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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140.1 72 26 it is the complementary color RGB 114.9 183 229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140.1 72 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140.1 72 26 shade: RGB 145.1 72 21, RGB 162.1 90 40, RGB 179.1 108 59, RGB 196.1 126 78 and RGB 213.1 144 97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140.1 72 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140.1 72 26 shade: RGB 140.1 72 26, RGB 123.1 54 7, RGB 106.1 36 0, RGB 89.1 18 0 and RGB 72.1 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140.1 72 26 shade: RGB 142 73 26, RGB 142 42 26 and RGB 142 26 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140.1 72 26 shade: RGB 142 73 26, RGB 142 104 26, RGB 142 136 26, RGB 118 142 26 and RGB 86 142 26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140.1 72 26 shade matches the following richer shades: RGB 142 73 26 and RGB 156 70 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140.1 72 26 shade: RGB 142 73 26, RGB 129 76 40, RGB 115 78 53, RGB 101 81 67 and RGB 88 83 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140.1 72 26 shade: RGB 142 26 42, RGB 142 42 26, RGB 142 73 26, RGB 142 104 26 and RGB 142 134 26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140.1 72 26 shade: RGB 72 37 13, RGB 107 55 20, RGB 142 73 26, RGB 177 91 32 and RGB 212 109 39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140.1 72 26 shade: RGB 140.1 72 26, RGB 73 142 26 and RGB 26 26 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140.1 72 26 shade: RGB 140.1 72 26, RGB 26 142 73 and RGB 73 26 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140.1 72 26 shade: RGB 140.1 72 26, RGB 73 142 26, RGB 26 96 142 and RGB 96 26 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140.1 72 26 shade: RGB 140.1 72 26, RGB 38 142 26, RGB 26 96 142 and RGB 131 26 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 81 / 45

HEX #8C481A

RGB 140.1 72 26

HSL 24.19, 0.69%, 0.33%

LAB 38.36, 25.49, 38.76

 

Complementary color

CMYK 50 / 20 / 0 / 10

HEX #72B7E5

RGB 114.9 183 229

HSL 204.19, 0.69%, 0.67%

LAB 71.66, -9.09, -29.66

 

CMYK 0 / 50 / 86 / 43

HEX #914815

RGB 145.1 72 21

HSL 24.66, 0.75%, 0.33%

LAB 39.1, 27.48, 41.95

 

CMYK 0 / 44 / 75 / 36

HEX #A25A28

RGB 162.1 90 40

HSL 24.57, 0.6%, 0.4%

LAB 45.85, 25.56, 40.52

 

CMYK 0 / 40 / 67 / 30

HEX #B36C3B

RGB 179.1 108 59

HSL 24.48, 0.5%, 0.47%

LAB 52.55, 23.88, 38.78

 

CMYK 0 / 36 / 60 / 23

HEX #C47E4E

RGB 196.1 126 78

HSL 24.39, 0.5%, 0.54%

LAB 59.18, 22.43, 37.05

 

CMYK 0 / 32 / 54 / 16

HEX #D59061

RGB 213.1 144 97

HSL 24.29, 0.58%, 0.61%

LAB 65.73, 21.18, 35.43

 

CMYK 0 / 49 / 81 / 45

HEX #8C481A

RGB 140.1 72 26

HSL 24.19, 0.69%, 0.33%

LAB 38.36, 25.49, 38.76

 

CMYK 0 / 56 / 94 / 52

HEX #7B3607

RGB 123.1 54 7

HSL 24.29, 0.89%, 0.26%

LAB 31.51, 27.57, 39.7

 

CMYK 0 / 66 / 100 / 58

HEX #6A2400

RGB 106.1 36 0

HSL 20.36, 1%, 0.21%

LAB 24.74, 29.77, 35.66

 

CMYK 0 / 80 / 100 / 65

HEX #591200

RGB 89.1 18 0

HSL 12.12, 1%, 0.17%

LAB 18.19, 31.4, 27.57

 

CMYK 0 / 100 / 100 / 72

HEX #480000

RGB 72.1 0 0

HSL 0, 1%, 0.14%

LAB 11.83, 32.21, 18.61

 

CMYK 0 / 49 / 82 / 44

HEX #8E491A

RGB 142 73 26

HSL 24.31, 0.69%, 0.33%

LAB 38.88, 25.75, 39.35

 

CMYK 0 / 70 / 82 / 44

HEX #8E2A1A

RGB 142 42 26

HSL 8.28, 0.69%, 0.33%

LAB 32.88, 41.33, 33.51

 

CMYK 0 / 82 / 82 / 44

HEX #8E1A1A

RGB 142 26 26

HSL 0, 0.69%, 0.33%

LAB 30.79, 47.11, 31.42

 

CMYK 0 / 49 / 82 / 44

HEX #8E491A

RGB 142 73 26

HSL 24.31, 0.69%, 0.33%

LAB 38.88, 25.75, 39.35

 

CMYK 0 / 27 / 82 / 44

HEX #8E681A

RGB 142 104 26

HSL 40.34, 0.69%, 0.33%

LAB 46.61, 7.86, 46.53

 

CMYK 0 / 4 / 82 / 44

HEX #8E881A

RGB 142 136 26

HSL 56.9, 0.69%, 0.33%

LAB 55.52, -10.14, 54.47

 

CMYK 17 / 0 / 82 / 44

HEX #768E1A

RGB 118 142 26

HSL 72.41, 0.69%, 0.33%

LAB 55.35, -24.02, 53.59

 

CMYK 39 / 0 / 82 / 44

HEX #568E1A

RGB 86 142 26

HSL 88.97, 0.69%, 0.33%

LAB 53.38, -36.93, 51.07

 

CMYK 0 / 49 / 82 / 44

HEX #8E491A

RGB 142 73 26

HSL 24.31, 0.69%, 0.33%

LAB 38.88, 25.75, 39.35

 

CMYK 0 / 55 / 92 / 39

HEX #9C460C

RGB 156 70 12

HSL 24.17, 0.86%, 0.33%

LAB 40.37, 32.92, 46.99

 

CMYK 0 / 49 / 82 / 44

HEX #8E491A

RGB 142 73 26

HSL 24.31, 0.69%, 0.33%

LAB 38.88, 25.75, 39.35

 

CMYK 0 / 41 / 69 / 49

HEX #814C28

RGB 129 76 40

HSL 24.27, 0.53%, 0.33%

LAB 37.82, 18.98, 30.43

 

CMYK 0 / 32 / 54 / 55

HEX #734E35

RGB 115 78 53

HSL 24.19, 0.37%, 0.33%

LAB 36.65, 12.49, 21.01

 

CMYK 0 / 20 / 34 / 60

HEX #655143

RGB 101 81 67

HSL 24.71, 0.2%, 0.33%

LAB 36.09, 6.05, 11.38

 

CMYK 0 / 6 / 8 / 65

HEX #585351

RGB 88 83 81

HSL 17.14, 0.04%, 0.33%

LAB 35.7, 1.63, 1.89

 

CMYK 0 / 82 / 70 / 44

HEX #8E1A2A

RGB 142 26 42

HSL 351.72, 0.69%, 0.33%

LAB 31.01, 47.79, 21.7

 

CMYK 0 / 70 / 82 / 44

HEX #8E2A1A

RGB 142 42 26

HSL 8.28, 0.69%, 0.33%

LAB 32.88, 41.33, 33.51

 

CMYK 0 / 49 / 82 / 44

HEX #8E491A

RGB 142 73 26

HSL 24.31, 0.69%, 0.33%

LAB 38.88, 25.75, 39.35

 

CMYK 0 / 27 / 82 / 44

HEX #8E681A

RGB 142 104 26

HSL 40.34, 0.69%, 0.33%

LAB 46.61, 7.86, 46.53

 

CMYK 0 / 6 / 82 / 44

HEX #8E861A

RGB 142 134 26

HSL 55.86, 0.69%, 0.33%

LAB 54.94, -9.06, 53.97

 

CMYK 0 / 49 / 82 / 72

HEX #48250D

RGB 72 37 13

HSL 24.41, 0.69%, 0.17%

LAB 18.93, 14.3, 22.22

 

CMYK 0 / 49 / 81 / 58

HEX #6B3714

RGB 107 55 20

HSL 24.14, 0.69%, 0.25%

LAB 29.18, 20.24, 31

 

CMYK 0 / 49 / 82 / 44

HEX #8E491A

RGB 142 73 26

HSL 24.31, 0.69%, 0.33%

LAB 38.88, 25.75, 39.35

 

CMYK 0 / 49 / 82 / 31

HEX #B15B20

RGB 177 91 32

HSL 24.41, 0.69%, 0.41%

LAB 48.18, 30.99, 47.25

 

CMYK 0 / 49 / 82 / 17

HEX #D46D27

RGB 212 109 39

HSL 24.28, 0.69%, 0.49%

LAB 57.15, 36.05, 54.4

 

CMYK 0 / 49 / 81 / 45

HEX #8C481A

RGB 140.1 72 26

HSL 24.19, 0.69%, 0.33%

LAB 38.36, 25.49, 38.76

 

CMYK 49 / 0 / 82 / 44

HEX #498E1A

RGB 73 142 26

HSL 95.69, 0.69%, 0.33%

LAB 52.77, -41.43, 50.28

 

CMYK 82 / 82 / 0 / 44

HEX #1A1A8E

RGB 26 26 142

HSL 240, 0.69%, 0.33%

LAB 19.69, 41.64, -62.32

 

CMYK 0 / 49 / 81 / 45

HEX #8C481A

RGB 140.1 72 26

HSL 24.19, 0.69%, 0.33%

LAB 38.36, 25.49, 38.76

 

CMYK 82 / 0 / 49 / 44

HEX #1A8E49

RGB 26 142 73

HSL 144.31, 0.69%, 0.33%

LAB 51.89, -46.76, 28.11

 

CMYK 49 / 82 / 0 / 44

HEX #491A8E

RGB 73 26 142

HSL 264.31, 0.69%, 0.33%

LAB 24.03, 46.59, -55.01

 

CMYK 0 / 49 / 81 / 45

HEX #8C481A

RGB 140.1 72 26

HSL 24.19, 0.69%, 0.33%

LAB 38.36, 25.49, 38.76

 

CMYK 49 / 0 / 82 / 44

HEX #498E1A

RGB 73 142 26

HSL 95.69, 0.69%, 0.33%

LAB 52.77, -41.43, 50.28

 

CMYK 82 / 32 / 0 / 44

HEX #1A608E

RGB 26 96 142

HSL 203.79, 0.69%, 0.33%

LAB 38.79, -4.2, -31.38

 

CMYK 32 / 82 / 0 / 44

HEX #601A8E

RGB 96 26 142

HSL 276.21, 0.69%, 0.33%

LAB 27.24, 50.27, -49.63

 

CMYK 0 / 49 / 81 / 45

HEX #8C481A

RGB 140.1 72 26

HSL 24.19, 0.69%, 0.33%

LAB 38.36, 25.49, 38.76

 

CMYK 73 / 0 / 82 / 44

HEX #268E1A

RGB 38 142 26

HSL 113.79, 0.69%, 0.33%

LAB 51.65, -50.47, 48.82

 

CMYK 82 / 32 / 0 / 44

HEX #1A608E

RGB 26 96 142

HSL 203.79, 0.69%, 0.33%

LAB 38.79, -4.2, -31.38

 

CMYK 8 / 82 / 0 / 44

HEX #831A8E

RGB 131 26 142

HSL 294.31, 0.69%, 0.33%

LAB 32.96, 56.83, -40.1

 

Description

Color code: RGB 140.1 72 26 | qconv.com Color code: RGB 140.1 72 26 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140.1 red, 72 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140.1 72 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 81 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 81% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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