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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 135 178 75 it is the complementary color RGB 120 77 180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 135 178 75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 135 178 75: RGB 140 178 70, RGB 157 196 89, RGB 174 214 108, RGB 191 232 127 and RGB 208 250 146

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 135 178 75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 135 178 75: RGB 135 178 75, RGB 118 160 56, RGB 101 142 37, RGB 84 124 18 and RGB 67 106 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 58 / 30

HEX #87B24B

RGB 135 178 75

HSL 85.05, 0.41%, 0.5%

LAB 67.65, -31.14, 47.12

 

Complementary color

CMYK 33 / 57 / 0 / 29

HEX #784DB4

RGB 120 77 180

HSL 265.05, 0.41%, 0.5%

LAB 42.15, 39.84, -48.31

 

CMYK 21 / 0 / 61 / 30

HEX #8CB246

RGB 140 178 70

HSL 81.11, 0.44%, 0.49%

LAB 67.92, -29.65, 49.78

 

CMYK 20 / 0 / 55 / 23

HEX #9DC459

RGB 157 196 89

HSL 81.87, 0.48%, 0.56%

LAB 74.43, -29.86, 48.79

 

CMYK 19 / 0 / 50 / 16

HEX #AED66C

RGB 174 214 108

HSL 82.64, 0.56%, 0.63%

LAB 80.84, -29.99, 47.7

 

CMYK 18 / 0 / 45 / 9

HEX #BFE87F

RGB 191 232 127

HSL 83.43, 0.7%, 0.7%

LAB 87.15, -30.07, 46.57

 

CMYK 17 / 0 / 42 / 2

HEX #D0FA92

RGB 208 250 146

HSL 84.23, 0.91%, 0.78%

LAB 93.39, -30.11, 45.44

 

CMYK 24 / 0 / 58 / 30

HEX #87B24B

RGB 135 178 75

HSL 85.05, 0.41%, 0.5%

LAB 67.65, -31.14, 47.12

 

CMYK 26 / 0 / 65 / 37

HEX #76A038

RGB 118 160 56

HSL 84.23, 0.48%, 0.42%

LAB 61.03, -30.92, 48.01

 

CMYK 29 / 0 / 74 / 44

HEX #658E25

RGB 101 142 37

HSL 83.43, 0.59%, 0.35%

LAB 54.29, -30.54, 48.47

 

CMYK 32 / 0 / 85 / 51

HEX #547C12

RGB 84 124 18

HSL 82.64, 0.75%, 0.28%

LAB 47.42, -29.91, 47.96

 

CMYK 37 / 0 / 100 / 58

HEX #436A00

RGB 67 106 0

HSL 82.08, 1%, 0.21%

LAB 40.41, -29, 46.07

 

CMYK 24 / 0 / 58 / 30

HEX #87B24B

RGB 135 178 75

HSL 85.05, 0.41%, 0.5%

LAB 67.65, -31.14, 47.12

 

CMYK 34 / 0 / 58 / 30

HEX #76B34B

RGB 118 179 75

HSL 95.19, 0.41%, 0.5%

LAB 66.98, -37.89, 46.09

 

CMYK 44 / 0 / 58 / 30

HEX #65B34B

RGB 101 179 75

HSL 105, 0.41%, 0.5%

LAB 66.15, -43.61, 44.92

 

CMYK 54 / 0 / 58 / 30

HEX #53B34B

RGB 83 179 75

HSL 115.38, 0.41%, 0.5%

LAB 65.43, -48.91, 43.9

 

CMYK 58 / 0 / 54 / 30

HEX #4BB353

RGB 75 179 83

HSL 124.62, 0.41%, 0.5%

LAB 65.25, -49.95, 39.79

 

CMYK 24 / 0 / 58 / 30

HEX #87B24B

RGB 135 178 75

HSL 85.05, 0.41%, 0.5%

LAB 67.65, -31.14, 47.12

 

CMYK 24 / 0 / 58 / 10

HEX #AEE560

RGB 174 229 96

HSL 84.81, 0.72%, 0.64%

LAB 84.94, -38.04, 57.97

 

CMYK 24 / 0 / 56 / 90

HEX #13190B

RGB 19 25 11

HSL 85.71, 0.39%, 0.07%

LAB 7.75, -5.69, 6.97

 

CMYK 24 / 0 / 58 / 70

HEX #3A4C20

RGB 58 76 32

HSL 84.55, 0.41%, 0.21%

LAB 29.84, -15.52, 23.63

 

CMYK 24 / 0 / 57 / 50

HEX #607F36

RGB 96 127 54

HSL 85.48, 0.4%, 0.35%

LAB 49.41, -23.82, 35.58

 

CMYK 24 / 0 / 58 / 30

HEX #87B24B

RGB 135 178 75

HSL 85.05, 0.41%, 0.5%

LAB 67.65, -31.14, 47.12

 

CMYK 58 / 0 / 22 / 30

HEX #4BB38B

RGB 75 179 139

HSL 156.92, 0.41%, 0.5%

LAB 66.21, -39.74, 11.53

 

CMYK 0 / 58 / 1 / 30

HEX #B34BB2

RGB 179 75 178

HSL 300.58, 0.41%, 0.5%

LAB 49.29, 55.74, -35.32

 

CMYK 24 / 0 / 58 / 30

HEX #87B24B

RGB 135 178 75

HSL 85.05, 0.41%, 0.5%

LAB 67.65, -31.14, 47.12

 

CMYK 58 / 24 / 0 / 30

HEX #4B88B3

RGB 75 136 179

HSL 204.81, 0.41%, 0.5%

LAB 54.41, -6.86, -28.59

 

CMYK 0 / 58 / 24 / 30

HEX #B34B88

RGB 179 75 136

HSL 324.81, 0.41%, 0.5%

LAB 47.49, 49.04, -13.19

 

CMYK 24 / 0 / 58 / 30

HEX #87B24B

RGB 135 178 75

HSL 85.05, 0.41%, 0.5%

LAB 67.65, -31.14, 47.12

 

CMYK 58 / 0 / 22 / 30

HEX #4BB38B

RGB 75 179 139

HSL 156.92, 0.41%, 0.5%

LAB 66.21, -39.74, 11.53

 

CMYK 34 / 58 / 0 / 30

HEX #764BB3

RGB 118 75 179

HSL 264.81, 0.41%, 0.5%

LAB 41.44, 40.22, -48.88

 

CMYK 0 / 58 / 36 / 30

HEX #B34B73

RGB 179 75 115

HSL 336.92, 0.41%, 0.5%

LAB 46.78, 46.3, -1.53

 

CMYK 24 / 0 / 58 / 30

HEX #87B24B

RGB 135 178 75

HSL 85.05, 0.41%, 0.5%

LAB 67.65, -31.14, 47.12

 

CMYK 58 / 0 / 4 / 30

HEX #4BB3AB

RGB 75 179 171

HSL 175.38, 0.41%, 0.5%

LAB 67.03, -31.79, -4.95

 

CMYK 34 / 58 / 0 / 30

HEX #764BB3

RGB 118 75 179

HSL 264.81, 0.41%, 0.5%

LAB 41.44, 40.22, -48.88

 

CMYK 0 / 58 / 54 / 30

HEX #B34B53

RGB 179 75 83

HSL 355.38, 0.41%, 0.5%

LAB 45.96, 42.99, 16.8

 

Description

Color code: RGB 135 178 75 | qconv.com Color code: RGB 135 178 75 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 178 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 178 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 58 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 58% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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