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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 134 234.8 212.4 it is the complementary color RGB 121 20.2 42.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 134 234.8 212.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 134 234.8 212.4 shade: RGB 139 234.8 207.4, RGB 156 252.8 226.4, RGB 173 255 245.4, RGB 190 255 255 and RGB 207 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 134 234.8 212.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 134 234.8 212.4 shade: RGB 134 234.8 212.4, RGB 117 216.8 193.4, RGB 100 198.8 174.4, RGB 83 180.8 155.4 and RGB 66 162.8 136.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 134 234.8 212.4 shade: RGB 133 234 212, RGB 133 234 184, RGB 133 234 157, RGB 136 234 133 and RGB 163 234 133

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 134 234.8 212.4 shade: RGB 133 234 212, RGB 133 229 234, RGB 133 202 234, RGB 133 175 234 and RGB 133 147 234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 134 234.8 212.4 shade matches the following richer shades: RGB 133 234 212 and RGB 121 246 218

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 134 234.8 212.4 shade: RGB 133 234 212, RGB 144 223 205, RGB 156 211 199, RGB 168 200 193 and RGB 179 188 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 134 234.8 212.4 shade: RGB 133 234 157, RGB 133 234 184, RGB 133 234 211, RGB 133 231 234 and RGB 133 204 234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 134 234.8 212.4 shade: RGB 62 222 187, RGB 98 228 199, RGB 133 234 212, RGB 168 240 224 and RGB 203 246 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 134 234.8 212.4 shade: RGB 134 234.8 212.4, RGB 133 136 234 and RGB 234 170 133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 134 234.8 212.4 shade: RGB 134 234.8 212.4, RGB 211 133 234 and RGB 234 211 133

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 134 234.8 212.4 shade: RGB 134 234.8 212.4, RGB 133 136 234, RGB 234 133 157 and RGB 234 231 133

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 134 234.8 212.4 shade: RGB 134 234.8 212.4, RGB 160 133 234, RGB 234 133 157 and RGB 207 234 133

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 10 / 8

HEX #86EAD4

RGB 134 234.8 212.4

HSL 166.67, 0.71%, 0.72%

LAB 86.58, -34.73, 1.66

 

Complementary color

CMYK 0 / 83 / 65 / 53

HEX #79142A

RGB 121 20.2 42.6

HSL 346.67, 0.71%, 0.28%

LAB 25.99, 43.19, 14

 

CMYK 41 / 0 / 12 / 8

HEX #8BEACF

RGB 139 234.8 207.4

HSL 162.84, 0.7%, 0.73%

LAB 86.66, -34.59, 4.43

 

CMYK 38 / 0 / 10 / 1

HEX #9CFCE2

RGB 156 252.8 226.4

HSL 163.64, 0.96%, 0.8%

LAB 92.89, -34.41, 3.65

 

CMYK 32 / 0 / 4 / 0

HEX #ADFFF5

RGB 173 255 245.4

HSL 172.98, 1%, 0.84%

LAB 94.75, -26.83, -3.36

 

CMYK 25 / 0 / 0 / 0

HEX #BEFFFF

RGB 190 255 255

HSL 180, 1%, 0.87%

LAB 95.87, -20.05, -6.56

 

CMYK 19 / 0 / 0 / 0

HEX #CFFFFF

RGB 207 255 255

HSL 180, 1%, 0.91%

LAB 96.82, -15.12, -5.04

 

CMYK 43 / 0 / 10 / 8

HEX #86EAD4

RGB 134 234.8 212.4

HSL 166.67, 0.71%, 0.72%

LAB 86.58, -34.73, 1.66

 

CMYK 46 / 0 / 11 / 15

HEX #75D8C1

RGB 117 216.8 193.4

HSL 165.93, 0.57%, 0.65%

LAB 80.28, -34.85, 2.46

 

CMYK 50 / 0 / 12 / 22

HEX #64C6AE

RGB 100 198.8 174.4

HSL 165.18, 0.47%, 0.59%

LAB 73.89, -34.94, 3.33

 

CMYK 54 / 0 / 14 / 29

HEX #53B49B

RGB 83 180.8 155.4

HSL 164.42, 0.4%, 0.52%

LAB 67.42, -34.97, 4.26

 

CMYK 59 / 0 / 16 / 36

HEX #42A288

RGB 66 162.8 136.4

HSL 163.64, 0.42%, 0.45%

LAB 60.84, -34.92, 5.29

 

CMYK 43 / 0 / 9 / 8

HEX #85EAD4

RGB 133 234 212

HSL 166.93, 0.71%, 0.72%

LAB 86.3, -34.7, 1.46

 

CMYK 43 / 0 / 21 / 8

HEX #85EAB8

RGB 133 234 184

HSL 150.3, 0.71%, 0.72%

LAB 85.65, -40.68, 15.19

 

CMYK 43 / 0 / 33 / 8

HEX #85EA9D

RGB 133 234 157

HSL 134.26, 0.71%, 0.72%

LAB 85.13, -45.69, 28.42

 

CMYK 42 / 0 / 43 / 8

HEX #88EA85

RGB 136 234 133

HSL 118.22, 0.71%, 0.72%

LAB 84.88, -48.6, 40.17

 

CMYK 30 / 0 / 43 / 8

HEX #A3EA85

RGB 163 234 133

HSL 102.18, 0.71%, 0.72%

LAB 86.17, -40.12, 42.07

 

CMYK 43 / 0 / 9 / 8

HEX #85EAD4

RGB 133 234 212

HSL 166.93, 0.71%, 0.72%

LAB 86.3, -34.7, 1.46

 

CMYK 43 / 2 / 0 / 8

HEX #85E5EA

RGB 133 229 234

HSL 182.97, 0.71%, 0.72%

LAB 85.49, -27.08, -11.32

 

CMYK 43 / 14 / 0 / 8

HEX #85CAEA

RGB 133 202 234

HSL 199.01, 0.71%, 0.72%

LAB 77.97, -13.51, -22.63

 

CMYK 43 / 25 / 0 / 8

HEX #85AFEA

RGB 133 175 234

HSL 215.05, 0.71%, 0.72%

LAB 70.59, 1.03, -33.98

 

CMYK 43 / 37 / 0 / 8

HEX #8593EA

RGB 133 147 234

HSL 231.68, 0.71%, 0.72%

LAB 63.17, 16.98, -45.56

 

CMYK 43 / 0 / 9 / 8

HEX #85EAD4

RGB 133 234 212

HSL 166.93, 0.71%, 0.72%

LAB 86.3, -34.7, 1.46

 

CMYK 51 / 0 / 11 / 4

HEX #79F6DA

RGB 121 246 218

HSL 166.56, 0.87%, 0.72%

LAB 89.41, -41.53, 2.79

 

CMYK 43 / 0 / 9 / 8

HEX #85EAD4

RGB 133 234 212

HSL 166.93, 0.71%, 0.72%

LAB 86.3, -34.7, 1.46

 

CMYK 35 / 0 / 8 / 13

HEX #90DFCD

RGB 144 223 205

HSL 166.33, 0.55%, 0.72%

LAB 83.5, -28.22, 1.14

 

CMYK 26 / 0 / 6 / 17

HEX #9CD3C7

RGB 156 211 199

HSL 166.91, 0.38%, 0.72%

LAB 80.62, -20.19, 0.2

 

CMYK 16 / 0 / 4 / 22

HEX #A8C8C1

RGB 168 200 193

HSL 166.88, 0.23%, 0.72%

LAB 78.16, -12.08, -0.09

 

CMYK 5 / 0 / 1 / 26

HEX #B3BCBA

RGB 179 188 186

HSL 166.67, 0.06%, 0.72%

LAB 75.51, -3.49, -0.08

 

CMYK 43 / 0 / 33 / 8

HEX #85EA9D

RGB 133 234 157

HSL 134.26, 0.71%, 0.72%

LAB 85.13, -45.69, 28.42

 

CMYK 43 / 0 / 21 / 8

HEX #85EAB8

RGB 133 234 184

HSL 150.3, 0.71%, 0.72%

LAB 85.65, -40.68, 15.19

 

CMYK 43 / 0 / 10 / 8

HEX #85EAD3

RGB 133 234 211

HSL 166.34, 0.71%, 0.72%

LAB 86.27, -34.92, 1.95

 

CMYK 43 / 1 / 0 / 8

HEX #85E7EA

RGB 133 231 234

HSL 181.78, 0.71%, 0.72%

LAB 86.05, -28.05, -10.48

 

CMYK 43 / 13 / 0 / 8

HEX #85CCEA

RGB 133 204 234

HSL 197.82, 0.71%, 0.72%

LAB 78.53, -14.55, -21.79

 

CMYK 72 / 0 / 16 / 13

HEX #3EDEBB

RGB 62 222 187

HSL 166.88, 0.71%, 0.56%

LAB 80.1, -48.88, 5.41

 

CMYK 57 / 0 / 13 / 11

HEX #62E4C7

RGB 98 228 199

HSL 166.62, 0.71%, 0.64%

LAB 83.02, -42.72, 3.4

 

CMYK 43 / 0 / 9 / 8

HEX #85EAD4

RGB 133 234 212

HSL 166.93, 0.71%, 0.72%

LAB 86.3, -34.7, 1.46

 

CMYK 30 / 0 / 7 / 6

HEX #A8F0E0

RGB 168 240 224

HSL 166.67, 0.71%, 0.8%

LAB 89.87, -25.62, 0.58

 

CMYK 17 / 0 / 4 / 4

HEX #CBF6ED

RGB 203 246 237

HSL 167.44, 0.7%, 0.88%

LAB 93.76, -15.5, -0.26

 

CMYK 43 / 0 / 10 / 8

HEX #86EAD4

RGB 134 234.8 212.4

HSL 166.67, 0.71%, 0.72%

LAB 86.58, -34.73, 1.66

 

CMYK 43 / 42 / 0 / 8

HEX #8588EA

RGB 133 136 234

HSL 238.22, 0.71%, 0.72%

LAB 60.37, 23.4, -49.99

 

CMYK 0 / 27 / 43 / 8

HEX #EAAA85

RGB 234 170 133

HSL 21.98, 0.71%, 0.72%

LAB 74.78, 19.04, 28.33

 

CMYK 43 / 0 / 10 / 8

HEX #86EAD4

RGB 134 234.8 212.4

HSL 166.67, 0.71%, 0.72%

LAB 86.58, -34.73, 1.66

 

CMYK 10 / 43 / 0 / 8

HEX #D385EA

RGB 211 133 234

HSL 286.34, 0.71%, 0.72%

LAB 66.95, 46.36, -39.14

 

CMYK 0 / 10 / 43 / 8

HEX #EAD385

RGB 234 211 133

HSL 46.34, 0.71%, 0.72%

LAB 84.88, -2.46, 41.45

 

CMYK 43 / 0 / 10 / 8

HEX #86EAD4

RGB 134 234.8 212.4

HSL 166.67, 0.71%, 0.72%

LAB 86.58, -34.73, 1.66

 

CMYK 43 / 42 / 0 / 8

HEX #8588EA

RGB 133 136 234

HSL 238.22, 0.71%, 0.72%

LAB 60.37, 23.4, -49.99

 

CMYK 0 / 43 / 33 / 8

HEX #EA859D

RGB 234 133 157

HSL 345.74, 0.71%, 0.72%

LAB 67.05, 41.3, 4.35

 

CMYK 0 / 1 / 43 / 8

HEX #EAE785

RGB 234 231 133

HSL 58.22, 0.71%, 0.72%

LAB 90.02, -12.55, 47.89

 

CMYK 43 / 0 / 10 / 8

HEX #86EAD4

RGB 134 234.8 212.4

HSL 166.67, 0.71%, 0.72%

LAB 86.58, -34.73, 1.66

 

CMYK 32 / 43 / 0 / 8

HEX #A085EA

RGB 160 133 234

HSL 256.04, 0.71%, 0.72%

LAB 61.82, 32.07, -47.56

 

CMYK 0 / 43 / 33 / 8

HEX #EA859D

RGB 234 133 157

HSL 345.74, 0.71%, 0.72%

LAB 67.05, 41.3, 4.35

 

CMYK 12 / 0 / 43 / 8

HEX #CFEA85

RGB 207 234 133

HSL 76.04, 0.71%, 0.72%

LAB 88.83, -24.4, 45.98

 

Description

Color code: RGB 134 234.8 212.4 | qconv.com Color code: RGB 134 234.8 212.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 234.8 green and 212.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 234.8 212.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 10 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 10% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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