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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 131.1 180.8 60 it is the complementary color RGB 123.9 74.2 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 131.1 180.8 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 131.1 180.8 60 shade: RGB 136.1 180.8 55, RGB 153.1 198.8 74, RGB 170.1 216.8 93, RGB 187.1 234.8 112 and RGB 204.1 252.8 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 131.1 180.8 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 131.1 180.8 60 shade: RGB 131.1 180.8 60, RGB 114.1 162.8 41, RGB 97.1 144.8 22, RGB 80.1 126.8 3 and RGB 63.1 108.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 131.1 180.8 60 shade: RGB 130 180 60, RGB 163 180 60, RGB 180 164 60, RGB 180 132 60 and RGB 180 100 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 131.1 180.8 60 shade: RGB 130 180 60, RGB 98 180 60, RGB 66 180 60, RGB 60 180 86 and RGB 60 180 119

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 131.1 180.8 60 shade matches the following richer shades: RGB 130 180 60, RGB 134 199 41, RGB 137 219 21 and RGB 141 238 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 131.1 180.8 60 shade: RGB 130 180 60, RGB 127 160 79, RGB 124 141 99, RGB 120 122 118 and RGB 117 102 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 131.1 180.8 60 shade: RGB 180 164 60, RGB 164 180 60, RGB 132 180 60, RGB 100 180 60 and RGB 68 180 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 131.1 180.8 60 shade: RGB 86 118 39, RGB 108 149 50, RGB 130 180 60, RGB 151 198 83 and RGB 169 208 114

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 131.1 180.8 60 shade: RGB 131.1 180.8 60, RGB 60 180 132 and RGB 180 60 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 131.1 180.8 60 shade: RGB 131.1 180.8 60, RGB 60 132 180 and RGB 180 60 132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 131.1 180.8 60 shade: RGB 131.1 180.8 60, RGB 60 180 132, RGB 108 60 180 and RGB 180 60 108

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 131.1 180.8 60 shade: RGB 131.1 180.8 60, RGB 60 180 168, RGB 108 60 180 and RGB 180 60 72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 67 / 29

HEX #83B43C

RGB 131.1 180.8 60

HSL 84.69, 0.5%, 0.47%

LAB 68.11, -35.2, 54.11

 

Complementary color

CMYK 36 / 62 / 0 / 24

HEX #7B4AC3

RGB 123.9 74.2 195

HSL 264.69, 0.5%, 0.53%

LAB 42.98, 46.18, -55.72

 

CMYK 25 / 0 / 70 / 29

HEX #88B437

RGB 136.1 180.8 55

HSL 81.32, 0.53%, 0.46%

LAB 68.38, -33.62, 56.46

 

CMYK 23 / 0 / 63 / 22

HEX #99C64A

RGB 153.1 198.8 74

HSL 81.97, 0.53%, 0.53%

LAB 74.84, -33.98, 55.88

 

CMYK 22 / 0 / 57 / 15

HEX #AAD85D

RGB 170.1 216.8 93

HSL 82.63, 0.62%, 0.61%

LAB 81.22, -34.22, 55.01

 

CMYK 20 / 0 / 52 / 8

HEX #BBEA70

RGB 187.1 234.8 112

HSL 83.31, 0.75%, 0.68%

LAB 87.51, -34.37, 54

 

CMYK 19 / 0 / 48 / 1

HEX #CCFC83

RGB 204.1 252.8 131

HSL 83.99, 0.97%, 0.75%

LAB 93.72, -34.47, 52.91

 

CMYK 27 / 0 / 67 / 29

HEX #83B43C

RGB 131.1 180.8 60

HSL 84.69, 0.5%, 0.47%

LAB 68.11, -35.2, 54.11

 

CMYK 30 / 0 / 75 / 36

HEX #72A229

RGB 114.1 162.8 41

HSL 83.99, 0.6%, 0.4%

LAB 61.54, -34.79, 54.39

 

CMYK 33 / 0 / 85 / 43

HEX #619016

RGB 97.1 144.8 22

HSL 83.31, 0.74%, 0.33%

LAB 54.86, -34.15, 53.76

 

CMYK 37 / 0 / 98 / 50

HEX #507E03

RGB 80.1 126.8 3

HSL 82.63, 0.95%, 0.25%

LAB 48.06, -33.23, 51.68

 

CMYK 42 / 0 / 100 / 57

HEX #3F6C00

RGB 63.1 108.8 0

HSL 85.2, 1%, 0.21%

LAB 41.14, -31.82, 46.54

 

CMYK 28 / 0 / 67 / 29

HEX #82B43C

RGB 130 180 60

HSL 85, 0.5%, 0.47%

LAB 67.81, -35.25, 53.77

 

CMYK 9 / 0 / 67 / 29

HEX #A3B43C

RGB 163 180 60

HSL 68.5, 0.5%, 0.47%

LAB 70, -22, 56.74

 

CMYK 0 / 9 / 67 / 29

HEX #B4A43C

RGB 180 164 60

HSL 52, 0.5%, 0.47%

LAB 66.96, -6.48, 54.02

 

CMYK 0 / 27 / 67 / 29

HEX #B4843C

RGB 180 132 60

HSL 36, 0.5%, 0.47%

LAB 58.54, 10.97, 45.01

 

CMYK 0 / 44 / 67 / 29

HEX #B4643C

RGB 180 100 60

HSL 20, 0.5%, 0.47%

LAB 50.86, 28.72, 36.33

 

CMYK 28 / 0 / 67 / 29

HEX #82B43C

RGB 130 180 60

HSL 85, 0.5%, 0.47%

LAB 67.81, -35.25, 53.77

 

CMYK 46 / 0 / 67 / 29

HEX #62B43C

RGB 98 180 60

HSL 101, 0.5%, 0.47%

LAB 66.19, -46.45, 51.55

 

CMYK 63 / 0 / 67 / 29

HEX #42B43C

RGB 66 180 60

HSL 117, 0.5%, 0.47%

LAB 65.06, -55.1, 50.01

 

CMYK 67 / 0 / 52 / 29

HEX #3CB456

RGB 60 180 86

HSL 133, 0.5%, 0.47%

LAB 65.18, -53.19, 38.13

 

CMYK 67 / 0 / 34 / 29

HEX #3CB477

RGB 60 180 119

HSL 149.5, 0.5%, 0.47%

LAB 65.7, -47.43, 21.64

 

CMYK 28 / 0 / 67 / 29

HEX #82B43C

RGB 130 180 60

HSL 85, 0.5%, 0.47%

LAB 67.81, -35.25, 53.77

 

CMYK 33 / 0 / 79 / 22

HEX #86C729

RGB 134 199 41

HSL 84.68, 0.66%, 0.47%

LAB 73.59, -43.29, 66.16

 

CMYK 37 / 0 / 90 / 14

HEX #89DB15

RGB 137 219 21

HSL 84.85, 0.83%, 0.47%

LAB 79.63, -51.18, 75.75

 

CMYK 41 / 0 / 99 / 7

HEX #8DEE02

RGB 141 238 2

HSL 84.66, 0.98%, 0.47%

LAB 85.41, -57.58, 82.37

 

CMYK 28 / 0 / 67 / 29

HEX #82B43C

RGB 130 180 60

HSL 85, 0.5%, 0.47%

LAB 67.81, -35.25, 53.77

 

CMYK 21 / 0 / 51 / 37

HEX #7FA04F

RGB 127 160 79

HSL 84.44, 0.34%, 0.47%

LAB 61.84, -25.15, 38.24

 

CMYK 12 / 0 / 30 / 45

HEX #7C8D63

RGB 124 141 99

HSL 84.29, 0.18%, 0.47%

LAB 56.32, -13.9, 20.44

 

CMYK 2 / 0 / 3 / 52

HEX #787A76

RGB 120 122 118

HSL 90, 0.02%, 0.47%

LAB 50.94, -1.55, 1.92

 

CMYK 15 / 26 / 0 / 46

HEX #756689

RGB 117 102 137

HSL 265.71, 0.15%, 0.47%

LAB 45.76, 13.3, -17.13

 

CMYK 0 / 9 / 67 / 29

HEX #B4A43C

RGB 180 164 60

HSL 52, 0.5%, 0.47%

LAB 66.96, -6.48, 54.02

 

CMYK 9 / 0 / 67 / 29

HEX #A4B43C

RGB 164 180 60

HSL 68, 0.5%, 0.47%

LAB 70.08, -21.58, 56.84

 

CMYK 27 / 0 / 67 / 29

HEX #84B43C

RGB 132 180 60

HSL 84, 0.5%, 0.47%

LAB 67.93, -34.49, 53.93

 

CMYK 44 / 0 / 67 / 29

HEX #64B43C

RGB 100 180 60

HSL 100, 0.5%, 0.47%

LAB 66.27, -45.82, 51.67

 

CMYK 62 / 0 / 67 / 29

HEX #44B43C

RGB 68 180 60

HSL 116, 0.5%, 0.47%

LAB 65.12, -54.65, 50.09

 

CMYK 27 / 0 / 67 / 54

HEX #567627

RGB 86 118 39

HSL 84.3, 0.5%, 0.31%

LAB 45.75, -24.85, 38.52

 

CMYK 28 / 0 / 66 / 42

HEX #6C9532

RGB 108 149 50

HSL 84.85, 0.5%, 0.39%

LAB 56.99, -30.13, 46.1

 

CMYK 28 / 0 / 67 / 29

HEX #82B43C

RGB 130 180 60

HSL 85, 0.5%, 0.47%

LAB 67.81, -35.25, 53.77

 

CMYK 24 / 0 / 58 / 22

HEX #97C653

RGB 151 198 83

HSL 84.52, 0.5%, 0.55%

LAB 74.57, -33.65, 51.61

 

CMYK 19 / 0 / 45 / 18

HEX #A9D072

RGB 169 208 114

HSL 84.89, 0.5%, 0.63%

LAB 78.9, -28.37, 42.35

 

CMYK 27 / 0 / 67 / 29

HEX #83B43C

RGB 131.1 180.8 60

HSL 84.69, 0.5%, 0.47%

LAB 68.11, -35.2, 54.11

 

CMYK 67 / 0 / 27 / 29

HEX #3CB484

RGB 60 180 132

HSL 156, 0.5%, 0.47%

LAB 65.96, -44.65, 14.95

 

CMYK 0 / 67 / 0 / 29

HEX #B43CB4

RGB 180 60 180

HSL 300, 0.5%, 0.47%

LAB 47.28, 62.61, -39.66

 

CMYK 27 / 0 / 67 / 29

HEX #83B43C

RGB 131.1 180.8 60

HSL 84.69, 0.5%, 0.47%

LAB 68.11, -35.2, 54.11

 

CMYK 67 / 27 / 0 / 29

HEX #3C84B4

RGB 60 132 180

HSL 204, 0.5%, 0.47%

LAB 52.68, -7.06, -31.89

 

CMYK 0 / 67 / 27 / 29

HEX #B43C84

RGB 180 60 132

HSL 324, 0.5%, 0.47%

LAB 45.08, 55.37, -14.4

 

CMYK 27 / 0 / 67 / 29

HEX #83B43C

RGB 131.1 180.8 60

HSL 84.69, 0.5%, 0.47%

LAB 68.11, -35.2, 54.11

 

CMYK 67 / 0 / 27 / 29

HEX #3CB484

RGB 60 180 132

HSL 156, 0.5%, 0.47%

LAB 65.96, -44.65, 14.95

 

CMYK 40 / 67 / 0 / 29

HEX #6C3CB4

RGB 108 60 180

HSL 264, 0.5%, 0.47%

LAB 37.33, 46.44, -56.16

 

CMYK 0 / 67 / 40 / 29

HEX #B43C6C

RGB 180 60 108

HSL 336, 0.5%, 0.47%

LAB 44.26, 52.5, -0.92

 

CMYK 27 / 0 / 67 / 29

HEX #83B43C

RGB 131.1 180.8 60

HSL 84.69, 0.5%, 0.47%

LAB 68.11, -35.2, 54.11

 

CMYK 67 / 0 / 7 / 29

HEX #3CB4A8

RGB 60 180 168

HSL 174, 0.5%, 0.47%

LAB 66.85, -35.67, -3.61

 

CMYK 40 / 67 / 0 / 29

HEX #6C3CB4

RGB 108 60 180

HSL 264, 0.5%, 0.47%

LAB 37.33, 46.44, -56.16

 

CMYK 0 / 67 / 60 / 29

HEX #B43C48

RGB 180 60 72

HSL 354, 0.5%, 0.47%

LAB 43.36, 49.28, 20.08

 

Description

Color code: RGB 131.1 180.8 60 | qconv.com Color code: RGB 131.1 180.8 60 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131.1 red, 180.8 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131.1 180.8 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 67 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 67% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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