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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 135 124 116 it is the complementary color RGB 120 131 139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 135 124 116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 135 124 116: RGB 140 124 111, RGB 157 142 130, RGB 174 160 149, RGB 191 178 168 and RGB 208 196 187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 135 124 116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 135 124 116: RGB 135 124 116, RGB 118 106 97, RGB 101 88 78, RGB 84 70 59 and RGB 67 52 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 14 / 47

HEX #877C74

RGB 135 124 116

HSL 25.26, 0.08%, 0.49%

LAB 52.76, 2.75, 5.87

 

Complementary color

CMYK 14 / 6 / 0 / 45

HEX #78838B

RGB 120 131 139

HSL 205.26, 0.08%, 0.51%

LAB 54.12, -2.29, -5.69

 

CMYK 0 / 11 / 21 / 45

HEX #8C7C6F

RGB 140 124 111

HSL 26.9, 0.12%, 0.49%

LAB 53.1, 3.91, 9.34

 

CMYK 0 / 10 / 17 / 38

HEX #9D8E82

RGB 157 142 130

HSL 26.67, 0.12%, 0.56%

LAB 60, 3.53, 8.42

 

CMYK 0 / 8 / 14 / 32

HEX #AEA095

RGB 174 160 149

HSL 26.4, 0.13%, 0.63%

LAB 66.76, 3.21, 7.57

 

CMYK 0 / 7 / 12 / 25

HEX #BFB2A8

RGB 191 178 168

HSL 26.09, 0.15%, 0.7%

LAB 73.38, 2.92, 6.77

 

CMYK 0 / 6 / 10 / 18

HEX #D0C4BB

RGB 208 196 187

HSL 25.71, 0.18%, 0.77%

LAB 79.88, 2.66, 6.01

 

CMYK 0 / 8 / 14 / 47

HEX #877C74

RGB 135 124 116

HSL 25.26, 0.08%, 0.49%

LAB 52.76, 2.75, 5.87

 

CMYK 0 / 10 / 18 / 54

HEX #766A61

RGB 118 106 97

HSL 25.71, 0.1%, 0.42%

LAB 45.67, 3.09, 6.76

 

CMYK 0 / 13 / 23 / 60

HEX #65584E

RGB 101 88 78

HSL 26.09, 0.13%, 0.35%

LAB 38.37, 3.5, 7.74

 

CMYK 0 / 17 / 30 / 67

HEX #54463B

RGB 84 70 59

HSL 26.4, 0.17%, 0.28%

LAB 30.83, 4.02, 8.85

 

CMYK 0 / 22 / 40 / 74

HEX #433428

RGB 67 52 40

HSL 26.67, 0.25%, 0.21%

LAB 23.01, 4.7, 10.15

 

CMYK 0 / 8 / 14 / 47

HEX #877C74

RGB 135 124 116

HSL 25.26, 0.08%, 0.49%

LAB 52.76, 2.75, 5.87

 

CMYK 0 / 6 / 15 / 47

HEX #867E72

RGB 134 126 114

HSL 36, 0.08%, 0.49%

LAB 53.17, 0.86, 7.62

 

CMYK 0 / 4 / 15 / 47

HEX #868172

RGB 134 129 114

HSL 45, 0.08%, 0.49%

LAB 54.01, -0.85, 8.81

SW® 9593

CMYK 0 / 1 / 15 / 47

HEX #868572

RGB 134 133 114

HSL 57, 0.08%, 0.49%

LAB 55.13, -3.11, 10.39

 

CMYK 1 / 0 / 15 / 47

HEX #858672

RGB 133 134 114

HSL 63, 0.08%, 0.49%

LAB 55.33, -4.06, 10.66

 

CMYK 0 / 8 / 14 / 47

HEX #877C74

RGB 135 124 116

HSL 25.26, 0.08%, 0.49%

LAB 52.76, 2.75, 5.87

 

CMYK 0 / 8 / 14 / 27

HEX #BAABA0

RGB 186 171 160

HSL 25.38, 0.16%, 0.68%

LAB 70.94, 3.53, 7.6

 

CMYK 0 / 8 / 14 / 7

HEX #EDDACC

RGB 237 218 204

HSL 25.45, 0.48%, 0.86%

LAB 88.21, 4.26, 9.24

 

CMYK 0 / 9 / 15 / 87

HEX #211E1C

RGB 33 30 28

HSL 24, 0.08%, 0.12%

LAB 11.52, 0.97, 1.88

 

CMYK 0 / 8 / 14 / 67

HEX #544D48

RGB 84 77 72

HSL 25, 0.08%, 0.31%

LAB 33.27, 1.91, 4.01

 

CMYK 0 / 8 / 14 / 47

HEX #877C74

RGB 135 124 116

HSL 25.26, 0.08%, 0.49%

LAB 52.76, 2.75, 5.87

 

CMYK 9 / 0 / 15 / 47

HEX #7A8672

RGB 122 134 114

HSL 96, 0.08%, 0.49%

LAB 54.45, -8.33, 9.29

 

CMYK 14 / 15 / 0 / 47

HEX #737286

RGB 115 114 134

HSL 243, 0.08%, 0.49%

LAB 48.76, 4.71, -10.81

 

CMYK 0 / 8 / 14 / 47

HEX #877C74

RGB 135 124 116

HSL 25.26, 0.08%, 0.49%

LAB 52.76, 2.75, 5.87

 

CMYK 15 / 0 / 8 / 47

HEX #72867B

RGB 114 134 123

HSL 147, 0.08%, 0.49%

LAB 54.09, -9.55, 3.49

 

CMYK 8 / 15 / 0 / 47

HEX #7B7286

RGB 123 114 134

HSL 267, 0.08%, 0.49%

LAB 49.46, 7.57, -9.69

 

CMYK 0 / 8 / 14 / 47

HEX #877C74

RGB 135 124 116

HSL 25.26, 0.08%, 0.49%

LAB 52.76, 2.75, 5.87

 

CMYK 9 / 0 / 15 / 47

HEX #7A8672

RGB 122 134 114

HSL 96, 0.08%, 0.49%

LAB 54.45, -8.33, 9.29

 

CMYK 15 / 6 / 0 / 47

HEX #727E86

RGB 114 126 134

HSL 204, 0.08%, 0.49%

LAB 52.09, -2.65, -5.84

 

CMYK 5 / 15 / 0 / 47

HEX #7F7286

RGB 127 114 134

HSL 279, 0.08%, 0.49%

LAB 49.82, 9.02, -9.11

 

CMYK 0 / 8 / 14 / 47

HEX #877C74

RGB 135 124 116

HSL 25.26, 0.08%, 0.49%

LAB 52.76, 2.75, 5.87

 

CMYK 13 / 0 / 15 / 47

HEX #748672

RGB 116 134 114

HSL 114, 0.08%, 0.49%

LAB 54, -10.6, 8.6

 

CMYK 15 / 6 / 0 / 47

HEX #727E86

RGB 114 126 134

HSL 204, 0.08%, 0.49%

LAB 52.09, -2.65, -5.84

 

CMYK 1 / 15 / 0 / 47

HEX #857286

RGB 133 114 134

HSL 297, 0.08%, 0.49%

LAB 50.38, 11.22, -8.2

 

Description

Color code: RGB 135 124 116 | qconv.com Color code: RGB 135 124 116 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 124 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 124 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 14 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 14% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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