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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 135 139 209 it is the complementary color RGB 120 116 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 135 139 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 135 139 209: RGB 140 139 204, RGB 157 157 223, RGB 174 175 242, RGB 191 193 255 and RGB 208 211 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 135 139 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 135 139 209: RGB 135 139 209, RGB 118 121 190, RGB 101 103 171, RGB 84 85 152 and RGB 67 67 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 33 / 0 / 18

HEX #878BD1

RGB 135 139 209

HSL 236.76, 0.45%, 0.67%

LAB 60.09, 15.22, -36.48

 

Complementary color

CMYK 0 / 3 / 62 / 53

HEX #78742E

RGB 120 116 46

HSL 56.76, 0.45%, 0.33%

LAB 47.86, -8.17, 38.28

 

CMYK 31 / 32 / 0 / 20

HEX #8C8BCC

RGB 140 139 204

HSL 240.92, 0.39%, 0.67%

LAB 60.25, 15.32, -33.39

 

CMYK 30 / 30 / 0 / 13

HEX #9D9DDF

RGB 157 157 223

HSL 240, 0.51%, 0.75%

LAB 66.98, 14.75, -33.4

 

CMYK 28 / 28 / 0 / 5

HEX #AEAFF2

RGB 174 175 242

HSL 239.12, 0.72%, 0.82%

LAB 73.59, 14.24, -33.46

 

CMYK 25 / 24 / 0 / 0

HEX #BFC1FF

RGB 191 193 255

HSL 238.13, 1%, 0.87%

LAB 79.86, 12.37, -30.68

 

CMYK 18 / 17 / 0 / 0

HEX #D0D3FF

RGB 208 211 255

HSL 236.17, 1%, 0.91%

LAB 85.61, 7.78, -21.79

 

CMYK 35 / 33 / 0 / 18

HEX #878BD1

RGB 135 139 209

HSL 236.76, 0.45%, 0.67%

LAB 60.09, 15.22, -36.48

 

CMYK 38 / 36 / 0 / 25

HEX #7679BE

RGB 118 121 190

HSL 237.5, 0.36%, 0.6%

LAB 53.22, 15.93, -36.56

 

CMYK 41 / 40 / 0 / 33

HEX #6567AB

RGB 101 103 171

HSL 238.29, 0.29%, 0.53%

LAB 46.19, 16.77, -36.7

 

CMYK 45 / 44 / 0 / 40

HEX #545598

RGB 84 85 152

HSL 239.12, 0.29%, 0.46%

LAB 38.98, 17.76, -36.91

 

CMYK 50 / 50 / 0 / 48

HEX #434385

RGB 67 67 133

HSL 240, 0.33%, 0.39%

LAB 31.58, 18.99, -37.2

 

CMYK 35 / 33 / 0 / 18

HEX #878BD1

RGB 135 139 209

HSL 236.76, 0.45%, 0.67%

LAB 60.09, 15.22, -36.48

 

CMYK 33 / 37 / 0 / 18

HEX #8C84D0

RGB 140 132 208

HSL 246.32, 0.45%, 0.67%

LAB 58.63, 20.44, -38.17

 

CMYK 26 / 37 / 0 / 18

HEX #9984D0

RGB 153 132 208

HSL 256.58, 0.45%, 0.67%

LAB 59.73, 24.18, -36.36

 

CMYK 21 / 37 / 0 / 18

HEX #A584D0

RGB 165 132 208

HSL 266.05, 0.45%, 0.67%

LAB 60.83, 27.74, -34.57

 

CMYK 14 / 37 / 0 / 18

HEX #B284D0

RGB 178 132 208

HSL 276.32, 0.45%, 0.67%

LAB 62.1, 31.69, -32.49

 

CMYK 35 / 33 / 0 / 18

HEX #878BD1

RGB 135 139 209

HSL 236.76, 0.45%, 0.67%

LAB 60.09, 15.22, -36.48

 

CMYK 40 / 40 / 0 / 98

HEX #030305

RGB 3 3 5

HSL 240, 0.25%, 0.02%

LAB 0.86, 0.28, -0.76

 

CMYK 36 / 34 / 0 / 78

HEX #242538

RGB 36 37 56

HSL 237, 0.22%, 0.18%

LAB 15.4, 5.02, -12.42

 

CMYK 36 / 34 / 0 / 58

HEX #45476B

RGB 69 71 107

HSL 236.84, 0.22%, 0.35%

LAB 31.42, 8.71, -21.16

 

CMYK 35 / 34 / 0 / 38

HEX #66699E

RGB 102 105 158

HSL 236.79, 0.22%, 0.51%

LAB 46.17, 12.08, -29.07

 

CMYK 35 / 33 / 0 / 18

HEX #878BD1

RGB 135 139 209

HSL 236.76, 0.45%, 0.67%

LAB 60.09, 15.22, -36.48

 

CMYK 0 / 37 / 5 / 18

HEX #D084C6

RGB 208 132 198

HSL 307.89, 0.45%, 0.67%

LAB 64.95, 39.18, -22.22

 

CMYK 19 / 0 / 37 / 18

HEX #A8D084

RGB 168 208 132

HSL 91.58, 0.45%, 0.67%

LAB 79.1, -26.47, 33.53

 

CMYK 35 / 33 / 0 / 18

HEX #878BD1

RGB 135 139 209

HSL 236.76, 0.45%, 0.67%

LAB 60.09, 15.22, -36.48

 

CMYK 0 / 37 / 34 / 18

HEX #D0848A

RGB 208 132 138

HSL 355.26, 0.45%, 0.67%

LAB 63.13, 29.98, 9.07

 

CMYK 34 / 0 / 37 / 18

HEX #8AD084

RGB 138 208 132

HSL 115.26, 0.45%, 0.67%

LAB 77.39, -36.79, 30.96

 

CMYK 35 / 33 / 0 / 18

HEX #878BD1

RGB 135 139 209

HSL 236.76, 0.45%, 0.67%

LAB 60.09, 15.22, -36.48

 

CMYK 0 / 37 / 5 / 18

HEX #D084C6

RGB 208 132 198

HSL 307.89, 0.45%, 0.67%

LAB 64.95, 39.18, -22.22

 

CMYK 0 / 2 / 37 / 18

HEX #D0CB84

RGB 208 203 132

HSL 56.05, 0.45%, 0.67%

LAB 80.62, -8.76, 36.06

 

CMYK 37 / 0 / 31 / 18

HEX #84D08F

RGB 132 208 143

HSL 128.68, 0.45%, 0.67%

LAB 77.28, -36.89, 25.05

 

CMYK 35 / 33 / 0 / 18

HEX #878BD1

RGB 135 139 209

HSL 236.76, 0.45%, 0.67%

LAB 60.09, 15.22, -36.48

 

CMYK 0 / 37 / 16 / 18

HEX #D084AF

RGB 208 132 175

HSL 326.05, 0.45%, 0.67%

LAB 64.17, 35.3, -10.44

 

CMYK 0 / 2 / 37 / 18

HEX #D0CB84

RGB 208 203 132

HSL 56.05, 0.45%, 0.67%

LAB 80.62, -8.76, 36.06

 

CMYK 37 / 0 / 21 / 18

HEX #84D0A5

RGB 132 208 165

HSL 146.05, 0.45%, 0.67%

LAB 77.72, -32.84, 14.02

 

Description

Color code: RGB 135 139 209 | qconv.com Color code: RGB 135 139 209 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 139 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 139 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 33 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 33% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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