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Color name
RGB 136 252 100

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 252 100 it is the complementary color RGB 119 3 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 252 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 252 100 shade: RGB 141 252 95, RGB 158 255 114, RGB 175 255 133, RGB 192 255 152 and RGB 209 255 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 252 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 252 100 shade: RGB 136 252 100, RGB 119 234 81, RGB 102 216 62, RGB 85 198 43 and RGB 68 180 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 252 100 shade: RGB 136 252 100, RGB 177 252 100, RGB 218 252 100, RGB 252 245 100 and RGB 252 204 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 252 100 shade: RGB 136 252 100, RGB 100 252 105, RGB 100 252 146, RGB 100 252 187 and RGB 100 252 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 252 100 shade matches the following richer shades: RGB 136 252 100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 252 100 shade: RGB 136 252 100, RGB 143 239 113, RGB 149 226 126, RGB 156 213 138 and RGB 163 201 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 252 100 shade: RGB 219 252 100, RGB 178 252 100, RGB 138 252 100, RGB 100 252 103 and RGB 100 252 143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 252 100 shade: RGB 74 250 19, RGB 105 251 60, RGB 136 252 100, RGB 167 253 140 and RGB 198 253 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 252 100 shade: RGB 136 252 100, RGB 100 252 244 and RGB 252 100 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 252 100 shade: RGB 136 252 100, RGB 100 138 252 and RGB 252 100 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 252 100 shade: RGB 136 252 100, RGB 100 252 244, RGB 214 100 252 and RGB 252 100 108

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 252 100 shade: RGB 136 252 100, RGB 100 214 252, RGB 214 100 252 and RGB 252 138 100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 60 / 1

HEX #88FC64

RGB 136 252 100

HSL 105.79, 0.96%, 0.69%

LAB 89.75, -59.71, 61.2

 

Complementary color

CMYK 23 / 98 / 0 / 39

HEX #77039B

RGB 119 3 155

HSL 285.79, 0.96%, 0.31%

LAB 30.29, 61.73, -52.5

 

CMYK 44 / 0 / 62 / 1

HEX #8DFC5F

RGB 141 252 95

HSL 102.42, 0.96%, 0.68%

LAB 89.91, -58.72, 63.5

 

CMYK 38 / 0 / 55 / 0

HEX #9EFF72

RGB 158 255 114

HSL 101.28, 1%, 0.72%

LAB 91.69, -52.89, 57.62

 

CMYK 31 / 0 / 48 / 0

HEX #AFFF85

RGB 175 255 133

HSL 99.34, 1%, 0.76%

LAB 92.72, -45.32, 50.39

 

CMYK 25 / 0 / 40 / 0

HEX #C0FF98

RGB 192 255 152

HSL 96.7, 1%, 0.8%

LAB 93.88, -37.29, 42.96

 

CMYK 18 / 0 / 33 / 0

HEX #D1FFAB

RGB 209 255 171

HSL 92.86, 1%, 0.84%

LAB 95.17, -28.92, 35.48

 

CMYK 46 / 0 / 60 / 1

HEX #88FC64

RGB 136 252 100

HSL 105.79, 0.96%, 0.69%

LAB 89.75, -59.71, 61.2

 

CMYK 49 / 0 / 65 / 8

HEX #77EA51

RGB 119 234 81

HSL 105.1, 0.78%, 0.62%

LAB 83.63, -59.45, 62.05

 

CMYK 53 / 0 / 71 / 15

HEX #66D83E

RGB 102 216 62

HSL 104.42, 0.66%, 0.55%

LAB 77.45, -58.98, 62.59

 

CMYK 57 / 0 / 78 / 22

HEX #55C62B

RGB 85 198 43

HSL 103.74, 0.64%, 0.47%

LAB 71.21, -58.23, 62.59

 

CMYK 62 / 0 / 87 / 29

HEX #44B418

RGB 68 180 24

HSL 103.08, 0.76%, 0.4%

LAB 64.91, -57.08, 61.66

 

CMYK 46 / 0 / 60 / 1

HEX #88FC64

RGB 136 252 100

HSL 105.79, 0.96%, 0.69%

LAB 89.75, -59.71, 61.2

 

CMYK 30 / 0 / 60 / 1

HEX #B1FC64

RGB 177 252 100

HSL 89.61, 0.96%, 0.69%

LAB 91.63, -46.68, 63.82

 

CMYK 13 / 0 / 60 / 1

HEX #DAFC64

RGB 218 252 100

HSL 73.42, 0.96%, 0.69%

LAB 94.08, -31.64, 67.2

 

CMYK 0 / 3 / 60 / 1

HEX #FCF564

RGB 252 245 100

HSL 57.24, 0.96%, 0.69%

LAB 94.7, -14.94, 68.6

 

CMYK 0 / 19 / 60 / 1

HEX #FCCC64

RGB 252 204 100

HSL 41.05, 0.96%, 0.69%

LAB 84.38, 5.65, 57.17

 

CMYK 46 / 0 / 60 / 1

HEX #88FC64

RGB 136 252 100

HSL 105.79, 0.96%, 0.69%

LAB 89.75, -59.71, 61.2

 

CMYK 60 / 0 / 58 / 1

HEX #64FC69

RGB 100 252 105

HSL 121.97, 0.96%, 0.69%

LAB 88.61, -68.23, 57.45

 

CMYK 60 / 0 / 42 / 1

HEX #64FC92

RGB 100 252 146

HSL 138.16, 0.96%, 0.69%

LAB 89.11, -62.65, 38.99

 

CMYK 60 / 0 / 26 / 1

HEX #64FCBB

RGB 100 252 187

HSL 154.34, 0.96%, 0.69%

LAB 89.82, -55.11, 19.32

 

CMYK 60 / 0 / 10 / 1

HEX #64FCE4

RGB 100 252 228

HSL 170.53, 0.96%, 0.69%

LAB 90.75, -45.83, -0.53

 

CMYK 46 / 0 / 60 / 1

HEX #88FC64

RGB 136 252 100

HSL 105.79, 0.96%, 0.69%

LAB 89.75, -59.71, 61.2

 

CMYK 46 / 0 / 60 / 1

HEX #88FC64

RGB 136 252 100

HSL 105.79, 0.96%, 0.69%

LAB 89.75, -59.71, 61.2

 

CMYK 40 / 0 / 53 / 6

HEX #8FEF71

RGB 143 239 113

HSL 105.71, 0.8%, 0.69%

LAB 86.39, -51.12, 51.64

 

CMYK 34 / 0 / 44 / 11

HEX #95E27E

RGB 149 226 126

HSL 106.2, 0.63%, 0.69%

LAB 83.07, -42.12, 41.42

 

CMYK 27 / 0 / 35 / 16

HEX #9CD58A

RGB 156 213 138

HSL 105.6, 0.47%, 0.69%

LAB 79.89, -32.21, 31.36

 

CMYK 19 / 0 / 25 / 21

HEX #A3C997

RGB 163 201 151

HSL 105.6, 0.32%, 0.69%

LAB 77.16, -21.99, 20.95

 

CMYK 13 / 0 / 60 / 1

HEX #DBFC64

RGB 219 252 100

HSL 73.03, 0.96%, 0.69%

LAB 94.14, -31.26, 67.29

 

CMYK 29 / 0 / 60 / 1

HEX #B2FC64

RGB 178 252 100

HSL 89.21, 0.96%, 0.69%

LAB 91.69, -46.33, 63.9

 

CMYK 45 / 0 / 60 / 1

HEX #8AFC64

RGB 138 252 100

HSL 105, 0.96%, 0.69%

LAB 89.83, -59.14, 61.31

 

CMYK 60 / 0 / 59 / 1

HEX #64FC67

RGB 100 252 103

HSL 121.18, 0.96%, 0.69%

LAB 88.6, -68.46, 58.29

 

CMYK 60 / 0 / 43 / 1

HEX #64FC8F

RGB 100 252 143

HSL 136.97, 0.96%, 0.69%

LAB 89.07, -63.12, 40.4

 

CMYK 70 / 0 / 92 / 2

HEX #4AFA13

RGB 74 250 19

HSL 105.71, 0.96%, 0.53%

LAB 86.94, -78.19, 81.2

 

CMYK 58 / 0 / 76 / 2

HEX #69FB3C

RGB 105 251 60

HSL 105.86, 0.96%, 0.61%

LAB 88.12, -70.6, 73.84

 

CMYK 46 / 0 / 60 / 1

HEX #88FC64

RGB 136 252 100

HSL 105.79, 0.96%, 0.69%

LAB 89.75, -59.71, 61.2

 

CMYK 34 / 0 / 45 / 1

HEX #A7FD8C

RGB 167 253 140

HSL 105.66, 0.97%, 0.77%

LAB 91.85, -46.2, 45.9

 

CMYK 22 / 0 / 28 / 1

HEX #C6FDB5

RGB 198 253 181

HSL 105.83, 0.95%, 0.85%

LAB 94.14, -30.29, 28.97

 

CMYK 46 / 0 / 60 / 1

HEX #88FC64

RGB 136 252 100

HSL 105.79, 0.96%, 0.69%

LAB 89.75, -59.71, 61.2

 

CMYK 60 / 0 / 3 / 1

HEX #64FCF4

RGB 100 252 244

HSL 176.84, 0.96%, 0.69%

LAB 91.17, -41.8, -8.22

 

CMYK 0 / 60 / 21 / 1

HEX #FC64C7

RGB 252 100 199

HSL 320.92, 0.96%, 0.69%

LAB 64.91, 67.94, -22.33

 

CMYK 46 / 0 / 60 / 1

HEX #88FC64

RGB 136 252 100

HSL 105.79, 0.96%, 0.69%

LAB 89.75, -59.71, 61.2

 

CMYK 60 / 45 / 0 / 1

HEX #648AFC

RGB 100 138 252

HSL 225, 0.96%, 0.69%

LAB 59.81, 20.75, -60.94

 

CMYK 0 / 60 / 45 / 1

HEX #FC648A

RGB 252 100 138

HSL 345, 0.96%, 0.69%

LAB 63.05, 60.98, 9.78

 

CMYK 46 / 0 / 60 / 1

HEX #88FC64

RGB 136 252 100

HSL 105.79, 0.96%, 0.69%

LAB 89.75, -59.71, 61.2

 

CMYK 60 / 0 / 3 / 1

HEX #64FCF4

RGB 100 252 244

HSL 176.84, 0.96%, 0.69%

LAB 91.17, -41.8, -8.22

 

CMYK 15 / 60 / 0 / 1

HEX #D664FC

RGB 214 100 252

HSL 285, 0.96%, 0.69%

LAB 62.03, 66.91, -56.8

 

CMYK 0 / 60 / 57 / 1

HEX #FC646C

RGB 252 100 108

HSL 356.84, 0.96%, 0.69%

LAB 62.42, 58.53, 26.15

 

CMYK 46 / 0 / 60 / 1

HEX #88FC64

RGB 136 252 100

HSL 105.79, 0.96%, 0.69%

LAB 89.75, -59.71, 61.2

 

CMYK 60 / 15 / 0 / 1

HEX #64D6FC

RGB 100 214 252

HSL 195, 0.96%, 0.69%

LAB 80.64, -21.54, -28.29

 

CMYK 15 / 60 / 0 / 1

HEX #D664FC

RGB 214 100 252

HSL 285, 0.96%, 0.69%

LAB 62.03, 66.91, -56.8

 

CMYK 0 / 45 / 60 / 1

HEX #FC8A64

RGB 252 138 100

HSL 15, 0.96%, 0.69%

LAB 69.32, 39.95, 39.37

 

Description

Color code: RGB 136 252 100 | qconv.com Color code: RGB 136 252 100 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 252 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 252 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 60 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 60% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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