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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 147 58 it is the complementary color RGB 119 108 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 147 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 147 58 shade: RGB 141 147 53, RGB 158 165 72, RGB 175 183 91, RGB 192 201 110 and RGB 209 219 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 147 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 147 58 shade: RGB 136 147 58, RGB 119 129 39, RGB 102 111 20, RGB 85 93 1 and RGB 68 75 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 147 58 shade: RGB 135 146 58, RGB 146 133 58, RGB 146 109 58, RGB 146 86 58 and RGB 146 62 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 147 58 shade: RGB 135 146 58, RGB 111 146 58, RGB 88 146 58, RGB 64 146 58 and RGB 58 146 76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 147 58 shade matches the following richer shades: RGB 135 146 58, RGB 147 162 42, RGB 160 179 25 and RGB 172 195 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 147 58 shade: RGB 135 146 58, RGB 123 129 75, RGB 110 113 91, RGB 98 96 108 and RGB 85 80 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 147 58 shade: RGB 146 109 58, RGB 146 133 58, RGB 136 146 58, RGB 112 146 58 and RGB 89 146 58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 147 58 shade: RGB 80 87 35, RGB 108 116 46, RGB 135 146 58, RGB 162 175 70 and RGB 179 191 95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 147 58 shade: RGB 136 147 58, RGB 58 146 86 and RGB 121 58 146

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 147 58 shade: RGB 136 147 58, RGB 58 136 146 and RGB 146 58 136

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 147 58 shade: RGB 136 147 58, RGB 58 146 86, RGB 68 58 146 and RGB 146 58 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 147 58 shade: RGB 136 147 58, RGB 58 146 112, RGB 68 58 146 and RGB 146 58 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 61 / 42

HEX #88933A

RGB 136 147 58

HSL 67.42, 0.43%, 0.4%

LAB 58.42, -16.84, 44.63

 

Complementary color

CMYK 40 / 45 / 0 / 23

HEX #776CC5

RGB 119 108 197

HSL 247.42, 0.43%, 0.6%

LAB 50.31, 25.98, -45.16

 

CMYK 4 / 0 / 64 / 42

HEX #8D9335

RGB 141 147 53

HSL 63.83, 0.47%, 0.39%

LAB 58.78, -15.04, 47.4

 

CMYK 4 / 0 / 56 / 35

HEX #9EA548

RGB 158 165 72

HSL 64.52, 0.39%, 0.46%

LAB 65.47, -15.64, 46.47

 

CMYK 4 / 0 / 50 / 28

HEX #AFB75B

RGB 175 183 91

HSL 65.22, 0.39%, 0.54%

LAB 72.05, -16.1, 45.37

 

CMYK 4 / 0 / 45 / 21

HEX #C0C96E

RGB 192 201 110

HSL 65.93, 0.46%, 0.61%

LAB 78.52, -16.47, 44.21

 

CMYK 5 / 0 / 41 / 14

HEX #D1DB81

RGB 209 219 129

HSL 66.67, 0.56%, 0.68%

LAB 84.9, -16.76, 43.04

 

CMYK 7 / 0 / 61 / 42

HEX #88933A

RGB 136 147 58

HSL 67.42, 0.43%, 0.4%

LAB 58.42, -16.84, 44.63

 

CMYK 8 / 0 / 70 / 49

HEX #778127

RGB 119 129 39

HSL 66.67, 0.54%, 0.33%

LAB 51.57, -16.21, 45.36

 

CMYK 8 / 0 / 82 / 56

HEX #666F14

RGB 102 111 20

HSL 65.93, 0.69%, 0.26%

LAB 44.58, -15.34, 45.3

 

CMYK 9 / 0 / 99 / 64

HEX #555D01

RGB 85 93 1

HSL 65.22, 0.98%, 0.18%

LAB 37.41, -14.19, 44.05

 

CMYK 9 / 0 / 100 / 71

HEX #444B00

RGB 68 75 0

HSL 65.6, 1%, 0.15%

LAB 30.06, -12.45, 38.24

 

CMYK 8 / 0 / 60 / 43

HEX #87923A

RGB 135 146 58

HSL 67.5, 0.43%, 0.4%

LAB 58.05, -16.75, 44.2

 

CMYK 0 / 9 / 60 / 43

HEX #92853A

RGB 146 133 58

HSL 51.14, 0.43%, 0.4%

LAB 55.27, -4.9, 41.36

 

CMYK 0 / 25 / 60 / 43

HEX #926D3A

RGB 146 109 58

HSL 34.77, 0.43%, 0.4%

LAB 48.7, 8.7, 33.8

 

CMYK 0 / 41 / 60 / 43

HEX #92563A

RGB 146 86 58

HSL 19.09, 0.43%, 0.4%

LAB 42.87, 22.01, 26.75

 

CMYK 0 / 58 / 60 / 43

HEX #923E3A

RGB 146 62 58

HSL 2.73, 0.43%, 0.4%

LAB 37.59, 35.18, 20.07

 

CMYK 8 / 0 / 60 / 43

HEX #87923A

RGB 135 146 58

HSL 67.5, 0.43%, 0.4%

LAB 58.05, -16.75, 44.2

 

CMYK 24 / 0 / 60 / 43

HEX #6F923A

RGB 111 146 58

HSL 83.86, 0.43%, 0.4%

LAB 56.33, -26.79, 41.8

 

CMYK 40 / 0 / 60 / 43

HEX #58923A

RGB 88 146 58

HSL 99.55, 0.43%, 0.4%

LAB 55.01, -35.47, 39.95

 

CMYK 56 / 0 / 60 / 43

HEX #40923A

RGB 64 146 58

HSL 115.91, 0.43%, 0.4%

LAB 53.98, -42.98, 38.5

 

CMYK 60 / 0 / 48 / 43

HEX #3A924C

RGB 58 146 76

HSL 132.27, 0.43%, 0.4%

LAB 54, -41.98, 29.34

 

CMYK 8 / 0 / 60 / 43

HEX #87923A

RGB 135 146 58

HSL 67.5, 0.43%, 0.4%

LAB 58.05, -16.75, 44.2

 

CMYK 9 / 0 / 74 / 36

HEX #93A22A

RGB 147 162 42

HSL 67.5, 0.59%, 0.4%

LAB 63.52, -20.81, 56.71

 

CMYK 11 / 0 / 86 / 30

HEX #A0B319

RGB 160 179 25

HSL 67.4, 0.75%, 0.4%

LAB 69.32, -24.33, 67.07

 

CMYK 12 / 0 / 95 / 24

HEX #ACC309

RGB 172 195 9

HSL 67.42, 0.91%, 0.4%

LAB 74.71, -27.31, 74.19

 

CMYK 8 / 0 / 60 / 43

HEX #87923A

RGB 135 146 58

HSL 67.5, 0.43%, 0.4%

LAB 58.05, -16.75, 44.2

 

CMYK 5 / 0 / 42 / 49

HEX #7B814B

RGB 123 129 75

HSL 66.67, 0.26%, 0.4%

LAB 52.31, -11.13, 28.49

 

CMYK 3 / 0 / 19 / 56

HEX #6E715B

RGB 110 113 91

HSL 68.18, 0.11%, 0.4%

LAB 46.82, -5.31, 11.85

 

CMYK 9 / 11 / 0 / 58

HEX #62606C

RGB 98 96 108

HSL 250, 0.06%, 0.4%

LAB 41.29, 3.39, -6.51

 

CMYK 31 / 35 / 0 / 51

HEX #55507C

RGB 85 80 124

HSL 246.82, 0.22%, 0.4%

LAB 36.22, 12.92, -24.2

 

CMYK 0 / 25 / 60 / 43

HEX #926D3A

RGB 146 109 58

HSL 34.77, 0.43%, 0.4%

LAB 48.7, 8.7, 33.8

 

CMYK 0 / 9 / 60 / 43

HEX #92853A

RGB 146 133 58

HSL 51.14, 0.43%, 0.4%

LAB 55.27, -4.9, 41.36

 

CMYK 7 / 0 / 60 / 43

HEX #88923A

RGB 136 146 58

HSL 66.82, 0.43%, 0.4%

LAB 58.13, -16.32, 44.31

 

CMYK 23 / 0 / 60 / 43

HEX #70923A

RGB 112 146 58

HSL 83.18, 0.43%, 0.4%

LAB 56.39, -26.39, 41.9

 

CMYK 39 / 0 / 60 / 43

HEX #59923A

RGB 89 146 58

HSL 98.86, 0.43%, 0.4%

LAB 55.06, -35.12, 40.02

 

CMYK 8 / 0 / 60 / 66

HEX #505723

RGB 80 87 35

HSL 68.08, 0.43%, 0.24%

LAB 35.29, -11.29, 28.78

 

CMYK 7 / 0 / 60 / 55

HEX #6C742E

RGB 108 116 46

HSL 66.86, 0.43%, 0.32%

LAB 46.81, -13.63, 36.83

 

CMYK 8 / 0 / 60 / 43

HEX #87923A

RGB 135 146 58

HSL 67.5, 0.43%, 0.4%

LAB 58.05, -16.75, 44.2

 

CMYK 7 / 0 / 60 / 31

HEX #A2AF46

RGB 162 175 70

HSL 67.43, 0.43%, 0.48%

LAB 68.59, -19.22, 50.96

 

CMYK 6 / 0 / 50 / 25

HEX #B3BF5F

RGB 179 191 95

HSL 67.5, 0.43%, 0.56%

LAB 74.62, -18.14, 46.56

 

CMYK 7 / 0 / 61 / 42

HEX #88933A

RGB 136 147 58

HSL 67.42, 0.43%, 0.4%

LAB 58.42, -16.84, 44.63

 

CMYK 60 / 0 / 41 / 43

HEX #3A9256

RGB 58 146 86

HSL 139.09, 0.43%, 0.4%

LAB 54.16, -40.25, 24.15

 

CMYK 17 / 60 / 0 / 43

HEX #793A92

RGB 121 58 146

HSL 282.95, 0.43%, 0.4%

LAB 36.3, 42.25, -37.3

 

CMYK 7 / 0 / 61 / 42

HEX #88933A

RGB 136 147 58

HSL 67.42, 0.43%, 0.4%

LAB 58.42, -16.84, 44.63

 

CMYK 60 / 7 / 0 / 43

HEX #3A8892

RGB 58 136 146

HSL 186.82, 0.43%, 0.4%

LAB 52.49, -20.66, -12.54

 

CMYK 0 / 60 / 7 / 43

HEX #923A88

RGB 146 58 136

HSL 306.82, 0.43%, 0.4%

LAB 39.44, 47.17, -26

 

CMYK 7 / 0 / 61 / 42

HEX #88933A

RGB 136 147 58

HSL 67.42, 0.43%, 0.4%

LAB 58.42, -16.84, 44.63

 

CMYK 60 / 0 / 41 / 43

HEX #3A9256

RGB 58 146 86

HSL 139.09, 0.43%, 0.4%

LAB 54.16, -40.25, 24.15

 

CMYK 53 / 60 / 0 / 43

HEX #443A92

RGB 68 58 146

HSL 246.82, 0.43%, 0.4%

LAB 30.23, 29.34, -47.38

 

CMYK 0 / 60 / 19 / 43

HEX #923A76

RGB 146 58 118

HSL 319.09, 0.43%, 0.4%

LAB 38.63, 44.22, -16.14

 

CMYK 7 / 0 / 61 / 42

HEX #88933A

RGB 136 147 58

HSL 67.42, 0.43%, 0.4%

LAB 58.42, -16.84, 44.63

 

CMYK 60 / 0 / 23 / 43

HEX #3A9270

RGB 58 146 112

HSL 156.82, 0.43%, 0.4%

LAB 54.69, -34.79, 10.29

 

CMYK 53 / 60 / 0 / 43

HEX #443A92

RGB 68 58 146

HSL 246.82, 0.43%, 0.4%

LAB 30.23, 29.34, -47.38

 

CMYK 0 / 60 / 37 / 43

HEX #923A5C

RGB 146 58 92

HSL 336.82, 0.43%, 0.4%

LAB 37.68, 40.6, -1.25

 

Description

Color code: RGB 136 147 58 | qconv.com Color code: RGB 136 147 58 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 147 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 147 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 61 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 61% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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