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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 139 121 115 it is the complementary color RGB 116 134 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 139 121 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 139 121 115: RGB 144 121 110, RGB 161 139 129, RGB 178 157 148, RGB 195 175 167 and RGB 212 193 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 139 121 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 139 121 115: RGB 139 121 115, RGB 122 103 96, RGB 105 85 77, RGB 88 67 58 and RGB 71 49 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 17 / 45

HEX #8B7973

RGB 139 121 115

HSL 15, 0.09%, 0.5%

LAB 52.29, 5.89, 5.83

 

Complementary color

CMYK 17 / 4 / 0 / 45

HEX #74868C

RGB 116 134 140

HSL 195, 0.09%, 0.5%

LAB 54.72, -5.15, -5.42

 

CMYK 0 / 16 / 24 / 44

HEX #90796E

RGB 144 121 110

HSL 19.41, 0.13%, 0.5%

LAB 52.65, 7.09, 9.34

 

CMYK 0 / 14 / 20 / 37

HEX #A18B81

RGB 161 139 129

HSL 18.75, 0.15%, 0.57%

LAB 59.55, 6.62, 8.4

 

CMYK 0 / 12 / 17 / 30

HEX #B29D94

RGB 178 157 148

HSL 18, 0.16%, 0.64%

LAB 66.3, 6.21, 7.52

 

CMYK 0 / 10 / 14 / 24

HEX #C3AFA7

RGB 195 175 167

HSL 17.14, 0.19%, 0.71%

LAB 72.93, 5.85, 6.71

 

CMYK 0 / 9 / 12 / 17

HEX #D4C1BA

RGB 212 193 186

HSL 16.15, 0.23%, 0.78%

LAB 79.43, 5.52, 5.94

 

CMYK 0 / 13 / 17 / 45

HEX #8B7973

RGB 139 121 115

HSL 15, 0.09%, 0.5%

LAB 52.29, 5.89, 5.83

 

CMYK 0 / 16 / 21 / 52

HEX #7A6760

RGB 122 103 96

HSL 16.15, 0.12%, 0.43%

LAB 45.2, 6.35, 6.75

 

CMYK 0 / 19 / 27 / 59

HEX #69554D

RGB 105 85 77

HSL 17.14, 0.15%, 0.36%

LAB 37.91, 6.9, 7.77

 

CMYK 0 / 24 / 34 / 65

HEX #58433A

RGB 88 67 58

HSL 18, 0.21%, 0.29%

LAB 30.39, 7.58, 8.94

 

CMYK 0 / 31 / 45 / 72

HEX #473127

RGB 71 49 39

HSL 18.75, 0.29%, 0.22%

LAB 22.59, 8.48, 10.34

 

CMYK 0 / 13 / 17 / 45

HEX #8B7973

RGB 139 121 115

HSL 15, 0.09%, 0.5%

LAB 52.29, 5.89, 5.83

 

CMYK 0 / 9 / 16 / 46

HEX #8A7D74

RGB 138 125 116

HSL 24.55, 0.09%, 0.5%

LAB 53.31, 3.36, 6.7

 

CMYK 0 / 7 / 16 / 46

HEX #8A8174

RGB 138 129 116

HSL 35.45, 0.09%, 0.5%

LAB 54.41, 1.08, 8.27

 

CMYK 0 / 4 / 16 / 46

HEX #8A8574

RGB 138 133 116

HSL 46.36, 0.09%, 0.5%

LAB 55.52, -1.19, 9.84

 

CMYK 0 / 1 / 16 / 46

HEX #8A8974

RGB 138 137 116

HSL 57.27, 0.09%, 0.5%

LAB 56.64, -3.44, 11.41

 

CMYK 0 / 13 / 17 / 45

HEX #8B7973

RGB 139 121 115

HSL 15, 0.09%, 0.5%

LAB 52.29, 5.89, 5.83

 

CMYK 0 / 13 / 17 / 25

HEX #BEA59D

RGB 190 165 157

HSL 14.55, 0.2%, 0.68%

LAB 69.68, 7.81, 7.49

 

CMYK 0 / 13 / 17 / 5

HEX #F1D2C7

RGB 241 210 199

HSL 15.71, 0.6%, 0.86%

LAB 86.46, 9.09, 9.42

 

CMYK 0 / 14 / 16 / 85

HEX #25201F

RGB 37 32 31

HSL 10, 0.09%, 0.13%

LAB 12.77, 2.16, 1.55

 

CMYK 0 / 13 / 17 / 65

HEX #584D49

RGB 88 77 73

HSL 16, 0.09%, 0.32%

LAB 33.7, 3.82, 4.05

 

CMYK 0 / 13 / 17 / 45

HEX #8B7973

RGB 139 121 115

HSL 15, 0.09%, 0.5%

LAB 52.29, 5.89, 5.83

 

CMYK 7 / 0 / 16 / 46

HEX #808A74

RGB 128 138 116

HSL 87.27, 0.09%, 0.5%

LAB 56.11, -7.88, 10.56

 

CMYK 16 / 14 / 0 / 46

HEX #74778A

RGB 116 119 138

HSL 231.82, 0.09%, 0.5%

LAB 50.38, 3.04, -10.72

 

CMYK 0 / 13 / 17 / 45

HEX #8B7973

RGB 139 121 115

HSL 15, 0.09%, 0.5%

LAB 52.29, 5.89, 5.83

 

CMYK 16 / 0 / 12 / 46

HEX #748A79

RGB 116 138 121

HSL 133.64, 0.09%, 0.5%

LAB 55.35, -11.43, 6.48

 

CMYK 12 / 16 / 0 / 46

HEX #79748A

RGB 121 116 138

HSL 253.64, 0.09%, 0.5%

LAB 49.97, 6.56, -11.3

 

CMYK 0 / 13 / 17 / 45

HEX #8B7973

RGB 139 121 115

HSL 15, 0.09%, 0.5%

LAB 52.29, 5.89, 5.83

 

CMYK 7 / 0 / 16 / 46

HEX #808A74

RGB 128 138 116

HSL 87.27, 0.09%, 0.5%

LAB 56.11, -7.88, 10.56

 

CMYK 16 / 4 / 0 / 46

HEX #74858A

RGB 116 133 138

HSL 193.64, 0.09%, 0.5%

LAB 54.37, -5.04, -4.77

 

CMYK 9 / 16 / 0 / 46

HEX #7E748A

RGB 126 116 138

HSL 267.27, 0.09%, 0.5%

LAB 50.41, 8.34, -10.6

 

CMYK 0 / 13 / 17 / 45

HEX #8B7973

RGB 139 121 115

HSL 15, 0.09%, 0.5%

LAB 52.29, 5.89, 5.83

 

CMYK 12 / 0 / 16 / 46

HEX #798A74

RGB 121 138 116

HSL 106.36, 0.09%, 0.5%

LAB 55.59, -10.54, 9.74

 

CMYK 16 / 4 / 0 / 46

HEX #74858A

RGB 116 133 138

HSL 193.64, 0.09%, 0.5%

LAB 54.37, -5.04, -4.77

 

CMYK 4 / 16 / 0 / 46

HEX #85748A

RGB 133 116 138

HSL 286.36, 0.09%, 0.5%

LAB 51.05, 10.87, -9.57

 

Description

Color code: RGB 139 121 115 | qconv.com Color code: RGB 139 121 115 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 121 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 121 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 17 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 17% 45% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

91% - 暴风速运 - 打造上海第一速运平台
Link: http://bf-express.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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