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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137 171 133 it is the complementary color RGB 118 84 122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137 171 133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 137 171 133: RGB 142 171 128, RGB 159 189 147, RGB 176 207 166, RGB 193 225 185 and RGB 210 243 204

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137 171 133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 137 171 133: RGB 137 171 133, RGB 120 153 114, RGB 103 135 95, RGB 86 117 76 and RGB 69 99 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 22 / 33

HEX #89AB85

RGB 137 171 133

HSL 113.68, 0.18%, 0.6%

LAB 66.62, -19.1, 15.83

 

Complementary color

CMYK 3 / 31 / 0 / 52

HEX #76547A

RGB 118 84 122

HSL 293.68, 0.18%, 0.4%

LAB 40.57, 21.19, -15.98

 

CMYK 17 / 0 / 25 / 33

HEX #8EAB80

RGB 142 171 128

HSL 100.47, 0.2%, 0.59%

LAB 66.85, -18.15, 18.94

 

CMYK 16 / 0 / 22 / 26

HEX #9FBD93

RGB 159 189 147

HSL 102.86, 0.24%, 0.66%

LAB 73.46, -18.04, 17.94

 

CMYK 15 / 0 / 20 / 19

HEX #B0CFA6

RGB 176 207 166

HSL 105.37, 0.3%, 0.73%

LAB 79.96, -17.95, 17

 

CMYK 14 / 0 / 18 / 12

HEX #C1E1B9

RGB 193 225 185

HSL 108, 0.4%, 0.8%

LAB 86.35, -17.86, 16.11

 

CMYK 14 / 0 / 16 / 5

HEX #D2F3CC

RGB 210 243 204

HSL 110.77, 0.62%, 0.88%

LAB 92.65, -17.79, 15.27

 

CMYK 20 / 0 / 22 / 33

HEX #89AB85

RGB 137 171 133

HSL 113.68, 0.18%, 0.6%

LAB 66.62, -19.1, 15.83

 

CMYK 22 / 0 / 25 / 40

HEX #789972

RGB 120 153 114

HSL 110.77, 0.16%, 0.52%

LAB 59.88, -19.27, 16.85

 

CMYK 24 / 0 / 30 / 47

HEX #67875F

RGB 103 135 95

HSL 108, 0.17%, 0.45%

LAB 52.99, -19.45, 17.94

 

CMYK 26 / 0 / 35 / 54

HEX #56754C

RGB 86 117 76

HSL 105.37, 0.21%, 0.38%

LAB 45.94, -19.65, 19.12

 

CMYK 30 / 0 / 42 / 61

HEX #456339

RGB 69 99 57

HSL 102.86, 0.27%, 0.31%

LAB 38.7, -19.84, 20.41

 

CMYK 20 / 0 / 22 / 33

HEX #89AB85

RGB 137 171 133

HSL 113.68, 0.18%, 0.6%

LAB 66.62, -19.1, 15.83

 

CMYK 22 / 0 / 20 / 33

HEX #86AB88

RGB 134 171 136

HSL 123.24, 0.18%, 0.6%

LAB 66.5, -19.62, 13.98

 

CMYK 22 / 0 / 17 / 33

HEX #86AB8E

RGB 134 171 142

HSL 132.97, 0.18%, 0.6%

LAB 66.63, -18.5, 10.86

 

CMYK 22 / 0 / 13 / 33

HEX #86AB94

RGB 134 171 148

HSL 142.7, 0.18%, 0.6%

LAB 66.77, -17.34, 7.74

 

CMYK 22 / 0 / 10 / 33

HEX #86AB9A

RGB 134 171 154

HSL 152.43, 0.18%, 0.6%

LAB 66.92, -16.13, 4.63

 

CMYK 20 / 0 / 22 / 33

HEX #89AB85

RGB 137 171 133

HSL 113.68, 0.18%, 0.6%

LAB 66.62, -19.1, 15.83

 

CMYK 20 / 0 / 22 / 13

HEX #B2DEAD

RGB 178 222 173

HSL 113.88, 0.43%, 0.77%

LAB 84.34, -23.5, 19.44

 

CMYK 22 / 0 / 22 / 93

HEX #0E120E

RGB 14 18 14

HSL 120, 0.13%, 0.06%

LAB 5.04, -2.19, 1.56

 

CMYK 20 / 0 / 22 / 73

HEX #374536

RGB 55 69 54

HSL 116, 0.12%, 0.24%

LAB 27.67, -9.11, 7.24

 

CMYK 20 / 0 / 23 / 53

HEX #60785D

RGB 96 120 93

HSL 113.33, 0.13%, 0.42%

LAB 47.89, -14.42, 12.01

 

CMYK 20 / 0 / 22 / 33

HEX #89AB85

RGB 137 171 133

HSL 113.68, 0.18%, 0.6%

LAB 66.62, -19.1, 15.83

 

CMYK 22 / 2 / 0 / 33

HEX #86A8AB

RGB 134 168 171

HSL 184.86, 0.18%, 0.6%

LAB 66.53, -10.88, -5.39

 

CMYK 0 / 22 / 11 / 33

HEX #AB8699

RGB 171 134 153

HSL 329.19, 0.18%, 0.6%

LAB 59.9, 17.29, -4.71

 

CMYK 20 / 0 / 22 / 33

HEX #89AB85

RGB 137 171 133

HSL 113.68, 0.18%, 0.6%

LAB 66.62, -19.1, 15.83

 

CMYK 22 / 19 / 0 / 33

HEX #868AAB

RGB 134 138 171

HSL 233.51, 0.18%, 0.6%

LAB 58.21, 5.81, -17.86

 

CMYK 0 / 22 / 19 / 33

HEX #AB868A

RGB 171 134 138

HSL 353.51, 0.18%, 0.6%

LAB 59.47, 14.76, 3.27

 

CMYK 20 / 0 / 22 / 33

HEX #89AB85

RGB 137 171 133

HSL 113.68, 0.18%, 0.6%

LAB 66.62, -19.1, 15.83

 

CMYK 22 / 2 / 0 / 33

HEX #86A8AB

RGB 134 168 171

HSL 184.86, 0.18%, 0.6%

LAB 66.53, -10.88, -5.39

 

CMYK 2 / 22 / 0 / 33

HEX #A786AB

RGB 167 134 171

HSL 293.51, 0.18%, 0.6%

LAB 60.07, 19.25, -14.77

 

CMYK 0 / 20 / 22 / 33

HEX #AB8986

RGB 171 137 134

HSL 4.86, 0.18%, 0.6%

LAB 60.13, 12.44, 6.51

 

CMYK 20 / 0 / 22 / 33

HEX #89AB85

RGB 137 171 133

HSL 113.68, 0.18%, 0.6%

LAB 66.62, -19.1, 15.83

 

CMYK 22 / 8 / 0 / 33

HEX #869DAB

RGB 134 157 171

HSL 202.7, 0.18%, 0.6%

LAB 63.44, -4.9, -9.97

 

CMYK 2 / 22 / 0 / 33

HEX #A786AB

RGB 167 134 171

HSL 293.51, 0.18%, 0.6%

LAB 60.07, 19.25, -14.77

 

CMYK 0 / 13 / 22 / 33

HEX #AB9486

RGB 171 148 134

HSL 22.7, 0.18%, 0.6%

LAB 62.98, 6.28, 10.55

 

Description

Color code: RGB 137 171 133 | qconv.com Color code: RGB 137 171 133 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 171 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 171 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 22 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 22% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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