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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 119 92 it is the complementary color RGB 115 136 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 119 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 140 119 92: RGB 145 119 87, RGB 162 137 106, RGB 179 155 125, RGB 196 173 144 and RGB 213 191 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 119 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 140 119 92: RGB 140 119 92, RGB 123 101 73, RGB 106 83 54, RGB 89 65 35 and RGB 72 47 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 34 / 45

HEX #8C775C

RGB 140 119 92

HSL 33.75, 0.21%, 0.45%

LAB 51.32, 3.95, 17.89

 

Complementary color

CMYK 29 / 17 / 0 / 36

HEX #7388A3

RGB 115 136 163

HSL 213.75, 0.21%, 0.55%

LAB 55.99, -1.04, -16.8

 

CMYK 0 / 18 / 40 / 43

HEX #917757

RGB 145 119 87

HSL 33.1, 0.25%, 0.45%

LAB 51.73, 5.45, 21.4

 

CMYK 0 / 15 / 35 / 36

HEX #A2896A

RGB 162 137 106

HSL 33.21, 0.23%, 0.53%

LAB 58.61, 4.81, 20.16

 

CMYK 0 / 13 / 30 / 30

HEX #B39B7D

RGB 179 155 125

HSL 33.33, 0.26%, 0.6%

LAB 65.36, 4.28, 19.02

 

CMYK 0 / 12 / 27 / 23

HEX #C4AD90

RGB 196 173 144

HSL 33.46, 0.31%, 0.67%

LAB 71.98, 3.82, 17.96

 

CMYK 0 / 10 / 23 / 16

HEX #D5BFA3

RGB 213 191 163

HSL 33.6, 0.37%, 0.74%

LAB 78.49, 3.43, 16.98

 

CMYK 0 / 15 / 34 / 45

HEX #8C775C

RGB 140 119 92

HSL 33.75, 0.21%, 0.45%

LAB 51.32, 3.95, 17.89

 

CMYK 0 / 18 / 41 / 52

HEX #7B6549

RGB 123 101 73

HSL 33.6, 0.26%, 0.38%

LAB 44.23, 4.59, 19.16

 

CMYK 0 / 22 / 49 / 58

HEX #6A5336

RGB 106 83 54

HSL 33.46, 0.33%, 0.31%

LAB 36.96, 5.4, 20.58

 

CMYK 0 / 27 / 61 / 65

HEX #594123

RGB 89 65 35

HSL 33.33, 0.44%, 0.24%

LAB 29.48, 6.47, 22.17

 

CMYK 0 / 35 / 78 / 72

HEX #482F10

RGB 72 47 16

HSL 33.21, 0.64%, 0.17%

LAB 21.76, 7.97, 23.83

 

CMYK 0 / 15 / 34 / 45

HEX #8C775C

RGB 140 119 92

HSL 33.75, 0.21%, 0.45%

LAB 51.32, 3.95, 17.89

 

CMYK 0 / 9 / 35 / 46

HEX #8A7D5A

RGB 138 125 90

HSL 43.75, 0.21%, 0.45%

LAB 52.74, -0.59, 20.92

 

CMYK 0 / 4 / 35 / 46

HEX #8A855A

RGB 138 133 90

HSL 53.75, 0.21%, 0.45%

LAB 54.99, -5.08, 23.9

 

CMYK 1 / 0 / 35 / 46

HEX #888A5A

RGB 136 138 90

HSL 62.5, 0.21%, 0.45%

LAB 56.24, -8.68, 25.51

 

CMYK 7 / 0 / 35 / 46

HEX #808A5A

RGB 128 138 90

HSL 72.5, 0.21%, 0.45%

LAB 55.59, -11.99, 24.53

 

CMYK 0 / 15 / 34 / 45

HEX #8C775C

RGB 140 119 92

HSL 33.75, 0.21%, 0.45%

LAB 51.32, 3.95, 17.89

 

CMYK 0 / 15 / 34 / 25

HEX #BFA27E

RGB 191 162 126

HSL 33.23, 0.34%, 0.62%

LAB 68.33, 5.4, 22.7

 

CMYK 0 / 15 / 34 / 5

HEX #F2CE9F

RGB 242 206 159

HSL 33.98, 0.76%, 0.79%

LAB 84.75, 6.12, 28.09

 

CMYK 0 / 16 / 34 / 85

HEX #262019

RGB 38 32 25

HSL 32.31, 0.21%, 0.12%

LAB 12.7, 1.45, 5.82

 

CMYK 0 / 15 / 35 / 65

HEX #594C3A

RGB 89 76 58

HSL 34.84, 0.21%, 0.29%

LAB 33.13, 2.38, 12.73

 

CMYK 0 / 15 / 34 / 45

HEX #8C775C

RGB 140 119 92

HSL 33.75, 0.21%, 0.45%

LAB 51.32, 3.95, 17.89

 

CMYK 26 / 0 / 35 / 46

HEX #668A5A

RGB 102 138 90

HSL 105, 0.21%, 0.45%

LAB 53.75, -22.21, 21.77

 

CMYK 30 / 35 / 0 / 46

HEX #615A8A

RGB 97 90 138

HSL 248.75, 0.21%, 0.45%

LAB 40.72, 14.29, -25.66

 

CMYK 0 / 15 / 34 / 45

HEX #8C775C

RGB 140 119 92

HSL 33.75, 0.21%, 0.45%

LAB 51.32, 3.95, 17.89

 

CMYK 35 / 0 / 15 / 46

HEX #5A8A75

RGB 90 138 117

HSL 153.75, 0.21%, 0.45%

LAB 53.64, -21.15, 6.12

 

CMYK 15 / 35 / 0 / 46

HEX #755A8A

RGB 117 90 138

HSL 273.75, 0.21%, 0.45%

LAB 42.66, 20.81, -22.5

 

CMYK 0 / 15 / 34 / 45

HEX #8C775C

RGB 140 119 92

HSL 33.75, 0.21%, 0.45%

LAB 51.32, 3.95, 17.89

 

CMYK 26 / 0 / 35 / 46

HEX #668A5A

RGB 102 138 90

HSL 105, 0.21%, 0.45%

LAB 53.75, -22.21, 21.77

 

CMYK 35 / 19 / 0 / 46

HEX #5A708A

RGB 90 112 138

HSL 212.5, 0.21%, 0.45%

LAB 46.44, -1.38, -16.88

 

CMYK 9 / 35 / 0 / 46

HEX #7E5A8A

RGB 126 90 138

HSL 285, 0.21%, 0.45%

LAB 43.63, 23.85, -20.92

 

CMYK 0 / 15 / 34 / 45

HEX #8C775C

RGB 140 119 92

HSL 33.75, 0.21%, 0.45%

LAB 51.32, 3.95, 17.89

 

CMYK 35 / 0 / 33 / 46

HEX #5A8A5D

RGB 90 138 93

HSL 123.75, 0.21%, 0.45%

LAB 53.1, -25.98, 19.09

 

CMYK 35 / 19 / 0 / 46

HEX #5A708A

RGB 90 112 138

HSL 212.5, 0.21%, 0.45%

LAB 46.44, -1.38, -16.88

 

CMYK 0 / 35 / 1 / 46

HEX #8A5A88

RGB 138 90 136

HSL 302.5, 0.21%, 0.45%

LAB 44.93, 27.55, -17.59

 

Description

Color code: RGB 140 119 92 | qconv.com Color code: RGB 140 119 92 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 119 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 119 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 34 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 34% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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