 

CMYK 0 / 2 / 14 / 45

HEX #8C8978

RGB 140 137 120

HSL 51, 0.08%, 0.51%

LAB 56.9, -1.98, 9.52

 

CMYK 1 / 0 / 14 / 45

HEX #8B8C78

RGB 139 140 120

HSL 63, 0.08%, 0.51%

LAB 57.66, -4.04, 10.57

 

CMYK 3 / 0 / 14 / 45

HEX #888C78

RGB 136 140 120

HSL 72, 0.08%, 0.51%

LAB 57.41, -5.21, 10.19

 

CMYK 0 / 7 / 15 / 45

HEX #8C8277

RGB 140 130 119

HSL 31.43, 0.08%, 0.51%

LAB 54.94, 1.81, 7.31

 

CMYK 0 / 7 / 15 / 25

HEX #BFB1A2

RGB 191 177 162

HSL 31.03, 0.18%, 0.69%

LAB 72.98, 2.47, 9.47

 

CMYK 0 / 7 / 15 / 5

HEX #F2E1CE

RGB 242 225 206

HSL 31.67, 0.58%, 0.88%

LAB 90.41, 2.74, 11.38

 

CMYK 0 / 8 / 16 / 85

HEX #262320

RGB 38 35 32

HSL 30, 0.09%, 0.14%

LAB 13.93, 0.73, 2.52

 

CMYK 0 / 7 / 15 / 65

HEX #59534C

RGB 89 83 76

HSL 32.31, 0.08%, 0.32%

LAB 35.66, 1.08, 4.98

 

CMYK 0 / 7 / 15 / 45

HEX #8C8277

RGB 140 130 119

HSL 31.43, 0.08%, 0.51%

LAB 54.94, 1.81, 7.31

 

CMYK 11 / 0 / 14 / 45

HEX #7D8C78

RGB 125 140 120

HSL 105, 0.08%, 0.51%

LAB 56.56, -9.4, 8.86

 

CMYK 13 / 14 / 0 / 45

HEX #7A788C

RGB 122 120 140

HSL 246, 0.08%, 0.51%

LAB 51.23, 5.01, -10.58

 

CMYK 0 / 7 / 15 / 45

HEX #8C8277

RGB 140 130 119

HSL 31.43, 0.08%, 0.51%

LAB 54.94, 1.81, 7.31

 

CMYK 14 / 0 / 7 / 45

HEX #788C82

RGB 120 140 130

HSL 150, 0.08%, 0.51%

LAB 56.45, -9.27, 2.92

 

CMYK 7 / 14 / 0 / 45

HEX #82788C

RGB 130 120 140

HSL 270, 0.08%, 0.51%

LAB 51.92, 7.86, -9.47

 

CMYK 0 / 7 / 15 / 45

HEX #8C8277

RGB 140 130 119

HSL 31.43, 0.08%, 0.51%

LAB 54.94, 1.81, 7.31

 

CMYK 11 / 0 / 14 / 45

HEX #7D8C78

RGB 125 140 120

HSL 105, 0.08%, 0.51%

LAB 56.56, -9.4, 8.86

 

CMYK 14 / 8 / 0 / 45

HEX #78818C

RGB 120 129 140

HSL 213, 0.08%, 0.51%

LAB 53.59, -0.92, -7.06

 

CMYK 4 / 14 / 0 / 45

HEX #86788C

RGB 134 120 140

HSL 282, 0.08%, 0.51%

LAB 52.28, 9.3, -8.89

 

CMYK 0 / 7 / 15 / 45

HEX #8C8277

RGB 140 130 119

HSL 31.43, 0.08%, 0.51%

LAB 54.94, 1.81, 7.31

 

CMYK 14 / 0 / 14 / 45

HEX #788C78

RGB 120 140 120

HSL 120, 0.08%, 0.51%

LAB 56.19, -11.26, 8.3

 

CMYK 14 / 8 / 0 / 45

HEX #78818C

RGB 120 129 140

HSL 213, 0.08%, 0.51%

LAB 53.59, -0.92, -7.06

 

CMYK 0 / 14 / 1 / 45

HEX #8C788B

RGB 140 120 139

HSL 303, 0.08%, 0.51%

LAB 52.81, 11.29, -7.45

 

Description

Color code: RGB 140 130 119 | qconv.com Color code: RGB 140 130 119 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 130 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 130 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 15 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 15% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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