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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 126.7 92.6 105 it is the complementary color RGB 128.3 162.4 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 126.7 92.6 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 126.7 92.6 105 shade: RGB 131.7 92.6 100, RGB 148.7 110.6 119, RGB 165.7 128.6 138, RGB 182.7 146.6 157 and RGB 199.7 164.6 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 126.7 92.6 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 126.7 92.6 105 shade: RGB 126.7 92.6 105, RGB 109.7 74.6 86, RGB 92.7 56.6 67, RGB 75.7 38.6 48 and RGB 58.7 20.6 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 126.7 92.6 105 shade: RGB 127 92 105, RGB 127 92 95 and RGB 127 92 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 126.7 92.6 105 shade: RGB 127 92 105, RGB 127 92 114, RGB 127 92 124, RGB 121 92 127 and RGB 112 92 127

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 126.7 92.6 105 shade matches the following richer shades: RGB 127 92 105, RGB 145 74 100, RGB 163 57 95, RGB 180 39 90 and RGB 198 21 86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 126.7 92.6 105 shade: RGB 127 92 105, RGB 109 110 110, RGB 92 128 115, RGB 74 145 119 and RGB 56 163 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 126.7 92.6 105 shade: RGB 127 92 124, RGB 127 92 114, RGB 127 92 105, RGB 127 92 96 and RGB 127 98 92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 126.7 92.6 105 shade: RGB 79 57 65, RGB 103 75 85, RGB 127 92 105, RGB 150 110 125 and RGB 168 134 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 126.7 92.6 105 shade: RGB 126.7 92.6 105, RGB 127 121 92 and RGB 92 119 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 126.7 92.6 105 shade: RGB 126.7 92.6 105, RGB 105 127 92 and RGB 92 105 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 126.7 92.6 105 shade: RGB 126.7 92.6 105, RGB 127 121 92, RGB 92 127 114 and RGB 92 98 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 126.7 92.6 105 shade: RGB 126.7 92.6 105, RGB 123 127 92, RGB 92 127 114 and RGB 97 92 127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 17 / 50

HEX #7E5C69

RGB 126.7 92.6 105

HSL 338.18, 0.16%, 0.43%

LAB 43.16, 16, -1.58

 

Complementary color

CMYK 21 / 0 / 8 / 36

HEX #80A296

RGB 128.3 162.4 150

HSL 158.18, 0.16%, 0.57%

LAB 64, -14.34, 2.59

 

CMYK 0 / 30 / 24 / 48

HEX #835C64

RGB 131.7 92.6 100

HSL 348.64, 0.17%, 0.44%

LAB 43.6, 17.16, 2.17

 

CMYK 0 / 26 / 20 / 42

HEX #946E77

RGB 148.7 110.6 119

HSL 346.77, 0.15%, 0.51%

LAB 50.66, 16.43, 1.25

 

CMYK 0 / 22 / 17 / 35

HEX #A5808A

RGB 165.7 128.6 138

HSL 344.8, 0.17%, 0.58%

LAB 57.56, 15.8, 0.43

 

CMYK 0 / 20 / 14 / 28

HEX #B6929D

RGB 182.7 146.6 157

HSL 342.71, 0.2%, 0.65%

LAB 64.33, 15.23, -0.33

 

CMYK 0 / 18 / 12 / 22

HEX #C7A4B0

RGB 199.7 164.6 176

HSL 340.51, 0.24%, 0.71%

LAB 70.97, 14.72, -1.03

 

CMYK 0 / 27 / 17 / 50

HEX #7E5C69

RGB 126.7 92.6 105

HSL 338.18, 0.16%, 0.43%

LAB 43.16, 16, -1.58

 

CMYK 0 / 32 / 22 / 57

HEX #6D4A56

RGB 109.7 74.6 86

HSL 340.51, 0.19%, 0.36%

LAB 35.88, 16.76, -0.71

 

CMYK 0 / 39 / 28 / 64

HEX #5C3843

RGB 92.7 56.6 67

HSL 342.71, 0.24%, 0.29%

LAB 28.39, 17.65, 0.32

 

CMYK 0 / 49 / 37 / 70

HEX #4B2630

RGB 75.7 38.6 48

HSL 344.8, 0.32%, 0.22%

LAB 20.68, 18.69, 1.62

 

CMYK 0 / 65 / 51 / 77

HEX #3A141D

RGB 58.7 20.6 29

HSL 346.77, 0.48%, 0.16%

LAB 12.8, 19.8, 3.51

 

CMYK 0 / 28 / 17 / 50

HEX #7F5C69

RGB 127 92 105

HSL 337.71, 0.16%, 0.43%

LAB 43.04, 16.48, -1.75

 

CMYK 0 / 28 / 25 / 50

HEX #7F5C5F

RGB 127 92 95

HSL 354.86, 0.16%, 0.43%

LAB 42.75, 14.81, 3.93

 

CMYK 0 / 28 / 28 / 50

HEX #7F5C5C

RGB 127 92 92

HSL 0, 0.16%, 0.43%

LAB 42.67, 14.34, 5.65

 

CMYK 0 / 28 / 17 / 50

HEX #7F5C69

RGB 127 92 105

HSL 337.71, 0.16%, 0.43%

LAB 43.04, 16.48, -1.75

 

CMYK 0 / 28 / 10 / 50

HEX #7F5C72

RGB 127 92 114

HSL 322.29, 0.16%, 0.43%

LAB 43.33, 18.11, -6.81

 

CMYK 0 / 28 / 2 / 50

HEX #7F5C7C

RGB 127 92 124

HSL 305.14, 0.16%, 0.43%

LAB 43.69, 20.06, -12.36

 

CMYK 5 / 28 / 0 / 50

HEX #795C7F

RGB 121 92 127

HSL 289.71, 0.16%, 0.43%

LAB 43.14, 18.51, -15.07

 

CMYK 12 / 28 / 0 / 50

HEX #705C7F

RGB 112 92 127

HSL 274.29, 0.16%, 0.43%

LAB 42.2, 15.31, -16.58

 

CMYK 0 / 28 / 17 / 50

HEX #7F5C69

RGB 127 92 105

HSL 337.71, 0.16%, 0.43%

LAB 43.04, 16.48, -1.75

 

CMYK 0 / 49 / 31 / 43

HEX #914A64

RGB 145 74 100

HSL 338.03, 0.32%, 0.43%

LAB 40.96, 33, -1.47

 

CMYK 0 / 65 / 42 / 36

HEX #A3395F

RGB 163 57 95

HSL 338.49, 0.48%, 0.43%

LAB 40.47, 47.04, 1.29

 

CMYK 0 / 78 / 50 / 29

HEX #B4275A

RGB 180 39 90

HSL 338.3, 0.64%, 0.43%

LAB 41.04, 58.26, 5.66

 

CMYK 0 / 89 / 57 / 22

HEX #C61556

RGB 198 21 86

HSL 337.97, 0.81%, 0.43%

LAB 43.08, 66.69, 11.56

 

CMYK 0 / 28 / 17 / 50

HEX #7F5C69

RGB 127 92 105

HSL 337.71, 0.16%, 0.43%

LAB 43.04, 16.48, -1.75

 

CMYK 1 / 0 / 0 / 57

HEX #6D6E6E

RGB 109 110 110

HSL 180, 0%, 0.43%

LAB 46.35, -0.38, -0.14

 

CMYK 28 / 0 / 10 / 50

HEX #5C8073

RGB 92 128 115

HSL 158.33, 0.16%, 0.43%

LAB 50.63, -15.64, 2.97

 

CMYK 49 / 0 / 18 / 43

HEX #4A9177

RGB 74 145 119

HSL 158.03, 0.32%, 0.43%

LAB 55.11, -28.84, 6.98

 

CMYK 66 / 0 / 24 / 36

HEX #38A37C

RGB 56 163 124

HSL 158.13, 0.49%, 0.43%

LAB 60.33, -39.94, 11.46

 

CMYK 0 / 28 / 2 / 50

HEX #7F5C7C

RGB 127 92 124

HSL 305.14, 0.16%, 0.43%

LAB 43.69, 20.06, -12.36

 

CMYK 0 / 28 / 10 / 50

HEX #7F5C72

RGB 127 92 114

HSL 322.29, 0.16%, 0.43%

LAB 43.33, 18.11, -6.81

 

CMYK 0 / 28 / 17 / 50

HEX #7F5C69

RGB 127 92 105

HSL 337.71, 0.16%, 0.43%

LAB 43.04, 16.48, -1.75

 

CMYK 0 / 28 / 24 / 50

HEX #7F5C60

RGB 127 92 96

HSL 353.14, 0.16%, 0.43%

LAB 42.78, 14.97, 3.36

 

CMYK 0 / 23 / 28 / 50

HEX #7F625C

RGB 127 98 92

HSL 10.29, 0.16%, 0.43%

LAB 44.26, 10.76, 7.91

 

CMYK 0 / 28 / 18 / 69

HEX #4F3941

RGB 79 57 65

HSL 338.18, 0.16%, 0.27%

LAB 26.65, 11.21, -1.12

 

CMYK 0 / 27 / 17 / 60

HEX #674B55

RGB 103 75 85

HSL 338.57, 0.16%, 0.35%

LAB 35.15, 13.6, -1.25

 

CMYK 0 / 28 / 17 / 50

HEX #7F5C69

RGB 127 92 105

HSL 337.71, 0.16%, 0.43%

LAB 43.04, 16.48, -1.75

 

CMYK 0 / 27 / 17 / 41

HEX #966E7D

RGB 150 110 125

HSL 337.5, 0.16%, 0.51%

LAB 50.82, 18.29, -2.04

 

CMYK 0 / 20 / 13 / 34

HEX #A88692

RGB 168 134 146

HSL 338.82, 0.16%, 0.59%

LAB 59.39, 14.96, -1.48

 

CMYK 0 / 27 / 17 / 50

HEX #7E5C69

RGB 126.7 92.6 105

HSL 338.18, 0.16%, 0.43%

LAB 43.16, 16, -1.58

 

CMYK 0 / 5 / 28 / 50

HEX #7F795C

RGB 127 121 92

HSL 49.71, 0.16%, 0.43%

LAB 50.64, -2.68, 16.77

 

CMYK 28 / 6 / 0 / 50

HEX #5C777F

RGB 92 119 127

HSL 193.71, 0.16%, 0.43%

LAB 48.26, -7.75, -7.58

 

CMYK 0 / 27 / 17 / 50

HEX #7E5C69

RGB 126.7 92.6 105

HSL 338.18, 0.16%, 0.43%

LAB 43.16, 16, -1.58

 

CMYK 17 / 0 / 28 / 50

HEX #697F5C

RGB 105 127 92

HSL 97.71, 0.16%, 0.43%

LAB 50.63, -14.95, 16.47

 

CMYK 28 / 17 / 0 / 50

HEX #5C697F

RGB 92 105 127

HSL 217.71, 0.16%, 0.43%

LAB 44.1, 0.48, -13.84

 

CMYK 0 / 27 / 17 / 50

HEX #7E5C69

RGB 126.7 92.6 105

HSL 338.18, 0.16%, 0.43%

LAB 43.16, 16, -1.58

 

CMYK 0 / 5 / 28 / 50

HEX #7F795C

RGB 127 121 92

HSL 49.71, 0.16%, 0.43%

LAB 50.64, -2.68, 16.77

 

CMYK 28 / 0 / 10 / 50

HEX #5C7F72

RGB 92 127 114

HSL 157.71, 0.16%, 0.43%

LAB 50.3, -15.32, 3.08

 

CMYK 28 / 23 / 0 / 50

HEX #5C627F

RGB 92 98 127

HSL 229.71, 0.16%, 0.43%

LAB 42.07, 4.74, -16.95

 

CMYK 0 / 27 / 17 / 50

HEX #7E5C69

RGB 126.7 92.6 105

HSL 338.18, 0.16%, 0.43%

LAB 43.16, 16, -1.58

 

CMYK 3 / 0 / 28 / 50

HEX #7B7F5C

RGB 123 127 92

HSL 66.86, 0.16%, 0.43%

LAB 52.02, -7.72, 18.58

 

CMYK 28 / 0 / 10 / 50

HEX #5C7F72

RGB 92 127 114

HSL 157.71, 0.16%, 0.43%

LAB 50.3, -15.32, 3.08

 

CMYK 24 / 28 / 0 / 50

HEX #615C7F

RGB 97 92 127

HSL 248.57, 0.16%, 0.43%

LAB 40.78, 10.12, -18.89

 

Description

Color code: RGB 126.7 92.6 105 | qconv.com Color code: RGB 126.7 92.6 105 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126.7 red, 92.6 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126.7 92.6 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 17 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 17% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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