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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 132 99 84 it is the complementary color RGB 123 156 171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 132 99 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 132 99 84: RGB 137 99 79, RGB 154 117 98, RGB 171 135 117, RGB 188 153 136 and RGB 205 171 155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 132 99 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 132 99 84: RGB 132 99 84, RGB 115 81 65, RGB 98 63 46, RGB 81 45 27 and RGB 64 27 8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 36 / 48

HEX #846354

RGB 132 99 84

HSL 18.75, 0.22%, 0.42%

LAB 44.9, 11.13, 13.69

 

Complementary color

CMYK 28 / 9 / 0 / 33

HEX #7B9CAB

RGB 123 156 171

HSL 198.75, 0.22%, 0.58%

LAB 62.45, -7.8, -11.54

 

CMYK 0 / 28 / 42 / 46

HEX #89634F

RGB 137 99 79

HSL 20.69, 0.27%, 0.42%

LAB 45.37, 12.65, 17.41

 

CMYK 0 / 24 / 36 / 40

HEX #9A7562

RGB 154 117 98

HSL 20.36, 0.22%, 0.49%

LAB 52.37, 11.8, 16.09

 

CMYK 0 / 21 / 32 / 33

HEX #AB8775

RGB 171 135 117

HSL 20, 0.24%, 0.56%

LAB 59.22, 11.08, 14.91

 

CMYK 0 / 19 / 28 / 26

HEX #BC9988

RGB 188 153 136

HSL 19.62, 0.28%, 0.64%

LAB 65.94, 10.47, 13.84

 

CMYK 0 / 17 / 24 / 20

HEX #CDAB9B

RGB 205 171 155

HSL 19.2, 0.33%, 0.71%

LAB 72.54, 9.93, 12.86

 

CMYK 0 / 25 / 36 / 48

HEX #846354

RGB 132 99 84

HSL 18.75, 0.22%, 0.42%

LAB 44.9, 11.13, 13.69

 

CMYK 0 / 30 / 43 / 55

HEX #735141

RGB 115 81 65

HSL 19.2, 0.28%, 0.35%

LAB 37.68, 12.03, 15.05

 

CMYK 0 / 36 / 53 / 62

HEX #623F2E

RGB 98 63 46

HSL 19.62, 0.36%, 0.28%

LAB 30.28, 13.14, 16.65

 

CMYK 0 / 44 / 67 / 68

HEX #512D1B

RGB 81 45 27

HSL 20, 0.5%, 0.21%

LAB 22.67, 14.59, 18.59

 

CMYK 0 / 58 / 88 / 75

HEX #401B08

RGB 64 27 8

HSL 20.36, 0.78%, 0.14%

LAB 14.91, 16.47, 19.12

 

CMYK 0 / 25 / 36 / 48

HEX #846354

RGB 132 99 84

HSL 18.75, 0.22%, 0.42%

LAB 44.9, 11.13, 13.69

 

CMYK 0 / 19 / 36 / 49

HEX #826953

RGB 130 105 83

HSL 28.09, 0.22%, 0.42%

LAB 46.28, 6.6, 16.14

 

CMYK 0 / 13 / 36 / 49

HEX #827153

RGB 130 113 83

HSL 38.3, 0.22%, 0.42%

LAB 48.49, 1.93, 19.12

 

CMYK 0 / 7 / 36 / 49

HEX #827953

RGB 130 121 83

HSL 48.51, 0.22%, 0.42%

LAB 50.74, -2.66, 22.11

 

CMYK 0 / 1 / 36 / 49

HEX #828153

RGB 130 129 83

HSL 58.72, 0.22%, 0.42%

LAB 53.03, -7.15, 25.11

 

CMYK 0 / 25 / 36 / 48

HEX #846354

RGB 132 99 84

HSL 18.75, 0.22%, 0.42%

LAB 44.9, 11.13, 13.69

 

CMYK 0 / 25 / 37 / 28

HEX #B78974

RGB 183 137 116

HSL 18.81, 0.32%, 0.59%

LAB 60.97, 14.69, 18.09

 

CMYK 0 / 25 / 36 / 8

HEX #EAB095

RGB 234 176 149

HSL 19.06, 0.67%, 0.75%

LAB 76.5, 17.63, 22.06

 

CMYK 0 / 23 / 37 / 88

HEX #1E1713

RGB 30 23 19

HSL 21.82, 0.22%, 0.1%

LAB 8.45, 2.69, 3.89

 

CMYK 0 / 25 / 36 / 68

HEX #513D34

RGB 81 61 52

HSL 18.62, 0.22%, 0.26%

LAB 27.67, 7.28, 8.92

 

CMYK 0 / 25 / 36 / 48

HEX #846354

RGB 132 99 84

HSL 18.75, 0.22%, 0.42%

LAB 44.9, 11.13, 13.69

 

CMYK 18 / 0 / 36 / 49

HEX #6B8253

RGB 107 130 83

HSL 89.36, 0.22%, 0.42%

LAB 51.51, -17.21, 22.79

 

CMYK 36 / 32 / 0 / 49

HEX #535882

RGB 83 88 130

HSL 233.62, 0.22%, 0.42%

LAB 38.6, 8.94, -24.18

 

CMYK 0 / 25 / 36 / 48

HEX #846354

RGB 132 99 84

HSL 18.75, 0.22%, 0.42%

LAB 44.9, 11.13, 13.69

 

CMYK 36 / 0 / 25 / 49

HEX #538261

RGB 83 130 97

HSL 137.87, 0.22%, 0.42%

LAB 50.3, -23.55, 12.9

 

CMYK 25 / 36 / 0 / 49

HEX #615382

RGB 97 83 130

HSL 257.87, 0.22%, 0.42%

LAB 38.45, 16.52, -24.34

 

CMYK 0 / 25 / 36 / 48

HEX #846354

RGB 132 99 84

HSL 18.75, 0.22%, 0.42%

LAB 44.9, 11.13, 13.69

 

CMYK 18 / 0 / 36 / 49

HEX #6B8253

RGB 107 130 83

HSL 89.36, 0.22%, 0.42%

LAB 51.51, -17.21, 22.79

 

CMYK 36 / 11 / 0 / 49

HEX #537482

RGB 83 116 130

HSL 197.87, 0.22%, 0.42%

LAB 46.9, -8.05, -11.47

 

CMYK 18 / 36 / 0 / 49

HEX #6B5382

RGB 107 83 130

HSL 270.64, 0.22%, 0.42%

LAB 39.45, 19.82, -22.69

 

CMYK 0 / 25 / 36 / 48

HEX #846354

RGB 132 99 84

HSL 18.75, 0.22%, 0.42%

LAB 44.9, 11.13, 13.69

 

CMYK 29 / 0 / 36 / 49

HEX #5C8253

RGB 92 130 83

HSL 108.51, 0.22%, 0.42%

LAB 50.53, -22.97, 21.31

 

CMYK 36 / 11 / 0 / 49

HEX #537482

RGB 83 116 130

HSL 197.87, 0.22%, 0.42%

LAB 46.9, -8.05, -11.47

 

CMYK 7 / 36 / 0 / 49

HEX #795382

RGB 121 83 130

HSL 288.51, 0.22%, 0.42%

LAB 41, 24.57, -20.18

 

Description

Color code: RGB 132 99 84 | qconv.com Color code: RGB 132 99 84 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 99 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 99 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 36 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 36% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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