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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 115 50 it is the complementary color RGB 115 140 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 115 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 140 115 50: RGB 145 115 45, RGB 162 133 64, RGB 179 151 83, RGB 196 169 102 and RGB 213 187 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 115 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 140 115 50: RGB 140 115 50, RGB 123 97 31, RGB 106 79 12, RGB 89 61 0 and RGB 72 43 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 64 / 45

HEX #8C7332

RGB 140 115 50

HSL 43.33, 0.47%, 0.37%

LAB 49.58, 1.9, 38.77

 

Complementary color

CMYK 44 / 32 / 0 / 20

HEX #738CCD

RGB 115 140 205

HSL 223.33, 0.47%, 0.63%

LAB 58.8, 8.17, -36.35

 

CMYK 0 / 21 / 69 / 43

HEX #91732D

RGB 145 115 45

HSL 42, 0.53%, 0.37%

LAB 50.06, 3.87, 41.88

 

CMYK 0 / 18 / 60 / 36

HEX #A28540

RGB 162 133 64

HSL 42.24, 0.43%, 0.44%

LAB 56.91, 2.71, 40.67

 

CMYK 0 / 16 / 54 / 30

HEX #B39753

RGB 179 151 83

HSL 42.5, 0.39%, 0.51%

LAB 63.62, 1.77, 39.36

 

CMYK 0 / 14 / 48 / 23

HEX #C4A966

RGB 196 169 102

HSL 42.77, 0.44%, 0.58%

LAB 70.23, 1, 38.04

 

CMYK 0 / 12 / 43 / 16

HEX #D5BB79

RGB 213 187 121

HSL 43.04, 0.52%, 0.65%

LAB 76.72, 0.34, 36.77

 

CMYK 0 / 18 / 64 / 45

HEX #8C7332

RGB 140 115 50

HSL 43.33, 0.47%, 0.37%

LAB 49.58, 1.9, 38.77

 

CMYK 0 / 21 / 75 / 52

HEX #7B611F

RGB 123 97 31

HSL 43.04, 0.6%, 0.3%

LAB 42.55, 3.18, 39.82

 

CMYK 0 / 25 / 89 / 58

HEX #6A4F0C

RGB 106 79 12

HSL 42.77, 0.8%, 0.23%

LAB 35.37, 4.84, 39.99

 

CMYK 0 / 31 / 100 / 65

HEX #593D00

RGB 89 61 0

HSL 41.12, 1%, 0.17%

LAB 28.01, 7.02, 37.58

 

CMYK 0 / 40 / 100 / 72

HEX #482B00

RGB 72 43 0

HSL 35.83, 1%, 0.14%

LAB 20.46, 9.76, 29.37

 

CMYK 0 / 18 / 64 / 45

HEX #8C7332

RGB 140 115 50

HSL 43.33, 0.47%, 0.37%

LAB 49.58, 1.9, 38.77

 

CMYK 0 / 7 / 64 / 46

HEX #8A8032

RGB 138 128 50

HSL 53.18, 0.47%, 0.37%

LAB 53.03, -6.33, 42.51

 

CMYK 3 / 0 / 64 / 46

HEX #868A32

RGB 134 138 50

HSL 62.73, 0.47%, 0.37%

LAB 55.56, -13.57, 45.13

 

CMYK 14 / 0 / 64 / 46

HEX #778A32

RGB 119 138 50

HSL 72.95, 0.47%, 0.37%

LAB 54.37, -20.13, 43.5

 

CMYK 25 / 0 / 64 / 46

HEX #688A32

RGB 104 138 50

HSL 83.18, 0.47%, 0.37%

LAB 53.33, -26.42, 42.06

 

CMYK 0 / 18 / 64 / 45

HEX #8C7332

RGB 140 115 50

HSL 43.33, 0.47%, 0.37%

LAB 49.58, 1.9, 38.77

 

CMYK 0 / 18 / 64 / 25

HEX #BF9D44

RGB 191 157 68

HSL 43.41, 0.49%, 0.51%

LAB 66.22, 2.57, 49.99

 

CMYK 0 / 18 / 64 / 5

HEX #F2C756

RGB 242 199 86

HSL 43.46, 0.86%, 0.64%

LAB 82.05, 3.21, 60.59

 

CMYK 0 / 18 / 63 / 85

HEX #261F0E

RGB 38 31 14

HSL 42.5, 0.46%, 0.1%

LAB 12.11, 0.46, 12.05

 

CMYK 0 / 18 / 64 / 65

HEX #594920

RGB 89 73 32

HSL 43.16, 0.47%, 0.24%

LAB 31.79, 1.19, 26.64

 

CMYK 0 / 18 / 64 / 45

HEX #8C7332

RGB 140 115 50

HSL 43.33, 0.47%, 0.37%

LAB 49.58, 1.9, 38.77

 

CMYK 59 / 0 / 64 / 46

HEX #398A32

RGB 57 138 50

HSL 115.23, 0.47%, 0.37%

LAB 51.01, -42.6, 38.84

 

CMYK 43 / 64 / 0 / 46

HEX #4E328A

RGB 78 50 138

HSL 259.09, 0.47%, 0.37%

LAB 28.74, 33.97, -44.82

 

CMYK 0 / 18 / 64 / 45

HEX #8C7332

RGB 140 115 50

HSL 43.33, 0.47%, 0.37%

LAB 49.58, 1.9, 38.77

 

CMYK 64 / 0 / 18 / 46

HEX #328A71

RGB 50 138 113

HSL 162.95, 0.47%, 0.37%

LAB 51.89, -32.5, 5.71

 

CMYK 18 / 64 / 0 / 46

HEX #71328A

RGB 113 50 138

HSL 282.95, 0.47%, 0.37%

LAB 33.19, 42.49, -37.42

 

CMYK 0 / 18 / 64 / 45

HEX #8C7332

RGB 140 115 50

HSL 43.33, 0.47%, 0.37%

LAB 49.58, 1.9, 38.77

 

CMYK 59 / 0 / 64 / 46

HEX #398A32

RGB 57 138 50

HSL 115.23, 0.47%, 0.37%

LAB 51.01, -42.6, 38.84

 

CMYK 64 / 46 / 0 / 46

HEX #324B8A

RGB 50 75 138

HSL 222.95, 0.47%, 0.37%

LAB 33.02, 11.6, -38.05

 

CMYK 5 / 64 / 0 / 46

HEX #83328A

RGB 131 50 138

HSL 295.23, 0.47%, 0.37%

LAB 35.87, 47.15, -32.99

 

CMYK 0 / 18 / 64 / 45

HEX #8C7332

RGB 140 115 50

HSL 43.33, 0.47%, 0.37%

LAB 49.58, 1.9, 38.77

 

CMYK 64 / 0 / 50 / 46

HEX #328A45

RGB 50 138 69

HSL 132.95, 0.47%, 0.37%

LAB 51.02, -41.73, 29.25

 

CMYK 64 / 46 / 0 / 46

HEX #324B8A

RGB 50 75 138

HSL 222.95, 0.47%, 0.37%

LAB 33.02, 11.6, -38.05

 

CMYK 0 / 64 / 14 / 46

HEX #8A3277

RGB 138 50 119

HSL 312.95, 0.47%, 0.37%

LAB 36.02, 45.7, -20.9

 

Description

Color code: RGB 140 115 50 | qconv.com Color code: RGB 140 115 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 115 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 115 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 64 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 64% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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