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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 132 48 it is the complementary color RGB 128 123 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 132 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 127 132 48: RGB 132 132 43, RGB 149 150 62, RGB 166 168 81, RGB 183 186 100 and RGB 200 204 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 132 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 127 132 48: RGB 127 132 48, RGB 110 114 29, RGB 93 96 10, RGB 76 78 0 and RGB 59 60 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 64 / 48

HEX #7F8430

RGB 127 132 48

HSL 63.57, 0.47%, 0.35%

LAB 53.2, -13.62, 43.33

 

Complementary color

CMYK 38 / 41 / 0 / 19

HEX #807BCF

RGB 128 123 207

HSL 243.57, 0.47%, 0.65%

LAB 55.34, 22.19, -42.85

 

CMYK 0 / 0 / 67 / 48

HEX #84842B

RGB 132 132 43

HSL 60, 0.51%, 0.34%

LAB 53.58, -11.71, 46.07

 

CMYK 1 / 0 / 59 / 41

HEX #95963E

RGB 149 150 62

HSL 60.68, 0.42%, 0.42%

LAB 60.38, -12.46, 45.24

 

CMYK 1 / 0 / 52 / 34

HEX #A6A851

RGB 166 168 81

HSL 61.38, 0.35%, 0.49%

LAB 67.06, -13.04, 44.15

 

CMYK 2 / 0 / 46 / 27

HEX #B7BA64

RGB 183 186 100

HSL 62.09, 0.38%, 0.56%

LAB 73.61, -13.49, 42.98

 

CMYK 2 / 0 / 42 / 20

HEX #C8CC77

RGB 200 204 119

HSL 62.82, 0.45%, 0.63%

LAB 80.07, -13.86, 41.79

 

CMYK 4 / 0 / 64 / 48

HEX #7F8430

RGB 127 132 48

HSL 63.57, 0.47%, 0.35%

LAB 53.2, -13.62, 43.33

 

CMYK 4 / 0 / 75 / 55

HEX #6E721D

RGB 110 114 29

HSL 62.82, 0.59%, 0.28%

LAB 46.23, -12.81, 43.85

 

CMYK 3 / 0 / 90 / 62

HEX #5D600A

RGB 93 96 10

HSL 62.09, 0.81%, 0.21%

LAB 39.1, -11.7, 43.17

 

CMYK 3 / 0 / 100 / 69

HEX #4C4E00

RGB 76 78 0

HSL 61.54, 1%, 0.15%

LAB 31.77, -10.15, 39.83

 

CMYK 2 / 0 / 100 / 76

HEX #3B3C00

RGB 59 60 0

HSL 61, 1%, 0.12%

LAB 24.2, -8.21, 32.81

 

CMYK 4 / 0 / 64 / 48

HEX #7F8430

RGB 127 132 48

HSL 63.57, 0.47%, 0.35%

LAB 53.2, -13.62, 43.33

 

CMYK 14 / 0 / 64 / 49

HEX #71832F

RGB 113 131 47

HSL 72.86, 0.47%, 0.35%

LAB 51.78, -19.34, 41.93

 

CMYK 24 / 0 / 64 / 49

HEX #63832F

RGB 99 131 47

HSL 82.86, 0.47%, 0.35%

LAB 50.79, -25.26, 40.57

 

CMYK 35 / 0 / 64 / 49

HEX #55832F

RGB 85 131 47

HSL 92.86, 0.47%, 0.35%

LAB 49.94, -30.8, 39.39

 

CMYK 46 / 0 / 64 / 49

HEX #47832F

RGB 71 131 47

HSL 102.86, 0.47%, 0.35%

LAB 49.23, -35.81, 38.4

 

CMYK 4 / 0 / 64 / 48

HEX #7F8430

RGB 127 132 48

HSL 63.57, 0.47%, 0.35%

LAB 53.2, -13.62, 43.33

 

CMYK 4 / 0 / 63 / 28

HEX #B0B743

RGB 176 183 67

HSL 63.62, 0.46%, 0.49%

LAB 71.89, -17.59, 56.14

 

CMYK 4 / 0 / 64 / 8

HEX #E1EA55

RGB 225 234 85

HSL 63.62, 0.78%, 0.63%

LAB 89.63, -21.41, 68.63

 

CMYK 3 / 0 / 63 / 88

HEX #1D1E0B

RGB 29 30 11

HSL 63.16, 0.46%, 0.08%

LAB 10.66, -4.22, 11.28

 

CMYK 4 / 0 / 64 / 68

HEX #4E511D

RGB 78 81 29

HSL 63.46, 0.47%, 0.22%

LAB 33.12, -9.31, 29.44

 

CMYK 4 / 0 / 64 / 48

HEX #7F8430

RGB 127 132 48

HSL 63.57, 0.47%, 0.35%

LAB 53.2, -13.62, 43.33

 

CMYK 64 / 0 / 48 / 49

HEX #2F8344

RGB 47 131 68

HSL 135, 0.47%, 0.35%

LAB 48.58, -39.73, 26.7

 

CMYK 23 / 64 / 0 / 49

HEX #652F83

RGB 101 47 131

HSL 278.57, 0.47%, 0.35%

LAB 30.49, 39.36, -37.49

 

CMYK 4 / 0 / 64 / 48

HEX #7F8430

RGB 127 132 48

HSL 63.57, 0.47%, 0.35%

LAB 53.2, -13.62, 43.33

 

CMYK 64 / 3 / 0 / 49

HEX #2F7F83

RGB 47 127 131

HSL 182.86, 0.47%, 0.35%

LAB 48.79, -22.58, -9.38

 

CMYK 0 / 64 / 3 / 49

HEX #832F7F

RGB 131 47 127

HSL 302.86, 0.47%, 0.35%

LAB 34.78, 46.46, -27.9

 

CMYK 4 / 0 / 64 / 48

HEX #7F8430

RGB 127 132 48

HSL 63.57, 0.47%, 0.35%

LAB 53.2, -13.62, 43.33

 

CMYK 64 / 0 / 48 / 49

HEX #2F8344

RGB 47 131 68

HSL 135, 0.47%, 0.35%

LAB 48.58, -39.73, 26.7

 

CMYK 61 / 64 / 0 / 49

HEX #332F83

RGB 51 47 131

HSL 242.86, 0.47%, 0.35%

LAB 24.88, 28.05, -46.84

 

CMYK 0 / 64 / 16 / 49

HEX #832F6E

RGB 131 47 110

HSL 315, 0.47%, 0.35%

LAB 33.95, 43.57, -18.53

 

CMYK 4 / 0 / 64 / 48

HEX #7F8430

RGB 127 132 48

HSL 63.57, 0.47%, 0.35%

LAB 53.2, -13.62, 43.33

 

CMYK 64 / 0 / 29 / 49

HEX #2F835D

RGB 47 131 93

HSL 152.86, 0.47%, 0.35%

LAB 49.04, -34.75, 13.24

 

CMYK 61 / 64 / 0 / 49

HEX #332F83

RGB 51 47 131

HSL 242.86, 0.47%, 0.35%

LAB 24.88, 28.05, -46.84

 

CMYK 0 / 64 / 35 / 49

HEX #832F55

RGB 131 47 85

HSL 332.86, 0.47%, 0.35%

LAB 32.95, 39.95, -4.03

 

Description

Color code: RGB 127 132 48 | qconv.com Color code: RGB 127 132 48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 132 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 132 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 64 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 64% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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