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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 77 102 it is the complementary color RGB 242 178 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 77 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 13 77 102: RGB 18 77 97, RGB 35 95 116, RGB 52 113 135, RGB 69 131 154 and RGB 86 149 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 77 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 13 77 102: RGB 13 77 102, RGB 0 59 83, RGB 0 41 64, RGB 0 23 45 and RGB 0 5 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 25 / 0 / 60

HEX #0D4D66

RGB 13 77 102

HSL 196.85, 0.77%, 0.23%

LAB 30.29, -9.47, -19.98

 

Complementary color

CMYK 0 / 26 / 37 / 5

HEX #F2B299

RGB 242 178 153

HSL 16.85, 0.77%, 0.77%

LAB 77.89, 20.12, 21.93

 

CMYK 81 / 21 / 0 / 62

HEX #124D61

RGB 18 77 97

HSL 195.19, 0.69%, 0.23%

LAB 30.16, -10.84, -16.99

 

CMYK 70 / 18 / 0 / 55

HEX #235F74

RGB 35 95 116

HSL 195.56, 0.54%, 0.3%

LAB 37.49, -11.99, -17.54

 

CMYK 61 / 16 / 0 / 47

HEX #347187

RGB 52 113 135

HSL 195.9, 0.44%, 0.37%

LAB 44.65, -12.72, -18.01

 

CMYK 55 / 15 / 0 / 40

HEX #45839A

RGB 69 131 154

HSL 196.24, 0.38%, 0.44%

LAB 51.65, -13.2, -18.43

 

CMYK 50 / 14 / 0 / 32

HEX #5695AD

RGB 86 149 173

HSL 196.55, 0.35%, 0.51%

LAB 58.5, -13.53, -18.83

 

CMYK 87 / 25 / 0 / 60

HEX #0D4D66

RGB 13 77 102

HSL 196.85, 0.77%, 0.23%

LAB 30.29, -9.47, -19.98

 

CMYK 100 / 29 / 0 / 67

HEX #003B53

RGB 0 59 83

HSL 197.35, 1%, 0.16%

LAB 22.84, -7.21, -19.33

 

CMYK 100 / 36 / 0 / 75

HEX #002940

RGB 0 41 64

HSL 201.56, 1%, 0.13%

LAB 15.25, -3.49, -18.38

 

CMYK 100 / 49 / 0 / 82

HEX #00172D

RGB 0 23 45

HSL 209.33, 1%, 0.09%

LAB 7.25, 0.72, -17.49

 

CMYK 100 / 81 / 0 / 90

HEX #00051A

RGB 0 5 26

HSL 228.46, 1%, 0.05%

LAB 1.65, 2.73, -11.44

 

CMYK 87 / 25 / 0 / 60

HEX #0D4D66

RGB 13 77 102

HSL 196.85, 0.77%, 0.23%

LAB 30.29, -9.47, -19.98

 

CMYK 87 / 38 / 0 / 60

HEX #0D4067

RGB 13 64 103

HSL 206, 0.78%, 0.23%

LAB 25.96, -0.67, -27.42

 

CMYK 87 / 52 / 0 / 60

HEX #0D3167

RGB 13 49 103

HSL 216, 0.78%, 0.23%

LAB 21.06, 9.9, -35.25

 

CMYK 87 / 67 / 0 / 60

HEX #0D2267

RGB 13 34 103

HSL 226, 0.78%, 0.23%

LAB 16.55, 20.93, -42.59

 

CMYK 87 / 82 / 0 / 60

HEX #0D1367

RGB 13 19 103

HSL 236, 0.78%, 0.23%

LAB 12.8, 31.14, -48.77

 

CMYK 87 / 25 / 0 / 60

HEX #0D4D66

RGB 13 77 102

HSL 196.85, 0.77%, 0.23%

LAB 30.29, -9.47, -19.98

 

CMYK 87 / 24 / 0 / 40

HEX #147499

RGB 20 116 153

HSL 196.69, 0.77%, 0.34%

LAB 45.55, -12.51, -27.36

 

CMYK 87 / 25 / 0 / 20

HEX #1A9ACC

RGB 26 154 204

HSL 196.85, 0.77%, 0.45%

LAB 59.61, -14.86, -34.75

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 86 / 24 / 0 / 80

HEX #072733

RGB 7 39 51

HSL 196.36, 0.76%, 0.11%

LAB 14.03, -6.57, -11.16

 

CMYK 87 / 25 / 0 / 60

HEX #0D4D66

RGB 13 77 102

HSL 196.85, 0.77%, 0.23%

LAB 30.29, -9.47, -19.98

 

CMYK 47 / 87 / 0 / 60

HEX #370D67

RGB 55 13 103

HSL 268, 0.78%, 0.23%

LAB 15.9, 38.82, -43.52

 

CMYK 0 / 12 / 87 / 60

HEX #675B0D

RGB 103 91 13

HSL 52, 0.78%, 0.23%

LAB 38.54, -3.81, 42.24

 

CMYK 87 / 25 / 0 / 60

HEX #0D4D66

RGB 13 77 102

HSL 196.85, 0.77%, 0.23%

LAB 30.29, -9.47, -19.98

 

CMYK 0 / 87 / 23 / 60

HEX #670D4F

RGB 103 13 79

HSL 316, 0.78%, 0.23%

LAB 22.78, 43.91, -16

 

CMYK 23 / 0 / 87 / 60

HEX #4F670D

RGB 79 103 13

HSL 76, 0.78%, 0.23%

LAB 40.23, -21.92, 42.89

 

CMYK 87 / 25 / 0 / 60

HEX #0D4D66

RGB 13 77 102

HSL 196.85, 0.77%, 0.23%

LAB 30.29, -9.47, -19.98

 

CMYK 47 / 87 / 0 / 60

HEX #370D67

RGB 55 13 103

HSL 268, 0.78%, 0.23%

LAB 15.9, 38.82, -43.52

 

CMYK 0 / 64 / 87 / 60

HEX #67250D

RGB 103 37 13

HSL 16, 0.78%, 0.23%

LAB 24.44, 28.35, 29.76

 

CMYK 41 / 0 / 87 / 60

HEX #3D670D

RGB 61 103 13

HSL 88, 0.78%, 0.23%

LAB 39.11, -29.48, 41.47

 

CMYK 87 / 25 / 0 / 60

HEX #0D4D66

RGB 13 77 102

HSL 196.85, 0.77%, 0.23%

LAB 30.29, -9.47, -19.98

 

CMYK 20 / 87 / 0 / 60

HEX #520D67

RGB 82 13 103

HSL 286, 0.78%, 0.23%

LAB 20.29, 43.47, -36.18

 

CMYK 0 / 64 / 87 / 60

HEX #67250D

RGB 103 37 13

HSL 16, 0.78%, 0.23%

LAB 24.44, 28.35, 29.76

 

CMYK 67 / 0 / 87 / 60

HEX #22670D

RGB 34 103 13

HSL 106, 0.78%, 0.23%

LAB 37.97, -38.26, 40.01

 

Description

Color code: RGB 13 77 102 | qconv.com Color code: RGB 13 77 102 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 77 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 77 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 25 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 25% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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