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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 132.7 56.6 19 it is the complementary color RGB 122.3 198.4 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 132.7 56.6 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 132.7 56.6 19 shade: RGB 137.7 56.6 14, RGB 154.7 74.6 33, RGB 171.7 92.6 52, RGB 188.7 110.6 71 and RGB 205.7 128.6 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 132.7 56.6 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 132.7 56.6 19 shade: RGB 132.7 56.6 19, RGB 115.7 38.6 0, RGB 98.7 20.6 0, RGB 81.7 2.6 0 and RGB 64.7 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 132.7 56.6 19 shade: RGB 134 57 19, RGB 134 26 19 and RGB 134 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 132.7 56.6 19 shade: RGB 134 57 19, RGB 134 88 19, RGB 134 119 19, RGB 118 134 19 and RGB 87 134 19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 132.7 56.6 19 shade matches the following richer shades: RGB 134 57 19 and RGB 146 53 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 132.7 56.6 19 shade: RGB 134 57 19, RGB 121 61 32, RGB 109 65 44, RGB 97 70 56 and RGB 84 74 69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 132.7 56.6 19 shade: RGB 134 19 44, RGB 134 25 19, RGB 134 55 19, RGB 134 86 19 and RGB 134 117 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 132.7 56.6 19 shade: RGB 62 26 9, RGB 98 42 14, RGB 134 57 19, RGB 170 72 24 and RGB 206 88 29

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 132.7 56.6 19 shade: RGB 132.7 56.6 19, RGB 75 134 19 and RGB 19 29 134

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 132.7 56.6 19 shade: RGB 132.7 56.6 19, RGB 19 134 55 and RGB 55 19 134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 132.7 56.6 19 shade: RGB 132.7 56.6 19, RGB 75 134 19, RGB 19 98 134 and RGB 78 19 134

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 132.7 56.6 19 shade: RGB 132.7 56.6 19, RGB 40 134 19, RGB 19 98 134 and RGB 113 19 134

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 86 / 48

HEX #843813

RGB 132.7 56.6 19

HSL 19.84, 0.75%, 0.3%

LAB 33.77, 30.53, 37.32

 

Complementary color

CMYK 48 / 16 / 0 / 7

HEX #7AC6EC

RGB 122.3 198.4 236

HSL 199.84, 0.75%, 0.7%

LAB 76.55, -13.62, -25.93

 

CMYK 0 / 59 / 90 / 46

HEX #89380E

RGB 137.7 56.6 14

HSL 20.66, 0.82%, 0.3%

LAB 34.59, 32.44, 40.52

 

CMYK 0 / 52 / 79 / 39

HEX #9A4A21

RGB 154.7 74.6 33

HSL 20.51, 0.65%, 0.37%

LAB 41.26, 30.55, 38.96

 

CMYK 0 / 46 / 70 / 33

HEX #AB5C34

RGB 171.7 92.6 52

HSL 20.35, 0.54%, 0.44%

LAB 47.94, 28.82, 36.98

 

CMYK 0 / 41 / 62 / 26

HEX #BC6E47

RGB 188.7 110.6 71

HSL 20.19, 0.47%, 0.51%

LAB 54.57, 27.27, 35.05

 

CMYK 0 / 37 / 56 / 19

HEX #CD805A

RGB 205.7 128.6 90

HSL 20.02, 0.54%, 0.58%

LAB 61.14, 25.91, 33.27

 

CMYK 0 / 57 / 86 / 48

HEX #843813

RGB 132.7 56.6 19

HSL 19.84, 0.75%, 0.3%

LAB 33.77, 30.53, 37.32

 

CMYK 0 / 67 / 100 / 55

HEX #732600

RGB 115.7 38.6 0

HSL 20.02, 1%, 0.23%

LAB 27.07, 32.34, 38.48

 

CMYK 0 / 79 / 100 / 61

HEX #621400

RGB 98.7 20.6 0

HSL 12.52, 1%, 0.19%

LAB 20.66, 33.87, 30.96

 

CMYK 0 / 97 / 100 / 68

HEX #510200

RGB 81.7 2.6 0

HSL 1.91, 1%, 0.16%

LAB 14.61, 34.13, 22.74

 

CMYK 0 / 100 / 100 / 75

HEX #400000

RGB 64.7 0 0

HSL 0, 1%, 0.13%

LAB 9.9, 29.97, 15.63

 

CMYK 0 / 57 / 86 / 47

HEX #863913

RGB 134 57 19

HSL 19.83, 0.75%, 0.3%

LAB 34.07, 30.85, 37.68

 

CMYK 0 / 81 / 86 / 47

HEX #861A13

RGB 134 26 19

HSL 3.65, 0.75%, 0.3%

LAB 29.04, 44.38, 33.12

 

CMYK 0 / 86 / 86 / 47

HEX #861313

RGB 134 19 19

HSL 0, 0.75%, 0.3%

LAB 28.33, 46.39, 32.46

 

CMYK 0 / 57 / 86 / 47

HEX #863913

RGB 134 57 19

HSL 19.83, 0.75%, 0.3%

LAB 34.07, 30.85, 37.68

 

CMYK 0 / 34 / 86 / 47

HEX #865813

RGB 134 88 19

HSL 36, 0.75%, 0.3%

LAB 41.37, 13.21, 44.09

 

CMYK 0 / 11 / 86 / 47

HEX #867713

RGB 134 119 19

HSL 52.17, 0.75%, 0.3%

LAB 49.87, -4.74, 51.35

 

CMYK 12 / 0 / 86 / 47

HEX #768613

RGB 118 134 19

HSL 68.35, 0.75%, 0.3%

LAB 52.89, -20.22, 53.36

 

CMYK 35 / 0 / 86 / 47

HEX #578613

RGB 87 134 19

HSL 84.52, 0.75%, 0.3%

LAB 50.83, -33.3, 50.77

 

CMYK 0 / 57 / 86 / 47

HEX #863913

RGB 134 57 19

HSL 19.83, 0.75%, 0.3%

LAB 34.07, 30.85, 37.68

 

CMYK 0 / 64 / 95 / 43

HEX #923507

RGB 146 53 7

HSL 19.86, 0.91%, 0.3%

LAB 35.35, 37.38, 44.25

 

CMYK 0 / 57 / 86 / 47

HEX #863913

RGB 134 57 19

HSL 19.83, 0.75%, 0.3%

LAB 34.07, 30.85, 37.68

 

CMYK 0 / 50 / 74 / 53

HEX #793D20

RGB 121 61 32

HSL 19.55, 0.58%, 0.3%

LAB 32.93, 23.65, 29.1

 

CMYK 0 / 40 / 60 / 57

HEX #6D412C

RGB 109 65 44

HSL 19.38, 0.42%, 0.3%

LAB 32.29, 16.78, 20.78

 

CMYK 0 / 28 / 42 / 62

HEX #614638

RGB 97 70 56

HSL 20.49, 0.27%, 0.3%

LAB 32.27, 9.52, 12.98

 

CMYK 0 / 12 / 18 / 67

HEX #544A45

RGB 84 74 69

HSL 20, 0.1%, 0.3%

LAB 32.28, 3.23, 4.51

 

CMYK 0 / 86 / 67 / 47

HEX #86132C

RGB 134 19 44

HSL 346.96, 0.75%, 0.3%

LAB 28.68, 47.45, 17.1

 

CMYK 0 / 81 / 86 / 47

HEX #861913

RGB 134 25 19

HSL 3.13, 0.75%, 0.3%

LAB 28.93, 44.69, 33.02

 

CMYK 0 / 59 / 86 / 47

HEX #863713

RGB 134 55 19

HSL 18.78, 0.75%, 0.3%

LAB 33.66, 31.9, 37.32

 

CMYK 0 / 36 / 86 / 47

HEX #865613

RGB 134 86 19

HSL 34.96, 0.75%, 0.3%

LAB 40.85, 14.39, 43.64

 

CMYK 0 / 13 / 86 / 47

HEX #867513

RGB 134 117 19

HSL 51.13, 0.75%, 0.3%

LAB 49.3, -3.61, 50.87

 

CMYK 0 / 58 / 85 / 76

HEX #3E1A09

RGB 62 26 9

HSL 19.25, 0.75%, 0.14%

LAB 14.3, 16.18, 17.85

 

CMYK 0 / 57 / 86 / 62

HEX #622A0E

RGB 98 42 14

HSL 20, 0.75%, 0.22%

LAB 24.59, 23.51, 29.11

 

CMYK 0 / 57 / 86 / 47

HEX #863913

RGB 134 57 19

HSL 19.83, 0.75%, 0.3%

LAB 34.07, 30.85, 37.68

 

CMYK 0 / 58 / 86 / 33

HEX #AA4818

RGB 170 72 24

HSL 19.73, 0.75%, 0.38%

LAB 43.13, 37.78, 45.75

 

CMYK 0 / 57 / 86 / 19

HEX #CE581D

RGB 206 88 29

HSL 20, 0.75%, 0.46%

LAB 52.05, 43.92, 53.6

 

CMYK 0 / 57 / 86 / 48

HEX #843813

RGB 132.7 56.6 19

HSL 19.84, 0.75%, 0.3%

LAB 33.77, 30.53, 37.32

 

CMYK 44 / 0 / 86 / 47

HEX #4B8613

RGB 75 134 19

HSL 90.78, 0.75%, 0.3%

LAB 50.21, -37.76, 49.98

 

CMYK 86 / 78 / 0 / 47

HEX #131D86

RGB 19 29 134

HSL 234.78, 0.75%, 0.3%

LAB 18.96, 36.78, -58.51

 

CMYK 0 / 57 / 86 / 48

HEX #843813

RGB 132.7 56.6 19

HSL 19.84, 0.75%, 0.3%

LAB 33.77, 30.53, 37.32

 

CMYK 86 / 0 / 59 / 47

HEX #138637

RGB 19 134 55

HSL 138.78, 0.75%, 0.3%

LAB 48.84, -47.58, 33.69

 

CMYK 59 / 86 / 0 / 47

HEX #371386

RGB 55 19 134

HSL 258.78, 0.75%, 0.3%

LAB 20.04, 44.96, -56.64

 

CMYK 0 / 57 / 86 / 48

HEX #843813

RGB 132.7 56.6 19

HSL 19.84, 0.75%, 0.3%

LAB 33.77, 30.53, 37.32

 

CMYK 44 / 0 / 86 / 47

HEX #4B8613

RGB 75 134 19

HSL 90.78, 0.75%, 0.3%

LAB 50.21, -37.76, 49.98

 

CMYK 86 / 27 / 0 / 47

HEX #136286

RGB 19 98 134

HSL 198.78, 0.75%, 0.3%

LAB 38.89, -9.21, -26.39

 

CMYK 42 / 86 / 0 / 47

HEX #4E1386

RGB 78 19 134

HSL 270.78, 0.75%, 0.3%

LAB 23.02, 47.94, -51.63

 

CMYK 0 / 57 / 86 / 48

HEX #843813

RGB 132.7 56.6 19

HSL 19.84, 0.75%, 0.3%

LAB 33.77, 30.53, 37.32

 

CMYK 70 / 0 / 86 / 47

HEX #288613

RGB 40 134 19

HSL 109.04, 0.75%, 0.3%

LAB 48.94, -47.74, 48.37

 

CMYK 86 / 27 / 0 / 47

HEX #136286

RGB 19 98 134

HSL 198.78, 0.75%, 0.3%

LAB 38.89, -9.21, -26.39

 

CMYK 16 / 86 / 0 / 47

HEX #711386

RGB 113 19 134

HSL 289.04, 0.75%, 0.3%

LAB 28.64, 53.79, -42.25

 

Description

Color code: RGB 132.7 56.6 19 | qconv.com Color code: RGB 132.7 56.6 19 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132.7 red, 56.6 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132.7 56.6 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 86 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 86% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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