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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 134 131 77 it is the complementary color RGB 121 124 178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 134 131 77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 134 131 77: RGB 139 131 72, RGB 156 149 91, RGB 173 167 110, RGB 190 185 129 and RGB 207 203 148

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 134 131 77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 134 131 77: RGB 134 131 77, RGB 117 113 58, RGB 100 95 39, RGB 83 77 20 and RGB 66 59 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 43 / 47

HEX #86834D

RGB 134 131 77

HSL 56.84, 0.27%, 0.41%

LAB 53.85, -7.27, 29.55

 

Complementary color

CMYK 32 / 30 / 0 / 30

HEX #797CB2

RGB 121 124 178

HSL 236.84, 0.27%, 0.59%

LAB 53.7, 11.72, -28.9

 

CMYK 0 / 6 / 48 / 45

HEX #8B8348

RGB 139 131 72

HSL 52.84, 0.32%, 0.41%

LAB 54.23, -5.64, 32.8

 

CMYK 0 / 4 / 42 / 39

HEX #9C955B

RGB 156 149 91

HSL 53.54, 0.26%, 0.48%

LAB 61.06, -6.15, 31.52

 

CMYK 0 / 3 / 36 / 32

HEX #ADA76E

RGB 173 167 110

HSL 54.29, 0.28%, 0.55%

LAB 67.76, -6.56, 30.28

 

CMYK 0 / 3 / 32 / 25

HEX #BEB981

RGB 190 185 129

HSL 55.08, 0.32%, 0.63%

LAB 74.34, -6.9, 29.11

 

CMYK 0 / 2 / 29 / 19

HEX #CFCB94

RGB 207 203 148

HSL 55.93, 0.38%, 0.7%

LAB 80.8, -7.18, 28

 

CMYK 0 / 2 / 43 / 47

HEX #86834D

RGB 134 131 77

HSL 56.84, 0.27%, 0.41%

LAB 53.85, -7.27, 29.55

 

CMYK 0 / 3 / 50 / 54

HEX #75713A

RGB 117 113 58

HSL 55.93, 0.34%, 0.34%

LAB 46.84, -6.77, 30.85

 

CMYK 0 / 5 / 61 / 61

HEX #645F27

RGB 100 95 39

HSL 55.08, 0.44%, 0.27%

LAB 39.65, -6.09, 32.12

 

CMYK 0 / 7 / 76 / 67

HEX #534D14

RGB 83 77 20

HSL 54.29, 0.61%, 0.2%

LAB 32.25, -5.13, 33.04

 

CMYK 0 / 11 / 98 / 74

HEX #423B01

RGB 66 59 1

HSL 53.54, 0.97%, 0.13%

LAB 24.6, -3.8, 33.05

 

CMYK 0 / 2 / 43 / 47

HEX #86834D

RGB 134 131 77

HSL 56.84, 0.27%, 0.41%

LAB 53.85, -7.27, 29.55

 

CMYK 4 / 0 / 42 / 48

HEX #7F844C

RGB 127 132 76

HSL 65.36, 0.27%, 0.41%

LAB 53.53, -10.94, 29.56

 

CMYK 11 / 0 / 42 / 48

HEX #75844C

RGB 117 132 76

HSL 76.07, 0.27%, 0.41%

LAB 52.74, -15.16, 28.39

 

CMYK 18 / 0 / 42 / 48

HEX #6C844C

RGB 108 132 76

HSL 85.71, 0.27%, 0.41%

LAB 52.08, -18.86, 27.41

 

CMYK 26 / 0 / 42 / 48

HEX #62844C

RGB 98 132 76

HSL 96.43, 0.27%, 0.41%

LAB 51.41, -22.81, 26.42

 

CMYK 0 / 2 / 43 / 47

HEX #86834D

RGB 134 131 77

HSL 56.84, 0.27%, 0.41%

LAB 53.85, -7.27, 29.55

 

CMYK 0 / 2 / 43 / 27

HEX #B9B56A

RGB 185 181 106

HSL 56.96, 0.36%, 0.57%

LAB 72.5, -9.48, 38.62

 

CMYK 0 / 2 / 42 / 7

HEX #ECE788

RGB 236 231 136

HSL 57, 0.72%, 0.73%

LAB 90.21, -11.47, 46.72

 

CMYK 0 / 3 / 44 / 87

HEX #201F12

RGB 32 31 18

HSL 55.71, 0.28%, 0.1%

LAB 11.49, -2.23, 8.85

 

CMYK 0 / 2 / 42 / 67

HEX #535130

RGB 83 81 48

HSL 56.57, 0.27%, 0.26%

LAB 33.85, -4.87, 19.7

 

CMYK 0 / 2 / 43 / 47

HEX #86834D

RGB 134 131 77

HSL 56.84, 0.27%, 0.41%

LAB 53.85, -7.27, 29.55

 

CMYK 42 / 0 / 37 / 48

HEX #4C8453

RGB 76 132 83

HSL 127.5, 0.27%, 0.41%

LAB 50.29, -29.5, 20.83

 

CMYK 20 / 42 / 0 / 48

HEX #6A4C84

RGB 106 76 132

HSL 272.14, 0.27%, 0.41%

LAB 37.66, 24.28, -26.72

 

CMYK 0 / 2 / 43 / 47

HEX #86834D

RGB 134 131 77

HSL 56.84, 0.27%, 0.41%

LAB 53.85, -7.27, 29.55

 

CMYK 42 / 0 / 2 / 48

HEX #4C8481

RGB 76 132 129

HSL 176.79, 0.27%, 0.41%

LAB 51.41, -19.2, -4.18

 

CMYK 2 / 42 / 0 / 48

HEX #814C84

RGB 129 76 132

HSL 296.79, 0.27%, 0.41%

LAB 40.41, 31.78, -22.22

 

CMYK 0 / 2 / 43 / 47

HEX #86834D

RGB 134 131 77

HSL 56.84, 0.27%, 0.41%

LAB 53.85, -7.27, 29.55

 

CMYK 42 / 0 / 37 / 48

HEX #4C8453

RGB 76 132 83

HSL 127.5, 0.27%, 0.41%

LAB 50.29, -29.5, 20.83

 

CMYK 42 / 39 / 0 / 48

HEX #4C5084

RGB 76 80 132

HSL 235.71, 0.27%, 0.41%

LAB 35.87, 12.58, -29.73

 

CMYK 0 / 42 / 5 / 48

HEX #844C7D

RGB 132 76 125

HSL 307.5, 0.27%, 0.41%

LAB 40.5, 31.4, -17.77

 

CMYK 0 / 2 / 43 / 47

HEX #86834D

RGB 134 131 77

HSL 56.84, 0.27%, 0.41%

LAB 53.85, -7.27, 29.55

 

CMYK 42 / 0 / 24 / 48

HEX #4C8464

RGB 76 132 100

HSL 145.71, 0.27%, 0.41%

LAB 50.64, -26.16, 11.6

 

CMYK 42 / 39 / 0 / 48

HEX #4C5084

RGB 76 80 132

HSL 235.71, 0.27%, 0.41%

LAB 35.87, 12.58, -29.73

 

CMYK 0 / 42 / 18 / 48

HEX #844C6C

RGB 132 76 108

HSL 325.71, 0.27%, 0.41%

LAB 39.84, 28.33, -8.28

 

Description

Color code: RGB 134 131 77 | qconv.com Color code: RGB 134 131 77 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 131 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 131 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 43 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 43% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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