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Color name
RGB 127.9 110.2 15

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127.9 110.2 15 it is the complementary color RGB 127.1 144.8 240. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127.9 110.2 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127.9 110.2 15 shade: RGB 132.9 110.2 10, RGB 149.9 128.2 29, RGB 166.9 146.2 48, RGB 183.9 164.2 67 and RGB 200.9 182.2 86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127.9 110.2 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127.9 110.2 15 shade: RGB 127.9 110.2 15, RGB 110.9 92.2 0, RGB 93.9 74.2 0, RGB 76.9 56.2 0 and RGB 59.9 38.2 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127.9 110.2 15 shade: RGB 128 110 15, RGB 128 80 15, RGB 128 49 15, RGB 128 19 15 and RGB 128 15 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127.9 110.2 15 shade: RGB 128 110 15, RGB 115 128 15, RGB 85 128 15, RGB 54 128 15 and RGB 24 128 15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127.9 110.2 15 shade matches the following richer shades: RGB 128 110 15 and RGB 139 118 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127.9 110.2 15 shade: RGB 128 110 15, RGB 116 102 27, RGB 105 94 38, RGB 93 86 50 and RGB 82 78 61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127.9 110.2 15 shade: RGB 128 49 15, RGB 128 79 15, RGB 128 109 15, RGB 117 128 15 and RGB 86 128 15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127.9 110.2 15 shade: RGB 54 46 6, RGB 91 78 11, RGB 128 110 15, RGB 165 142 19 and RGB 202 174 24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127.9 110.2 15 shade: RGB 127.9 110.2 15, RGB 15 128 19 and RGB 64 15 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127.9 110.2 15 shade: RGB 127.9 110.2 15, RGB 15 128 109 and RGB 109 15 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127.9 110.2 15 shade: RGB 127.9 110.2 15, RGB 15 128 19, RGB 15 34 128 and RGB 128 15 124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127.9 110.2 15 shade: RGB 127.9 110.2 15, RGB 15 128 53, RGB 15 34 128 and RGB 128 15 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 88 / 50

HEX #7F6E0F

RGB 127.9 110.2 15

HSL 50.59, 0.79%, 0.28%

LAB 46.73, -2.77, 49.57

 

Complementary color

CMYK 47 / 40 / 0 / 6

HEX #7F90F0

RGB 127.1 144.8 240

HSL 230.59, 0.79%, 0.72%

LAB 62.51, 18.58, -49.94

 

CMYK 0 / 17 / 92 / 48

HEX #846E0A

RGB 132.9 110.2 10

HSL 48.92, 0.86%, 0.28%

LAB 47.23, -0.5, 51.38

 

CMYK 0 / 14 / 81 / 41

HEX #95801D

RGB 149.9 128.2 29

HSL 49.23, 0.68%, 0.35%

LAB 54.08, -2.11, 52.53

 

CMYK 0 / 12 / 71 / 35

HEX #A69230

RGB 166.9 146.2 48

HSL 49.55, 0.55%, 0.42%

LAB 60.81, -3.4, 52.35

 

CMYK 0 / 11 / 64 / 28

HEX #B7A443

RGB 183.9 164.2 67

HSL 49.89, 0.47%, 0.49%

LAB 67.43, -4.45, 51.56

 

CMYK 0 / 9 / 57 / 21

HEX #C8B656

RGB 200.9 182.2 86

HSL 50.23, 0.52%, 0.56%

LAB 73.94, -5.31, 50.51

 

CMYK 0 / 14 / 88 / 50

HEX #7F6E0F

RGB 127.9 110.2 15

HSL 50.59, 0.79%, 0.28%

LAB 46.73, -2.77, 49.57

 

CMYK 0 / 17 / 100 / 57

HEX #6E5C00

RGB 110.9 92.2 0

HSL 49.88, 1%, 0.22%

LAB 39.68, -0.97, 47.15

 

CMYK 0 / 21 / 100 / 63

HEX #5D4A00

RGB 93.9 74.2 0

HSL 47.41, 1%, 0.18%

LAB 32.48, 1.31, 41.2

 

CMYK 0 / 27 / 100 / 70

HEX #4C3800

RGB 76.9 56.2 0

HSL 43.85, 1%, 0.15%

LAB 25.02, 3.76, 34.3

 

CMYK 0 / 36 / 100 / 77

HEX #3B2600

RGB 59.9 38.2 0

HSL 38.26, 1%, 0.12%

LAB 17.26, 6.47, 25.18

 

CMYK 0 / 14 / 88 / 50

HEX #806E0F

RGB 128 110 15

HSL 50.44, 0.79%, 0.28%

LAB 46.68, -2.61, 49.53

 

CMYK 0 / 38 / 88 / 50

HEX #80500F

RGB 128 80 15

HSL 34.51, 0.79%, 0.28%

LAB 38.48, 14.99, 42.73

 

CMYK 0 / 62 / 88 / 50

HEX #80310F

RGB 128 49 15

HSL 18.05, 0.79%, 0.28%

LAB 31.39, 32.44, 36.76

 

CMYK 0 / 85 / 88 / 50

HEX #80130F

RGB 128 19 15

HSL 2.12, 0.79%, 0.28%

LAB 26.99, 44.46, 32.97

 

CMYK 0 / 88 / 88 / 50

HEX #800F0F

RGB 128 15 15

HSL 0, 0.79%, 0.28%

LAB 26.64, 45.46, 32.66

 

CMYK 0 / 14 / 88 / 50

HEX #806E0F

RGB 128 110 15

HSL 50.44, 0.79%, 0.28%

LAB 46.68, -2.61, 49.53

 

CMYK 10 / 0 / 88 / 50

HEX #73800F

RGB 115 128 15

HSL 66.9, 0.79%, 0.28%

LAB 50.82, -18.58, 52.5

 

CMYK 34 / 0 / 88 / 50

HEX #55800F

RGB 85 128 15

HSL 82.83, 0.79%, 0.28%

LAB 48.77, -31.49, 49.93

 

CMYK 58 / 0 / 88 / 50

HEX #36800F

RGB 54 128 15

HSL 99.29, 0.79%, 0.28%

LAB 47.31, -42.27, 48.1

 

CMYK 81 / 0 / 88 / 50

HEX #18800F

RGB 24 128 15

HSL 115.22, 0.79%, 0.28%

LAB 46.53, -48.77, 47.11

 

CMYK 0 / 14 / 88 / 50

HEX #806E0F

RGB 128 110 15

HSL 50.44, 0.79%, 0.28%

LAB 46.68, -2.61, 49.53

 

CMYK 0 / 15 / 98 / 45

HEX #8B7603

RGB 139 118 3

HSL 50.74, 0.96%, 0.28%

LAB 50.04, -2.16, 55.22

 

CMYK 0 / 14 / 88 / 50

HEX #806E0F

RGB 128 110 15

HSL 50.44, 0.79%, 0.28%

LAB 46.68, -2.61, 49.53

 

CMYK 0 / 12 / 77 / 55

HEX #74661B

RGB 116 102 27

HSL 50.56, 0.62%, 0.28%

LAB 43.2, -3.31, 41.92

 

CMYK 0 / 10 / 64 / 59

HEX #695E26

RGB 105 94 38

HSL 50.15, 0.47%, 0.28%

LAB 39.83, -3.21, 32.98

 

CMYK 0 / 8 / 46 / 64

HEX #5D5632

RGB 93 86 50

HSL 50.23, 0.3%, 0.28%

LAB 36.39, -2.95, 21.95

 

CMYK 0 / 5 / 26 / 68

HEX #524E3D

RGB 82 78 61

HSL 48.57, 0.15%, 0.28%

LAB 33.09, -1.56, 10.68

 

CMYK 0 / 62 / 88 / 50

HEX #80310F

RGB 128 49 15

HSL 18.05, 0.79%, 0.28%

LAB 31.39, 32.44, 36.76

 

CMYK 0 / 38 / 88 / 50

HEX #804F0F

RGB 128 79 15

HSL 33.98, 0.79%, 0.28%

LAB 38.23, 15.58, 42.52

 

CMYK 0 / 15 / 88 / 50

HEX #806D0F

RGB 128 109 15

HSL 49.91, 0.79%, 0.28%

LAB 46.39, -2.04, 49.3

 

CMYK 9 / 0 / 88 / 50

HEX #75800F

RGB 117 128 15

HSL 65.84, 0.79%, 0.28%

LAB 50.98, -17.68, 52.69

 

CMYK 33 / 0 / 88 / 50

HEX #56800F

RGB 86 128 15

HSL 82.3, 0.79%, 0.28%

LAB 48.82, -31.09, 50

 

CMYK 0 / 15 / 89 / 79

HEX #362E06

RGB 54 46 6

HSL 50, 0.8%, 0.12%

LAB 19.02, -1.63, 24.64

 

CMYK 0 / 14 / 88 / 64

HEX #5B4E0B

RGB 91 78 11

HSL 50.25, 0.78%, 0.2%

LAB 33.34, -2.12, 37.91

 

CMYK 0 / 14 / 88 / 50

HEX #806E0F

RGB 128 110 15

HSL 50.44, 0.79%, 0.28%

LAB 46.68, -2.61, 49.53

 

CMYK 0 / 14 / 88 / 35

HEX #A58E13

RGB 165 142 19

HSL 50.55, 0.79%, 0.36%

LAB 59.34, -3.06, 60.39

 

CMYK 0 / 14 / 88 / 21

HEX #CAAE18

RGB 202 174 24

HSL 50.56, 0.79%, 0.44%

LAB 71.48, -3.46, 70.51

 

CMYK 0 / 14 / 88 / 50

HEX #7F6E0F

RGB 127.9 110.2 15

HSL 50.59, 0.79%, 0.28%

LAB 46.73, -2.77, 49.57

 

CMYK 88 / 0 / 85 / 50

HEX #0F8013

RGB 15 128 19

HSL 122.12, 0.79%, 0.28%

LAB 46.43, -49.66, 45.91

 

CMYK 50 / 88 / 0 / 50

HEX #400F80

RGB 64 15 128

HSL 266.02, 0.79%, 0.28%

LAB 20, 45.88, -52.87

 

CMYK 0 / 14 / 88 / 50

HEX #7F6E0F

RGB 127.9 110.2 15

HSL 50.59, 0.79%, 0.28%

LAB 46.73, -2.77, 49.57

 

CMYK 88 / 0 / 15 / 50

HEX #0F806D

RGB 15 128 109

HSL 169.91, 0.79%, 0.28%

LAB 47.81, -33.79, 2.07

 

CMYK 15 / 88 / 0 / 50

HEX #6D0F80

RGB 109 15 128

HSL 289.91, 0.79%, 0.28%

LAB 27.16, 52.91, -40.9

 

CMYK 0 / 14 / 88 / 50

HEX #7F6E0F

RGB 127.9 110.2 15

HSL 50.59, 0.79%, 0.28%

LAB 46.73, -2.77, 49.57

 

CMYK 88 / 0 / 85 / 50

HEX #0F8013

RGB 15 128 19

HSL 122.12, 0.79%, 0.28%

LAB 46.43, -49.66, 45.91

 

CMYK 88 / 73 / 0 / 50

HEX #0F2280

RGB 15 34 128

HSL 229.91, 0.79%, 0.28%

LAB 19.24, 31.17, -54.27

 

CMYK 0 / 88 / 3 / 50

HEX #800F7C

RGB 128 15 124

HSL 302.12, 0.79%, 0.28%

LAB 30.37, 55.84, -33.04

 

CMYK 0 / 14 / 88 / 50

HEX #7F6E0F

RGB 127.9 110.2 15

HSL 50.59, 0.79%, 0.28%

LAB 46.73, -2.77, 49.57

 

CMYK 88 / 0 / 59 / 50

HEX #0F8035

RGB 15 128 53

HSL 140.18, 0.79%, 0.28%

LAB 46.71, -46.18, 32.15

 

CMYK 88 / 73 / 0 / 50

HEX #0F2280

RGB 15 34 128

HSL 229.91, 0.79%, 0.28%

LAB 19.24, 31.17, -54.27

 

CMYK 0 / 88 / 30 / 50

HEX #800F5A

RGB 128 15 90

HSL 320.18, 0.79%, 0.28%

LAB 28.56, 50.98, -13.98

 

Description

Color code: RGB 127.9 110.2 15 | qconv.com Color code: RGB 127.9 110.2 15 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127.9 red, 110.2 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127.9 110.2 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 88 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 88% 50% C M Y K

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Provide designers and agencies with accurate color values.

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