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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 229 143 it is the complementary color RGB 119 26 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 229 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 229 143 shade: RGB 141 229 138, RGB 158 247 157, RGB 175 255 176, RGB 192 255 195 and RGB 209 255 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 229 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 229 143 shade: RGB 136 229 143, RGB 119 211 124, RGB 102 193 105, RGB 85 175 86 and RGB 68 157 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 229 143 shade: RGB 138 229 145, RGB 156 229 138, RGB 180 229 138, RGB 205 229 138 and RGB 229 229 138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 229 143 shade: RGB 138 229 145, RGB 138 229 169, RGB 138 229 194, RGB 138 229 219 and RGB 138 215 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 229 143 shade matches the following richer shades: RGB 138 229 145, RGB 126 241 135 and RGB 115 252 125

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 229 143 shade: RGB 138 229 145, RGB 149 218 155, RGB 161 206 164, RGB 173 195 174 and RGB 184 183 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 229 143 shade: RGB 181 229 138, RGB 156 229 138, RGB 138 229 144, RGB 138 229 168 and RGB 138 229 193

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 229 143 shade: RGB 70 214 81, RGB 104 222 113, RGB 138 229 145, RGB 172 237 177 and RGB 206 244 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 229 143 shade: RGB 136 229 143, RGB 138 205 229 and RGB 229 138 168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 229 143 shade: RGB 136 229 143, RGB 144 138 229 and RGB 229 144 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 229 143 shade: RGB 136 229 143, RGB 138 205 229, RGB 229 138 223 and RGB 229 162 138

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 229 143 shade: RGB 136 229 143, RGB 138 178 229, RGB 229 138 223 and RGB 229 190 138

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 38 / 10

HEX #88E58F

RGB 136 229 143

HSL 124.52, 0.64%, 0.72%

LAB 83.58, -44.99, 33.49

 

Complementary color

CMYK 0 / 78 / 6 / 53

HEX #771A70

RGB 119 26 112

HSL 304.52, 0.64%, 0.28%

LAB 28.98, 49.05, -27.72

 

CMYK 38 / 0 / 40 / 10

HEX #8DE58A

RGB 141 229 138

HSL 118.02, 0.64%, 0.72%

LAB 83.72, -44.26, 36.24

 

CMYK 36 / 0 / 36 / 3

HEX #9EF79D

RGB 158 247 157

HSL 119.33, 0.85%, 0.79%

LAB 89.96, -44.04, 35.06

 

CMYK 31 / 0 / 31 / 0

HEX #AFFFB0

RGB 175 255 176

HSL 120.75, 1%, 0.84%

LAB 93.35, -39.4, 30.21

 

CMYK 25 / 0 / 24 / 0

HEX #C0FFC3

RGB 192 255 195

HSL 122.86, 1%, 0.88%

LAB 94.6, -30.95, 22.45

 

CMYK 18 / 0 / 16 / 0

HEX #D1FFD6

RGB 209 255 214

HSL 126.52, 1%, 0.91%

LAB 95.97, -22.25, 14.81

 

CMYK 41 / 0 / 38 / 10

HEX #88E58F

RGB 136 229 143

HSL 124.52, 0.64%, 0.72%

LAB 83.58, -44.99, 33.49

 

CMYK 44 / 0 / 41 / 17

HEX #77D37C

RGB 119 211 124

HSL 123.26, 0.51%, 0.65%

LAB 77.26, -45.18, 34.71

 

CMYK 47 / 0 / 46 / 24

HEX #66C169

RGB 102 193 105

HSL 121.98, 0.42%, 0.58%

LAB 70.86, -45.31, 35.99

 

CMYK 51 / 0 / 51 / 31

HEX #55AF56

RGB 85 175 86

HSL 120.67, 0.36%, 0.51%

LAB 64.37, -45.34, 37.32

 

CMYK 57 / 0 / 57 / 38

HEX #449D43

RGB 68 157 67

HSL 119.33, 0.4%, 0.44%

LAB 57.8, -45.19, 38.64

 

CMYK 40 / 0 / 37 / 10

HEX #8AE591

RGB 138 229 145

HSL 124.62, 0.64%, 0.72%

LAB 83.7, -44.08, 32.65

 

CMYK 32 / 0 / 40 / 10

HEX #9CE58A

RGB 156 229 138

HSL 108.13, 0.64%, 0.72%

LAB 84.45, -39.53, 37.33

 

CMYK 21 / 0 / 40 / 10

HEX #B4E58A

RGB 180 229 138

HSL 92.31, 0.64%, 0.72%

LAB 85.79, -31.33, 39.32

 

CMYK 10 / 0 / 40 / 10

HEX #CDE58A

RGB 205 229 138

HSL 75.82, 0.64%, 0.72%

LAB 87.41, -22.18, 41.72

 

CMYK 0 / 0 / 40 / 10

HEX #E5E58A

RGB 229 229 138

HSL 60, 0.64%, 0.72%

LAB 89.17, -13, 44.32

 

CMYK 40 / 0 / 37 / 10

HEX #8AE591

RGB 138 229 145

HSL 124.62, 0.64%, 0.72%

LAB 83.7, -44.08, 32.65

 

CMYK 40 / 0 / 26 / 10

HEX #8AE5A9

RGB 138 229 169

HSL 140.44, 0.64%, 0.72%

LAB 84.13, -39.97, 20.9

 

CMYK 40 / 0 / 15 / 10

HEX #8AE5C2

RGB 138 229 194

HSL 156.92, 0.64%, 0.72%

LAB 84.66, -35.04, 8.58

 

CMYK 40 / 0 / 4 / 10

HEX #8AE5DB

RGB 138 229 219

HSL 173.41, 0.64%, 0.72%

LAB 85.28, -29.49, -3.69

 

CMYK 40 / 6 / 0 / 10

HEX #8AD7E5

RGB 138 215 229

HSL 189.23, 0.64%, 0.72%

LAB 81.65, -20.21, -14.38

 

CMYK 40 / 0 / 37 / 10

HEX #8AE591

RGB 138 229 145

HSL 124.62, 0.64%, 0.72%

LAB 83.7, -44.08, 32.65

 

CMYK 48 / 0 / 44 / 5

HEX #7EF187

RGB 126 241 135

HSL 124.7, 0.8%, 0.72%

LAB 86.55, -53.98, 41.24

 

CMYK 54 / 0 / 50 / 1

HEX #73FC7D

RGB 115 252 125

HSL 124.38, 0.96%, 0.72%

LAB 89.27, -62.4, 49.33

 

CMYK 40 / 0 / 37 / 10

HEX #8AE591

RGB 138 229 145

HSL 124.62, 0.64%, 0.72%

LAB 83.7, -44.08, 32.65

 

CMYK 32 / 0 / 29 / 15

HEX #95DA9B

RGB 149 218 155

HSL 125.22, 0.48%, 0.72%

LAB 81.24, -34.15, 24.3

 

CMYK 22 / 0 / 20 / 19

HEX #A1CEA4

RGB 161 206 164

HSL 124, 0.31%, 0.72%

LAB 78.69, -22.94, 16.16

 

CMYK 11 / 0 / 11 / 24

HEX #ADC3AE

RGB 173 195 174

HSL 122.73, 0.15%, 0.72%

LAB 76.66, -11.48, 8.03

 

CMYK 0 / 1 / 0 / 28

HEX #B8B7B8

RGB 184 183 184

HSL 300, 0.01%, 0.72%

LAB 74.52, 0.54, -0.39

 

CMYK 21 / 0 / 40 / 10

HEX #B5E58A

RGB 181 229 138

HSL 91.65, 0.64%, 0.72%

LAB 85.85, -30.98, 39.41

 

CMYK 32 / 0 / 40 / 10

HEX #9CE58A

RGB 156 229 138

HSL 108.13, 0.64%, 0.72%

LAB 84.45, -39.53, 37.33

 

CMYK 40 / 0 / 37 / 10

HEX #8AE590

RGB 138 229 144

HSL 123.96, 0.64%, 0.72%

LAB 83.68, -44.24, 33.14

 

CMYK 40 / 0 / 27 / 10

HEX #8AE5A8

RGB 138 229 168

HSL 139.78, 0.64%, 0.72%

LAB 84.11, -40.16, 21.39

 

CMYK 40 / 0 / 16 / 10

HEX #8AE5C1

RGB 138 229 193

HSL 156.26, 0.64%, 0.72%

LAB 84.63, -35.25, 9.07

 

CMYK 67 / 0 / 62 / 16

HEX #46D651

RGB 70 214 81

HSL 124.58, 0.64%, 0.56%

LAB 76.06, -63.9, 53.29

 

CMYK 53 / 0 / 49 / 13

HEX #68DE71

RGB 104 222 113

HSL 124.58, 0.64%, 0.64%

LAB 79.83, -55.32, 43.29

 

CMYK 40 / 0 / 37 / 10

HEX #8AE591

RGB 138 229 145

HSL 124.62, 0.64%, 0.72%

LAB 83.7, -44.08, 32.65

 

CMYK 27 / 0 / 25 / 7

HEX #ACEDB1

RGB 172 237 177

HSL 124.62, 0.64%, 0.8%

LAB 88.22, -31.96, 22.67

 

CMYK 16 / 0 / 15 / 4

HEX #CEF4D0

RGB 206 244 208

HSL 123.16, 0.63%, 0.88%

LAB 92.74, -18.93, 13.3

 

CMYK 41 / 0 / 38 / 10

HEX #88E58F

RGB 136 229 143

HSL 124.52, 0.64%, 0.72%

LAB 83.58, -44.99, 33.49

 

CMYK 40 / 10 / 0 / 10

HEX #8ACDE5

RGB 138 205 229

HSL 195.82, 0.64%, 0.72%

LAB 78.88, -15.12, -18.55

 

CMYK 0 / 40 / 27 / 10

HEX #E58AA8

RGB 229 138 168

HSL 340.22, 0.64%, 0.72%

LAB 67.77, 38.38, -0.88

 

CMYK 41 / 0 / 38 / 10

HEX #88E58F

RGB 136 229 143

HSL 124.52, 0.64%, 0.72%

LAB 83.58, -44.99, 33.49

 

CMYK 37 / 40 / 0 / 10

HEX #908AE5

RGB 144 138 229

HSL 243.96, 0.64%, 0.72%

LAB 61.45, 23.63, -45.45

 

CMYK 0 / 37 / 40 / 10

HEX #E5908A

RGB 229 144 138

HSL 3.96, 0.64%, 0.72%

LAB 68.34, 31.48, 16.75

 

CMYK 41 / 0 / 38 / 10

HEX #88E58F

RGB 136 229 143

HSL 124.52, 0.64%, 0.72%

LAB 83.58, -44.99, 33.49

 

CMYK 40 / 10 / 0 / 10

HEX #8ACDE5

RGB 138 205 229

HSL 195.82, 0.64%, 0.72%

LAB 78.88, -15.12, -18.55

 

CMYK 0 / 40 / 3 / 10

HEX #E58ADF

RGB 229 138 223

HSL 303.96, 0.64%, 0.72%

LAB 69.59, 47.05, -28.82

 

CMYK 0 / 29 / 40 / 10

HEX #E5A28A

RGB 229 162 138

HSL 15.82, 0.64%, 0.72%

LAB 72.45, 21.89, 22.39

 

CMYK 41 / 0 / 38 / 10

HEX #88E58F

RGB 136 229 143

HSL 124.52, 0.64%, 0.72%

LAB 83.58, -44.99, 33.49

 

CMYK 40 / 22 / 0 / 10

HEX #8AB2E5

RGB 138 178 229

HSL 213.63, 0.64%, 0.72%

LAB 71.49, -0.72, -29.83

 

CMYK 0 / 40 / 3 / 10

HEX #E58ADF

RGB 229 138 223

HSL 303.96, 0.64%, 0.72%

LAB 69.59, 47.05, -28.82

 

CMYK 0 / 17 / 40 / 10

HEX #E5BE8A

RGB 229 190 138

HSL 34.29, 0.64%, 0.72%

LAB 79.23, 6.99, 31.48

 

Description

Color code: RGB 136 229 143 | qconv.com Color code: RGB 136 229 143 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 229 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 229 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 38 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 38% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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