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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131 181 107 it is the complementary color RGB 124 74 148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131 181 107. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 131 181 107: RGB 136 181 102, RGB 153 199 121, RGB 170 217 140, RGB 187 235 159 and RGB 204 253 178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131 181 107. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 131 181 107: RGB 131 181 107, RGB 114 163 88, RGB 97 145 69, RGB 80 127 50 and RGB 63 109 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 41 / 29

HEX #83B56B

RGB 131 181 107

HSL 100.54, 0.33%, 0.56%

LAB 68.7, -30.29, 32.5

 

Complementary color

CMYK 16 / 50 / 0 / 42

HEX #7C4A94

RGB 124 74 148

HSL 280.54, 0.33%, 0.44%

LAB 40.12, 34.81, -32.45

 

CMYK 25 / 0 / 44 / 29

HEX #88B566

RGB 136 181 102

HSL 94.18, 0.35%, 0.55%

LAB 68.93, -29.16, 35.43

 

CMYK 23 / 0 / 39 / 22

HEX #99C779

RGB 153 199 121

HSL 95.38, 0.41%, 0.63%

LAB 75.45, -29.07, 34.24

 

CMYK 22 / 0 / 35 / 15

HEX #AAD98C

RGB 170 217 140

HSL 96.62, 0.5%, 0.7%

LAB 81.87, -28.95, 33.1

 

CMYK 20 / 0 / 32 / 8

HEX #BBEB9F

RGB 187 235 159

HSL 97.89, 0.66%, 0.77%

LAB 88.2, -28.83, 32

 

CMYK 19 / 0 / 30 / 1

HEX #CCFDB2

RGB 204 253 178

HSL 99.2, 0.95%, 0.85%

LAB 94.44, -28.71, 30.95

 

CMYK 28 / 0 / 41 / 29

HEX #83B56B

RGB 131 181 107

HSL 100.54, 0.33%, 0.56%

LAB 68.7, -30.29, 32.5

 

CMYK 30 / 0 / 46 / 36

HEX #72A358

RGB 114 163 88

HSL 99.2, 0.3%, 0.49%

LAB 62.06, -30.43, 33.73

 

CMYK 33 / 0 / 52 / 43

HEX #619145

RGB 97 145 69

HSL 97.89, 0.36%, 0.42%

LAB 55.3, -30.51, 34.97

 

CMYK 37 / 0 / 61 / 50

HEX #507F32

RGB 80 127 50

HSL 96.62, 0.44%, 0.35%

LAB 48.4, -30.5, 36.15

 

CMYK 42 / 0 / 72 / 57

HEX #3F6D1F

RGB 63 109 31

HSL 95.38, 0.56%, 0.27%

LAB 41.36, -30.29, 37.05

 

CMYK 28 / 0 / 41 / 29

HEX #83B56B

RGB 131 181 107

HSL 100.54, 0.33%, 0.56%

LAB 68.7, -30.29, 32.5

 

CMYK 34 / 0 / 41 / 30

HEX #76B369

RGB 118 179 105

HSL 109.46, 0.33%, 0.56%

LAB 67.36, -34.15, 31.67

 

CMYK 41 / 0 / 41 / 30

HEX #69B369

RGB 105 179 105

HSL 120, 0.33%, 0.56%

LAB 66.72, -38.36, 30.72

 

CMYK 41 / 0 / 34 / 30

HEX #69B376

RGB 105 179 118

HSL 130.54, 0.33%, 0.56%

LAB 66.94, -36.22, 24.12

 

CMYK 41 / 0 / 27 / 30

HEX #69B382

RGB 105 179 130

HSL 140.27, 0.33%, 0.56%

LAB 67.17, -34.01, 17.95

 

CMYK 28 / 0 / 41 / 29

HEX #83B56B

RGB 131 181 107

HSL 100.54, 0.33%, 0.56%

LAB 68.7, -30.29, 32.5

 

CMYK 28 / 0 / 41 / 9

HEX #A8E889

RGB 168 232 137

HSL 100.42, 0.67%, 0.72%

LAB 85.93, -37.01, 39.85

 

CMYK 29 / 0 / 39 / 89

HEX #141C11

RGB 20 28 17

HSL 103.64, 0.24%, 0.09%

LAB 9.15, -6.49, 5.99

 

CMYK 28 / 0 / 41 / 69

HEX #394F2F

RGB 57 79 47

HSL 101.25, 0.25%, 0.25%

LAB 31.04, -15.44, 16.24

 

CMYK 28 / 0 / 41 / 49

HEX #5E824D

RGB 94 130 77

HSL 100.75, 0.26%, 0.41%

LAB 50.55, -23.17, 24.71

 

CMYK 28 / 0 / 41 / 29

HEX #83B56B

RGB 131 181 107

HSL 100.54, 0.33%, 0.56%

LAB 68.7, -30.29, 32.5

 

CMYK 41 / 0 / 6 / 30

HEX #69B3A9

RGB 105 179 169

HSL 171.89, 0.33%, 0.56%

LAB 68.1, -25.48, -2.14

 

CMYK 0 / 41 / 11 / 30

HEX #B369A0

RGB 179 105 160

HSL 315.41, 0.33%, 0.56%

LAB 54.26, 37.52, -17.11

 

CMYK 28 / 0 / 41 / 29

HEX #83B56B

RGB 131 181 107

HSL 100.54, 0.33%, 0.56%

LAB 68.7, -30.29, 32.5

 

CMYK 41 / 27 / 0 / 30

HEX #6982B3

RGB 105 130 179

HSL 219.73, 0.33%, 0.56%

LAB 54.26, 3.88, -28.69

 

CMYK 0 / 41 / 27 / 30

HEX #B36982

RGB 179 105 130

HSL 339.73, 0.33%, 0.56%

LAB 53.27, 32.79, -0.99

 

CMYK 28 / 0 / 41 / 29

HEX #83B56B

RGB 131 181 107

HSL 100.54, 0.33%, 0.56%

LAB 68.7, -30.29, 32.5

 

CMYK 41 / 0 / 6 / 30

HEX #69B3A9

RGB 105 179 169

HSL 171.89, 0.33%, 0.56%

LAB 68.1, -25.48, -2.14

 

CMYK 13 / 41 / 0 / 30

HEX #9B69B3

RGB 155 105 179

HSL 280.54, 0.33%, 0.56%

LAB 52.2, 33.5, -31.56

 

CMYK 0 / 41 / 36 / 30

HEX #B36973

RGB 179 105 115

HSL 351.89, 0.33%, 0.56%

LAB 52.87, 30.77, 7.27

 

CMYK 28 / 0 / 41 / 29

HEX #83B56B

RGB 131 181 107

HSL 100.54, 0.33%, 0.56%

LAB 68.7, -30.29, 32.5

 

CMYK 41 / 7 / 0 / 30

HEX #69A7B3

RGB 105 167 179

HSL 189.73, 0.33%, 0.56%

LAB 64.88, -16.79, -12.48

 

CMYK 13 / 41 / 0 / 30

HEX #9B69B3

RGB 155 105 179

HSL 280.54, 0.33%, 0.56%

LAB 52.2, 33.5, -31.56

 

CMYK 0 / 34 / 41 / 30

HEX #B37669

RGB 179 118 105

HSL 10.54, 0.33%, 0.56%

LAB 55.65, 22.36, 16.99

 

Description

Color code: RGB 131 181 107 | qconv.com Color code: RGB 131 181 107 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 181 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 181 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 41 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 41% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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