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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 164.6 114.6 it is the complementary color RGB 125 90.4 140.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 164.6 114.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 164.6 114.6 shade: RGB 135 164.6 109.6, RGB 152 182.6 128.6, RGB 169 200.6 147.6, RGB 186 218.6 166.6 and RGB 203 236.6 185.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 164.6 114.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 164.6 114.6 shade: RGB 130 164.6 114.6, RGB 113 146.6 95.6, RGB 96 128.6 76.6, RGB 79 110.6 57.6 and RGB 62 92.6 38.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 164.6 114.6 shade: RGB 131 165 115, RGB 144 165 115, RGB 158 165 115, RGB 165 160 115 and RGB 165 146 115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 164.6 114.6 shade: RGB 131 165 115, RGB 117 165 115, RGB 115 165 127, RGB 115 165 140 and RGB 115 165 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 164.6 114.6 shade matches the following richer shades: RGB 131 165 115, RGB 123 184 96, RGB 116 203 78, RGB 109 221 59 and RGB 102 240 41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 164.6 114.6 shade: RGB 131 165 115, RGB 138 147 134, RGB 145 128 152, RGB 152 110 171 and RGB 159 91 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 164.6 114.6 shade: RGB 158 165 115, RGB 144 165 115, RGB 131 165 115, RGB 118 165 115 and RGB 115 165 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 164.6 114.6 shade: RGB 91 121 77, RGB 110 146 93, RGB 131 165 115, RGB 153 182 140 and RGB 175 198 165

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 164.6 114.6 shade: RGB 130 164.6 114.6, RGB 115 165 160 and RGB 165 115 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 164.6 114.6 shade: RGB 130 164.6 114.6, RGB 115 131 165 and RGB 165 115 131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 164.6 114.6 shade: RGB 130 164.6 114.6, RGB 115 165 160, RGB 150 115 165 and RGB 165 115 121

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 164.6 114.6 shade: RGB 130 164.6 114.6, RGB 115 156 165, RGB 150 115 165 and RGB 165 124 115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 30 / 35

HEX #82A472

RGB 130 164.6 114.6

HSL 101.52, 0.22%, 0.55%

LAB 63.95, -21.46, 22.17

 

Complementary color

CMYK 11 / 36 / 0 / 45

HEX #7D5A8C

RGB 125 90.4 140.4

HSL 281.52, 0.22%, 0.45%

LAB 43.72, 23.81, -22.23

 

CMYK 18 / 0 / 33 / 35

HEX #87A46D

RGB 135 164.6 109.6

HSL 92.29, 0.23%, 0.54%

LAB 64.19, -20.37, 25.26

 

CMYK 17 / 0 / 30 / 28

HEX #98B680

RGB 152 182.6 128.6

HSL 94, 0.27%, 0.61%

LAB 70.84, -20.29, 24.15

 

CMYK 16 / 0 / 26 / 21

HEX #A9C893

RGB 169 200.6 147.6

HSL 95.77, 0.33%, 0.68%

LAB 77.37, -20.2, 23.1

 

CMYK 15 / 0 / 24 / 14

HEX #BADAA6

RGB 186 218.6 166.6

HSL 97.62, 0.42%, 0.76%

LAB 83.79, -20.12, 22.1

 

CMYK 14 / 0 / 22 / 7

HEX #CBECB9

RGB 203 236.6 185.6

HSL 99.53, 0.58%, 0.83%

LAB 90.12, -20.04, 21.16

 

CMYK 21 / 0 / 30 / 35

HEX #82A472

RGB 130 164.6 114.6

HSL 101.52, 0.22%, 0.55%

LAB 63.95, -21.46, 22.17

 

CMYK 23 / 0 / 35 / 43

HEX #71925F

RGB 113 146.6 95.6

HSL 99.53, 0.21%, 0.47%

LAB 57.16, -21.61, 23.32

 

CMYK 25 / 0 / 40 / 50

HEX #60804C

RGB 96 128.6 76.6

HSL 97.62, 0.25%, 0.4%

LAB 50.23, -21.75, 24.55

 

CMYK 29 / 0 / 48 / 57

HEX #4F6E39

RGB 79 110.6 57.6

HSL 95.77, 0.32%, 0.33%

LAB 43.13, -21.87, 25.84

 

CMYK 33 / 0 / 58 / 64

HEX #3E5C26

RGB 62 92.6 38.6

HSL 94, 0.41%, 0.26%

LAB 35.84, -21.91, 27.16

 

CMYK 21 / 0 / 30 / 35

HEX #83A573

RGB 131 165 115

HSL 100.8, 0.22%, 0.55%

LAB 64.14, -21.23, 22.22

RGB 131 165 115

CMYK 13 / 0 / 30 / 35

HEX #90A573

RGB 144 165 115

HSL 85.2, 0.22%, 0.55%

LAB 65.02, -16.35, 23.56

RGB 144 165 115

CMYK 4 / 0 / 30 / 35

HEX #9EA573

RGB 158 165 115

HSL 68.4, 0.22%, 0.55%

LAB 66.07, -10.89, 25.15

RGB 158 165 115

CMYK 0 / 3 / 30 / 35

HEX #A5A073

RGB 165 160 115

HSL 54, 0.22%, 0.55%

LAB 65.26, -5.42, 24.17

RGB 165 160 115

CMYK 0 / 12 / 30 / 35

HEX #A59273

RGB 165 146 115

HSL 37.2, 0.22%, 0.55%

LAB 61.48, 2.23, 19.05

RGB 165 146 115

CMYK 21 / 0 / 30 / 35

HEX #83A573

RGB 131 165 115

HSL 100.8, 0.22%, 0.55%

LAB 64.14, -21.23, 22.22

RGB 131 165 115

CMYK 29 / 0 / 30 / 35

HEX #75A573

RGB 117 165 115

HSL 117.6, 0.22%, 0.55%

LAB 63.28, -26.22, 20.92

RGB 117 165 115

CMYK 30 / 0 / 23 / 35

HEX #73A57F

RGB 115 165 127

HSL 134.4, 0.22%, 0.55%

LAB 63.42, -24.72, 14.47

RGB 115 165 127

CMYK 30 / 0 / 15 / 35

HEX #73A58C

RGB 115 165 140

HSL 150, 0.22%, 0.55%

LAB 63.71, -22.12, 7.67

RGB 115 165 140

CMYK 30 / 0 / 7 / 35

HEX #73A59A

RGB 115 165 154

HSL 166.8, 0.22%, 0.55%

LAB 64.07, -19.07, 0.36

RGB 115 165 154

CMYK 21 / 0 / 30 / 35

HEX #83A573

RGB 131 165 115

HSL 100.8, 0.22%, 0.55%

LAB 64.14, -21.23, 22.22

RGB 131 165 115

CMYK 33 / 0 / 48 / 28

HEX #7BB860

RGB 123 184 96

HSL 101.59, 0.38%, 0.55%

LAB 68.99, -35.97, 38.4

RGB 123 184 96

CMYK 43 / 0 / 62 / 20

HEX #74CB4E

RGB 116 203 78

HSL 101.76, 0.55%, 0.55%

LAB 74.17, -48.5, 52.88

RGB 116 203 78

CMYK 51 / 0 / 73 / 13

HEX #6DDD3B

RGB 109 221 59

HSL 101.48, 0.7%, 0.55%

LAB 79.2, -59.1, 65.48

RGB 109 221 59

CMYK 58 / 0 / 83 / 6

HEX #66F029

RGB 102 240 41

HSL 101.61, 0.87%, 0.55%

LAB 84.64, -68.58, 75.67

RGB 102 240 41

CMYK 21 / 0 / 30 / 35

HEX #83A573

RGB 131 165 115

HSL 100.8, 0.22%, 0.55%

LAB 64.14, -21.23, 22.22

RGB 131 165 115

CMYK 6 / 0 / 9 / 42

HEX #8A9386

RGB 138 147 134

HSL 101.54, 0.06%, 0.55%

LAB 59.88, -5.79, 5.76

RGB 138 147 134

CMYK 5 / 16 / 0 / 40

HEX #918098

RGB 145 128 152

HSL 282.5, 0.1%, 0.55%

LAB 55.81, 11.1, -10.48

RGB 145 128 152

CMYK 11 / 36 / 0 / 33

HEX #986EAB

RGB 152 110 171

HSL 281.31, 0.27%, 0.55%

LAB 52.69, 27.96, -26.19

RGB 152 110 171

CMYK 16 / 52 / 0 / 26

HEX #9F5BBD

RGB 159 91 189

HSL 281.63, 0.43%, 0.55%

LAB 50.13, 44.55, -40.58

RGB 159 91 189

CMYK 4 / 0 / 30 / 35

HEX #9EA573

RGB 158 165 115

HSL 68.4, 0.22%, 0.55%

LAB 66.07, -10.89, 25.15

 

CMYK 13 / 0 / 30 / 35

HEX #90A573

RGB 144 165 115

HSL 85.2, 0.22%, 0.55%

LAB 65.02, -16.35, 23.56

 

CMYK 21 / 0 / 30 / 35

HEX #83A573

RGB 131 165 115

HSL 100.8, 0.22%, 0.55%

LAB 64.14, -21.23, 22.22

RGB 131 165 115

CMYK 28 / 0 / 30 / 35

HEX #76A573

RGB 118 165 115

HSL 116.4, 0.22%, 0.55%

LAB 63.34, -25.87, 21.01

RGB 118 165 115

CMYK 30 / 0 / 24 / 35

HEX #73A57E

RGB 115 165 126

HSL 133.2, 0.22%, 0.55%

LAB 63.39, -24.91, 15

RGB 115 165 126

CMYK 25 / 0 / 36 / 53

HEX #5B794D

RGB 91 121 77

HSL 100.91, 0.22%, 0.39%

LAB 47.54, -19.67, 20.74

 

CMYK 25 / 0 / 36 / 43

HEX #6E925D

RGB 110 146 93

HSL 100.75, 0.22%, 0.47%

LAB 56.75, -22.83, 24.16

 

CMYK 21 / 0 / 30 / 35

HEX #83A573

RGB 131 165 115

HSL 100.8, 0.22%, 0.55%

LAB 64.14, -21.23, 22.22

RGB 131 165 115

CMYK 16 / 0 / 23 / 29

HEX #99B68C

RGB 153 182 140

HSL 101.43, 0.22%, 0.63%

LAB 70.95, -17.8, 18.18

RGB 153 182 140

CMYK 12 / 0 / 17 / 22

HEX #AFC6A5

RGB 175 198 165

HSL 101.82, 0.22%, 0.71%

LAB 77.41, -13.91, 13.95

RGB 175 198 165

CMYK 21 / 0 / 30 / 35

HEX #82A472

RGB 130 164.6 114.6

HSL 101.52, 0.22%, 0.55%

LAB 63.95, -21.46, 22.17

 

CMYK 30 / 0 / 3 / 35

HEX #73A5A0

RGB 115 165 160

HSL 174, 0.22%, 0.55%

LAB 64.24, -17.69, -2.76

 

CMYK 0 / 30 / 8 / 35

HEX #A57397

RGB 165 115 151

HSL 316.8, 0.22%, 0.55%

LAB 54.55, 25.54, -11.59

 

CMYK 21 / 0 / 30 / 35

HEX #82A472

RGB 130 164.6 114.6

HSL 101.52, 0.22%, 0.55%

LAB 63.95, -21.46, 22.17

 

CMYK 30 / 21 / 0 / 35

HEX #7383A5

RGB 115 131 165

HSL 220.8, 0.22%, 0.55%

LAB 54.65, 2.36, -19.98

 

CMYK 0 / 30 / 21 / 35

HEX #A57383

RGB 165 115 131

HSL 340.8, 0.22%, 0.55%

LAB 53.92, 22.13, -0.83

 

CMYK 21 / 0 / 30 / 35

HEX #82A472

RGB 130 164.6 114.6

HSL 101.52, 0.22%, 0.55%

LAB 63.95, -21.46, 22.17

 

CMYK 30 / 0 / 3 / 35

HEX #73A5A0

RGB 115 165 160

HSL 174, 0.22%, 0.55%

LAB 64.24, -17.69, -2.76

 

CMYK 9 / 30 / 0 / 35

HEX #9673A5

RGB 150 115 165

HSL 282, 0.22%, 0.55%

LAB 53.45, 23.12, -21.55

 

CMYK 0 / 30 / 27 / 35

HEX #A57379

RGB 165 115 121

HSL 352.8, 0.22%, 0.55%

LAB 53.64, 20.59, 4.63

 

CMYK 21 / 0 / 30 / 35

HEX #82A472

RGB 130 164.6 114.6

HSL 101.52, 0.22%, 0.55%

LAB 63.95, -21.46, 22.17

 

CMYK 30 / 5 / 0 / 35

HEX #739CA5

RGB 115 156 165

HSL 190.8, 0.22%, 0.55%

LAB 61.77, -11.7, -9.22

 

CMYK 9 / 30 / 0 / 35

HEX #9673A5

RGB 150 115 165

HSL 282, 0.22%, 0.55%

LAB 53.45, 23.12, -21.55

 

CMYK 0 / 25 / 30 / 35

HEX #A57C73

RGB 165 124 115

HSL 10.8, 0.22%, 0.55%

LAB 55.74, 14.6, 11.1

 

Description

Color code: RGB 130 164.6 114.6 | qconv.com Color code: RGB 130 164.6 114.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 164.6 green and 114.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 164.6 114.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 30 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 30% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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