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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 133 31 19 it is the complementary color RGB 122 224 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 133 31 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 133 31 19: RGB 138 31 14, RGB 155 49 33, RGB 172 67 52, RGB 189 85 71 and RGB 206 103 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 133 31 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 133 31 19: RGB 133 31 19, RGB 116 13 0, RGB 99 0 0, RGB 82 0 0 and RGB 65 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 86 / 48

HEX #851F13

RGB 133 31 19

HSL 6.32, 0.75%, 0.3%

LAB 29.45, 42.34, 33.42

 

Complementary color

CMYK 48 / 5 / 0 / 7

HEX #7AE0EC

RGB 122 224 236

HSL 186.32, 0.75%, 0.7%

LAB 83.71, -26.63, -15.08

 

CMYK 0 / 78 / 90 / 46

HEX #8A1F0E

RGB 138 31 14

HSL 8.23, 0.82%, 0.3%

LAB 30.44, 43.88, 37.21

 

CMYK 0 / 68 / 79 / 39

HEX #9B3121

RGB 155 49 33

HSL 7.87, 0.65%, 0.37%

LAB 36.51, 43.21, 34.11

 

CMYK 0 / 61 / 70 / 33

HEX #AC4334

RGB 172 67 52

HSL 7.5, 0.54%, 0.44%

LAB 42.81, 42.1, 31.1

 

CMYK 0 / 55 / 62 / 26

HEX #BD5547

RGB 189 85 71

HSL 7.12, 0.47%, 0.51%

LAB 49.22, 40.83, 28.49

 

CMYK 0 / 50 / 56 / 19

HEX #CE675A

RGB 206 103 90

HSL 6.72, 0.54%, 0.58%

LAB 55.65, 39.56, 26.26

 

CMYK 0 / 77 / 86 / 48

HEX #851F13

RGB 133 31 19

HSL 6.32, 0.75%, 0.3%

LAB 29.45, 42.34, 33.42

 

CMYK 0 / 89 / 100 / 55

HEX #740D00

RGB 116 13 0

HSL 6.72, 1%, 0.23%

LAB 23.67, 41.97, 35.31

 

CMYK 0 / 100 / 100 / 61

HEX #630000

RGB 99 0 0

HSL 0, 1%, 0.19%

LAB 18.6, 40.03, 28.62

 

CMYK 0 / 100 / 100 / 68

HEX #520000

RGB 82 0 0

HSL 0, 1%, 0.16%

LAB 14.37, 35.14, 22.44

 

CMYK 0 / 100 / 100 / 75

HEX #410000

RGB 65 0 0

HSL 0, 1%, 0.13%

LAB 9.98, 30.06, 15.75

 

CMYK 0 / 77 / 86 / 48

HEX #851F13

RGB 133 31 19

HSL 6.32, 0.75%, 0.3%

LAB 29.45, 42.34, 33.42

 

CMYK 0 / 63 / 86 / 48

HEX #853113

RGB 133 49 19

HSL 15.79, 0.75%, 0.3%

LAB 32.33, 34.54, 36.05

 

CMYK 0 / 49 / 86 / 48

HEX #854413

RGB 133 68 19

HSL 25.79, 0.75%, 0.3%

LAB 36.31, 24.38, 39.61

 

CMYK 0 / 35 / 86 / 48

HEX #855713

RGB 133 87 19

HSL 35.79, 0.75%, 0.3%

LAB 40.98, 13.33, 43.7

 

CMYK 0 / 20 / 86 / 48

HEX #856B13

RGB 133 107 19

HSL 46.32, 0.75%, 0.3%

LAB 46.38, 1.62, 48.34

 

CMYK 0 / 77 / 86 / 48

HEX #851F13

RGB 133 31 19

HSL 6.32, 0.75%, 0.3%

LAB 29.45, 42.34, 33.42

 

CMYK 0 / 77 / 86 / 28

HEX #B82B1A

RGB 184 43 26

HSL 6.46, 0.75%, 0.41%

LAB 41.2, 54.82, 44.2

 

CMYK 0 / 77 / 86 / 8

HEX #EB3722

RGB 235 55 34

HSL 6.27, 0.83%, 0.53%

LAB 52.41, 66.61, 53.88

 

CMYK 0 / 77 / 87 / 88

HEX #1F0704

RGB 31 7 4

HSL 6.67, 0.77%, 0.07%

LAB 4.08, 9.56, 4.65

 

CMYK 0 / 77 / 85 / 68

HEX #52130C

RGB 82 19 12

HSL 6, 0.74%, 0.18%

LAB 16.92, 28.75, 20.74

 

CMYK 0 / 77 / 86 / 48

HEX #851F13

RGB 133 31 19

HSL 6.32, 0.75%, 0.3%

LAB 29.45, 42.34, 33.42

 

CMYK 26 / 0 / 86 / 48

HEX #638513

RGB 99 133 19

HSL 77.89, 0.75%, 0.3%

LAB 51.24, -27.98, 51.41

 

CMYK 86 / 60 / 0 / 48

HEX #133585

RGB 19 53 133

HSL 222.11, 0.75%, 0.3%

LAB 24.88, 20.34, -48.16

 

CMYK 0 / 77 / 86 / 48

HEX #851F13

RGB 133 31 19

HSL 6.32, 0.75%, 0.3%

LAB 29.45, 42.34, 33.42

 

CMYK 86 / 0 / 77 / 48

HEX #13851E

RGB 19 133 30

HSL 125.79, 0.75%, 0.3%

LAB 48.27, -50.05, 44.09

 

CMYK 77 / 86 / 0 / 48

HEX #1E1385

RGB 30 19 133

HSL 245.79, 0.75%, 0.3%

LAB 17.62, 42.44, -60.09

 

CMYK 0 / 77 / 86 / 48

HEX #851F13

RGB 133 31 19

HSL 6.32, 0.75%, 0.3%

LAB 29.45, 42.34, 33.42

 

CMYK 26 / 0 / 86 / 48

HEX #638513

RGB 99 133 19

HSL 77.89, 0.75%, 0.3%

LAB 51.24, -27.98, 51.41

 

CMYK 86 / 8 / 0 / 48

HEX #137A85

RGB 19 122 133

HSL 185.79, 0.75%, 0.3%

LAB 46.65, -23, -13.84

 

CMYK 60 / 86 / 0 / 48

HEX #351385

RGB 53 19 133

HSL 257.89, 0.75%, 0.3%

LAB 19.7, 44.46, -56.58

 

CMYK 0 / 77 / 86 / 48

HEX #851F13

RGB 133 31 19

HSL 6.32, 0.75%, 0.3%

LAB 29.45, 42.34, 33.42

 

CMYK 51 / 0 / 86 / 48

HEX #418513

RGB 65 133 19

HSL 95.79, 0.75%, 0.3%

LAB 49.43, -40.71, 49.12

 

CMYK 86 / 8 / 0 / 48

HEX #137A85

RGB 19 122 133

HSL 185.79, 0.75%, 0.3%

LAB 46.65, -23, -13.84

 

CMYK 35 / 86 / 0 / 48

HEX #571385

RGB 87 19 133

HSL 275.79, 0.75%, 0.3%

LAB 24.28, 49.09, -48.9

 

Description

Color code: RGB 133 31 19 | qconv.com Color code: RGB 133 31 19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 31 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 31 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 86 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 86% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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