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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 12 61 145 it is the complementary color RGB 243 194 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 12 61 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 12 61 145: RGB 17 61 140, RGB 34 79 159, RGB 51 97 178, RGB 68 115 197 and RGB 85 133 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 12 61 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 12 61 145: RGB 12 61 145, RGB 0 43 126, RGB 0 25 107, RGB 0 7 88 and RGB 0 0 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 58 / 0 / 43

HEX #0C3D91

RGB 12 61 145

HSL 217.89, 0.85%, 0.31%

LAB 28.01, 19.21, -50.51

 

Complementary color

CMYK 0 / 20 / 55 / 5

HEX #F3C26E

RGB 243 194 110

HSL 37.89, 0.85%, 0.69%

LAB 81.16, 7.89, 48.44

 

CMYK 88 / 56 / 0 / 45

HEX #113D8C

RGB 17 61 140

HSL 218.54, 0.78%, 0.31%

LAB 27.71, 17.46, -47.91

 

CMYK 79 / 50 / 0 / 38

HEX #224F9F

RGB 34 79 159

HSL 218.4, 0.65%, 0.38%

LAB 34.87, 14.49, -47.86

 

CMYK 71 / 46 / 0 / 30

HEX #3361B2

RGB 51 97 178

HSL 218.27, 0.55%, 0.45%

LAB 41.95, 12.22, -47.73

 

CMYK 65 / 42 / 0 / 23

HEX #4473C5

RGB 68 115 197

HSL 218.14, 0.53%, 0.52%

LAB 48.91, 10.46, -47.58

 

CMYK 61 / 38 / 0 / 15

HEX #5585D8

RGB 85 133 216

HSL 218.02, 0.63%, 0.59%

LAB 55.75, 9.07, -47.45

 

CMYK 92 / 58 / 0 / 43

HEX #0C3D91

RGB 12 61 145

HSL 217.89, 0.85%, 0.31%

LAB 28.01, 19.21, -50.51

 

CMYK 100 / 66 / 0 / 51

HEX #002B7E

RGB 0 43 126

HSL 219.52, 1%, 0.25%

LAB 20.96, 23.3, -50.19

 

CMYK 100 / 77 / 0 / 58

HEX #00196B

RGB 0 25 107

HSL 225.98, 1%, 0.21%

LAB 14.16, 28.06, -49.17

 

CMYK 100 / 92 / 0 / 65

HEX #000758

RGB 0 7 88

HSL 235.23, 1%, 0.17%

LAB 7.74, 31.88, -47.16

 

CMYK 100 / 100 / 0 / 73

HEX #000045

RGB 0 0 69

HSL 240, 1%, 0.14%

LAB 3.88, 26.51, -40.35

 

CMYK 92 / 58 / 0 / 43

HEX #0C3D91

RGB 12 61 145

HSL 217.89, 0.85%, 0.31%

LAB 28.01, 19.21, -50.51

 

CMYK 92 / 73 / 0 / 43

HEX #0B2892

RGB 11 40 146

HSL 227.11, 0.86%, 0.31%

LAB 22.53, 33.95, -60.12

 

CMYK 92 / 88 / 0 / 43

HEX #0B1292

RGB 11 18 146

HSL 236.89, 0.86%, 0.31%

LAB 18.27, 46.17, -67.18

 

CMYK 82 / 92 / 0 / 43

HEX #1B0B92

RGB 27 11 146

HSL 247.11, 0.86%, 0.31%

LAB 18.13, 49.27, -67.39

 

CMYK 66 / 92 / 0 / 43

HEX #310B92

RGB 49 11 146

HSL 256.89, 0.86%, 0.31%

LAB 19.91, 50.45, -64.38

 

CMYK 92 / 58 / 0 / 43

HEX #0C3D91

RGB 12 61 145

HSL 217.89, 0.85%, 0.31%

LAB 28.01, 19.21, -50.51

 

CMYK 92 / 58 / 0 / 23

HEX #1052C4

RGB 16 82 196

HSL 218, 0.85%, 0.42%

LAB 38.08, 25.81, -64.57

 

CMYK 92 / 58 / 0 / 3

HEX #1468F7

RGB 20 104 247

HSL 217.8, 0.93%, 0.52%

LAB 47.96, 31.42, -77.47

 

CMYK 91 / 58 / 0 / 83

HEX #04122B

RGB 4 18 43

HSL 218.46, 0.83%, 0.09%

LAB 5.72, 4.13, -18.4

 

CMYK 91 / 57 / 0 / 63

HEX #08285E

RGB 8 40 94

HSL 217.67, 0.84%, 0.2%

LAB 17.35, 12.1, -35.35

 

CMYK 92 / 58 / 0 / 43

HEX #0C3D91

RGB 12 61 145

HSL 217.89, 0.85%, 0.31%

LAB 28.01, 19.21, -50.51

 

CMYK 17 / 92 / 0 / 43

HEX #790B92

RGB 121 11 146

HSL 288.89, 0.86%, 0.31%

LAB 30.35, 59.1, -46.86

 

CMYK 20 / 0 / 92 / 43

HEX #75920B

RGB 117 146 11

HSL 72.89, 0.86%, 0.31%

LAB 56.45, -26.89, 57.95

 

CMYK 92 / 58 / 0 / 43

HEX #0C3D91

RGB 12 61 145

HSL 217.89, 0.85%, 0.31%

LAB 28.01, 19.21, -50.51

 

CMYK 0 / 92 / 57 / 43

HEX #920B3F

RGB 146 11 63

HSL 336.89, 0.86%, 0.31%

LAB 31.14, 53.59, 8.16

 

CMYK 57 / 0 / 92 / 43

HEX #3F920B

RGB 63 146 11

HSL 96.89, 0.86%, 0.31%

LAB 53.64, -46.66, 54.48

 

CMYK 92 / 58 / 0 / 43

HEX #0C3D91

RGB 12 61 145

HSL 217.89, 0.85%, 0.31%

LAB 28.01, 19.21, -50.51

 

CMYK 17 / 92 / 0 / 43

HEX #790B92

RGB 121 11 146

HSL 288.89, 0.86%, 0.31%

LAB 30.35, 59.1, -46.86

 

CMYK 0 / 36 / 92 / 43

HEX #925E0B

RGB 146 94 11

HSL 36.89, 0.86%, 0.31%

LAB 44.43, 15.11, 49.66

 

CMYK 75 / 0 / 92 / 43

HEX #24920B

RGB 36 146 11

HSL 108.89, 0.86%, 0.31%

LAB 52.9, -52.84, 53.56

 

CMYK 92 / 58 / 0 / 43

HEX #0C3D91

RGB 12 61 145

HSL 217.89, 0.85%, 0.31%

LAB 28.01, 19.21, -50.51

 

CMYK 0 / 92 / 11 / 43

HEX #920B82

RGB 146 11 130

HSL 307.11, 0.86%, 0.31%

LAB 33.9, 60.99, -30.98

 

CMYK 0 / 36 / 92 / 43

HEX #925E0B

RGB 146 94 11

HSL 36.89, 0.86%, 0.31%

LAB 44.43, 15.11, 49.66

 

CMYK 92 / 0 / 82 / 43

HEX #0B921B

RGB 11 146 27

HSL 127.11, 0.86%, 0.31%

LAB 52.63, -55.03, 49.31

 

Description

Color code: RGB 12 61 145 | qconv.com Color code: RGB 12 61 145 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 61 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 61 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 58 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 58% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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