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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 137.1 54.8 74 it is the complementary color RGB 117.9 200.2 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 137.1 54.8 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 137.1 54.8 74 shade: RGB 142.1 54.8 69, RGB 159.1 72.8 88, RGB 176.1 90.8 107, RGB 193.1 108.8 126 and RGB 210.1 126.8 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 137.1 54.8 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 137.1 54.8 74 shade: RGB 137.1 54.8 74, RGB 120.1 36.8 55, RGB 103.1 18.8 36, RGB 86.1 0.8 17 and RGB 69.1 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 137.1 54.8 74 shade: RGB 139 55 75 and RGB 139 55 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 137.1 54.8 74 shade: RGB 139 55 75, RGB 139 55 97, RGB 139 55 120, RGB 135 55 139 and RGB 113 55 139

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 137.1 54.8 74 shade matches the following richer shades: RGB 139 55 75, RGB 154 40 66, RGB 170 24 58 and RGB 186 8 50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 137.1 54.8 74 shade: RGB 139 55 75, RGB 123 71 83, RGB 107 87 91, RGB 92 102 100 and RGB 76 118 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 137.1 54.8 74 shade: RGB 139 55 119, RGB 139 55 97, RGB 139 55 75, RGB 139 58 55 and RGB 139 80 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 137.1 54.8 74 shade: RGB 80 32 43, RGB 109 43 59, RGB 139 55 75, RGB 168 67 91 and RGB 188 88 111

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 137.1 54.8 74 shade: RGB 137.1 54.8 74, RGB 139 136 55 and RGB 55 108 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 137.1 54.8 74 shade: RGB 137.1 54.8 74, RGB 75 139 55 and RGB 55 75 139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 137.1 54.8 74 shade: RGB 137.1 54.8 74, RGB 139 136 55, RGB 55 139 119 and RGB 55 58 139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 137.1 54.8 74 shade: RGB 137.1 54.8 74, RGB 116 139 55, RGB 55 139 119 and RGB 77 55 139

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 46 / 46

HEX #89364A

RGB 137.1 54.8 74

HSL 346, 0.43%, 0.38%

LAB 35.07, 36.98, 6.27

 

Complementary color

CMYK 41 / 0 / 10 / 21

HEX #75C8B5

RGB 117.9 200.2 181

HSL 166, 0.43%, 0.62%

LAB 75.19, -29.64, 1.73

 

CMYK 0 / 61 / 51 / 44

HEX #8E3645

RGB 142.1 54.8 69

HSL 350.24, 0.44%, 0.39%

LAB 35.8, 38.28, 10.61

 

CMYK 0 / 54 / 45 / 38

HEX #9F4858

RGB 159.1 72.8 88

HSL 349.43, 0.37%, 0.45%

LAB 42.5, 37.35, 8.46

 

CMYK 0 / 48 / 39 / 31

HEX #B05A6B

RGB 176.1 90.8 107

HSL 348.6, 0.35%, 0.52%

LAB 49.19, 36.36, 6.74

 

CMYK 0 / 44 / 35 / 24

HEX #C16C7E

RGB 193.1 108.8 126

HSL 347.76, 0.41%, 0.59%

LAB 55.84, 35.38, 5.31

 

CMYK 0 / 40 / 31 / 18

HEX #D27E91

RGB 210.1 126.8 145

HSL 346.89, 0.48%, 0.66%

LAB 62.41, 34.45, 4.08

 

CMYK 0 / 60 / 46 / 46

HEX #89364A

RGB 137.1 54.8 74

HSL 346, 0.43%, 0.38%

LAB 35.07, 36.98, 6.27

 

CMYK 0 / 69 / 54 / 53

HEX #782437

RGB 120.1 36.8 55

HSL 346.89, 0.53%, 0.31%

LAB 28.35, 37.63, 8.81

 

CMYK 0 / 82 / 65 / 60

HEX #671224

RGB 103.1 18.8 36

HSL 347.76, 0.69%, 0.24%

LAB 21.86, 37.59, 12.36

 

CMYK 0 / 99 / 80 / 66

HEX #560011

RGB 86.1 0.8 17

HSL 348.6, 0.98%, 0.17%

LAB 15.7, 36.65, 16.83

 

CMYK 0 / 100 / 100 / 73

HEX #450000

RGB 69.1 0 0

HSL 0, 1%, 0.14%

LAB 11.06, 31.31, 17.41

 

CMYK 0 / 60 / 46 / 45

HEX #8B374B

RGB 139 55 75

HSL 345.71, 0.43%, 0.38%

LAB 35.46, 37.67, 6.22

 

CMYK 0 / 60 / 60 / 45

HEX #8B3737

RGB 139 55 55

HSL 0, 0.43%, 0.38%

LAB 35, 35.82, 18.35

 

CMYK 0 / 60 / 46 / 45

HEX #8B374B

RGB 139 55 75

HSL 345.71, 0.43%, 0.38%

LAB 35.46, 37.67, 6.22

 

CMYK 0 / 60 / 30 / 45

HEX #8B3761

RGB 139 55 97

HSL 330, 0.43%, 0.38%

LAB 36.15, 40.36, -6.82

 

CMYK 0 / 60 / 14 / 45

HEX #8B3778

RGB 139 55 120

HSL 313.57, 0.43%, 0.38%

LAB 37.07, 43.84, -19.88

 

CMYK 3 / 60 / 0 / 45

HEX #87378B

RGB 135 55 139

HSL 297.14, 0.43%, 0.38%

LAB 37.39, 46.07, -31.18

 

CMYK 19 / 60 / 0 / 45

HEX #71378B

RGB 113 55 139

HSL 281.43, 0.43%, 0.38%

LAB 34.21, 40.13, -36.42

 

CMYK 0 / 60 / 46 / 45

HEX #8B374B

RGB 139 55 75

HSL 345.71, 0.43%, 0.38%

LAB 35.46, 37.67, 6.22

 

CMYK 0 / 74 / 57 / 40

HEX #9A2842

RGB 154 40 66

HSL 346.32, 0.59%, 0.38%

LAB 35.56, 48.38, 12.56

 

CMYK 0 / 86 / 66 / 33

HEX #AA183A

RGB 170 24 58

HSL 346.03, 0.75%, 0.38%

LAB 36.94, 57.17, 20.1

 

CMYK 0 / 96 / 73 / 27

HEX #BA0832

RGB 186 8 50

HSL 345.84, 0.92%, 0.38%

LAB 39.31, 63.42, 28.84

 

CMYK 0 / 60 / 46 / 45

HEX #8B374B

RGB 139 55 75

HSL 345.71, 0.43%, 0.38%

LAB 35.46, 37.67, 6.22

 

CMYK 0 / 42 / 33 / 52

HEX #7B4753

RGB 123 71 83

HSL 346.15, 0.27%, 0.38%

LAB 36.63, 23.84, 2.5

 

CMYK 0 / 19 / 15 / 58

HEX #6B575B

RGB 107 87 91

HSL 348, 0.1%, 0.38%

LAB 39.07, 8.94, 0.78

 

CMYK 10 / 0 / 2 / 60

HEX #5C6664

RGB 92 102 100

HSL 168, 0.05%, 0.38%

LAB 42.3, -4.26, -0.19

 

CMYK 36 / 0 / 8 / 54

HEX #4C766C

RGB 76 118 108

HSL 165.71, 0.22%, 0.38%

LAB 46.41, -17.04, 0.87

 

CMYK 0 / 60 / 14 / 45

HEX #8B3777

RGB 139 55 119

HSL 314.29, 0.43%, 0.38%

LAB 37.03, 43.68, -19.32

 

CMYK 0 / 60 / 30 / 45

HEX #8B3761

RGB 139 55 97

HSL 330, 0.43%, 0.38%

LAB 36.15, 40.36, -6.82

 

CMYK 0 / 60 / 46 / 45

HEX #8B374B

RGB 139 55 75

HSL 345.71, 0.43%, 0.38%

LAB 35.46, 37.67, 6.22

 

CMYK 0 / 58 / 60 / 45

HEX #8B3A37

RGB 139 58 55

HSL 2.14, 0.43%, 0.38%

LAB 35.58, 34.3, 19.1

 

CMYK 0 / 42 / 60 / 45

HEX #8B5037

RGB 139 80 55

HSL 17.86, 0.43%, 0.38%

LAB 40.41, 22.18, 25.24

 

CMYK 0 / 60 / 46 / 69

HEX #50202B

RGB 80 32 43

HSL 346.25, 0.43%, 0.22%

LAB 19.69, 23.78, 3.77

 

CMYK 0 / 61 / 46 / 57

HEX #6D2B3B

RGB 109 43 59

HSL 345.45, 0.43%, 0.3%

LAB 27.56, 31, 4.74

 

CMYK 0 / 60 / 46 / 45

HEX #8B374B

RGB 139 55 75

HSL 345.71, 0.43%, 0.38%

LAB 35.46, 37.67, 6.22

 

CMYK 0 / 60 / 46 / 34

HEX #A8435B

RGB 168 67 91

HSL 345.74, 0.43%, 0.46%

LAB 42.91, 43.71, 7.38

 

CMYK 0 / 53 / 41 / 26

HEX #BC586F

RGB 188 88 111

HSL 346.2, 0.43%, 0.54%

LAB 50.47, 42.55, 6.41

 

CMYK 0 / 60 / 46 / 46

HEX #89364A

RGB 137.1 54.8 74

HSL 346, 0.43%, 0.38%

LAB 35.07, 36.98, 6.27

 

CMYK 0 / 2 / 60 / 45

HEX #8B8837

RGB 139 136 55

HSL 57.86, 0.43%, 0.38%

LAB 55.45, -9.9, 42.83

 

CMYK 60 / 22 / 0 / 45

HEX #376C8B

RGB 55 108 139

HSL 202.14, 0.43%, 0.38%

LAB 43.36, -7.87, -22.37

 

CMYK 0 / 60 / 46 / 46

HEX #89364A

RGB 137.1 54.8 74

HSL 346, 0.43%, 0.38%

LAB 35.07, 36.98, 6.27

 

CMYK 46 / 0 / 60 / 45

HEX #4B8B37

RGB 75 139 55

HSL 105.71, 0.43%, 0.38%

LAB 52.1, -37.11, 37.9

 

CMYK 60 / 46 / 0 / 45

HEX #374B8B

RGB 55 75 139

HSL 225.71, 0.43%, 0.38%

LAB 33.37, 12.99, -38.09

 

CMYK 0 / 60 / 46 / 46

HEX #89364A

RGB 137.1 54.8 74

HSL 346, 0.43%, 0.38%

LAB 35.07, 36.98, 6.27

 

CMYK 0 / 2 / 60 / 45

HEX #8B8837

RGB 139 136 55

HSL 57.86, 0.43%, 0.38%

LAB 55.45, -9.9, 42.83

 

CMYK 60 / 0 / 14 / 45

HEX #378B77

RGB 55 139 119

HSL 165.71, 0.43%, 0.38%

LAB 52.52, -30.42, 3.16

 

CMYK 60 / 58 / 0 / 45

HEX #373A8B

RGB 55 58 139

HSL 237.86, 0.43%, 0.38%

LAB 28.65, 24.35, -45.68

 

CMYK 0 / 60 / 46 / 46

HEX #89364A

RGB 137.1 54.8 74

HSL 346, 0.43%, 0.38%

LAB 35.07, 36.98, 6.27

 

CMYK 17 / 0 / 60 / 45

HEX #748B37

RGB 116 139 55

HSL 76.43, 0.43%, 0.38%

LAB 54.51, -21.5, 41.27

 

CMYK 60 / 0 / 14 / 45

HEX #378B77

RGB 55 139 119

HSL 165.71, 0.43%, 0.38%

LAB 52.52, -30.42, 3.16

 

CMYK 45 / 60 / 0 / 45

HEX #4D378B

RGB 77 55 139

HSL 255.71, 0.43%, 0.38%

LAB 29.85, 31.01, -43.65

 

Description

Color code: RGB 137.1 54.8 74 | qconv.com Color code: RGB 137.1 54.8 74 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137.1 red, 54.8 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137.1 54.8 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 46 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 46% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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