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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 88 71 it is the complementary color RGB 130 167 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 88 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 125 88 71: RGB 130 88 66, RGB 147 106 85, RGB 164 124 104, RGB 181 142 123 and RGB 198 160 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 88 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 125 88 71: RGB 125 88 71, RGB 108 70 52, RGB 91 52 33, RGB 74 34 14 and RGB 57 16 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 43 / 51

HEX #7D5847

RGB 125 88 71

HSL 18.89, 0.28%, 0.38%

LAB 40.89, 12.97, 15.92

 

Complementary color

CMYK 29 / 9 / 0 / 28

HEX #82A7B8

RGB 130 167 184

HSL 198.89, 0.28%, 0.62%

LAB 66.4, -8.52, -12.84

 

CMYK 0 / 32 / 49 / 49

HEX #825842

RGB 130 88 66

HSL 20.63, 0.33%, 0.38%

LAB 41.4, 14.59, 19.73

 

CMYK 0 / 28 / 42 / 42

HEX #936A55

RGB 147 106 85

HSL 20.32, 0.27%, 0.45%

LAB 48.47, 13.57, 18.25

 

CMYK 0 / 24 / 37 / 36

HEX #A47C68

RGB 164 124 104

HSL 20, 0.25%, 0.53%

LAB 55.39, 12.72, 16.94

 

CMYK 0 / 22 / 32 / 29

HEX #B58E7B

RGB 181 142 123

HSL 19.66, 0.28%, 0.6%

LAB 62.17, 12, 15.76

 

CMYK 0 / 19 / 28 / 22

HEX #C6A08E

RGB 198 160 142

HSL 19.29, 0.33%, 0.67%

LAB 68.82, 11.38, 14.69

 

CMYK 0 / 30 / 43 / 51

HEX #7D5847

RGB 125 88 71

HSL 18.89, 0.28%, 0.38%

LAB 40.89, 12.97, 15.92

 

CMYK 0 / 35 / 52 / 58

HEX #6C4634

RGB 108 70 52

HSL 19.29, 0.35%, 0.31%

LAB 33.6, 14.07, 17.49

 

CMYK 0 / 43 / 64 / 64

HEX #5B3421

RGB 91 52 33

HSL 19.66, 0.47%, 0.24%

LAB 26.13, 15.45, 19.37

 

CMYK 0 / 54 / 81 / 71

HEX #4A220E

RGB 74 34 14

HSL 20, 0.68%, 0.17%

LAB 18.5, 17.23, 21.31

 

CMYK 0 / 72 / 100 / 78

HEX #391000

RGB 57 16 0

HSL 16.84, 1%, 0.11%

LAB 10.85, 19.3, 16.7

 

CMYK 0 / 30 / 43 / 51

HEX #7D5847

RGB 125 88 71

HSL 18.89, 0.28%, 0.38%

LAB 40.89, 12.97, 15.92

 

CMYK 0 / 23 / 44 / 51

HEX #7C5F45

RGB 124 95 69

HSL 28.36, 0.28%, 0.38%

LAB 42.61, 8.11, 19.4

 

CMYK 0 / 16 / 44 / 51

HEX #7C6845

RGB 124 104 69

HSL 38.18, 0.28%, 0.38%

LAB 45.1, 2.78, 22.66

 

CMYK 0 / 9 / 44 / 51

HEX #7C7145

RGB 124 113 69

HSL 48, 0.28%, 0.38%

LAB 47.66, -2.44, 25.94

 

CMYK 0 / 2 / 44 / 51

HEX #7C7A45

RGB 124 122 69

HSL 57.82, 0.28%, 0.38%

LAB 50.26, -7.53, 29.21

 

CMYK 0 / 30 / 43 / 51

HEX #7D5847

RGB 125 88 71

HSL 18.89, 0.28%, 0.38%

LAB 40.89, 12.97, 15.92

 

CMYK 0 / 30 / 43 / 31

HEX #B07C64

RGB 176 124 100

HSL 18.95, 0.32%, 0.54%

LAB 56.65, 17.2, 21.16

 

CMYK 0 / 30 / 43 / 11

HEX #E3A081

RGB 227 160 129

HSL 18.98, 0.64%, 0.7%

LAB 71.59, 21.2, 26.09

 

CMYK 0 / 30 / 43 / 91

HEX #17100D

RGB 23 16 13

HSL 18, 0.28%, 0.07%

LAB 5.26, 2.39, 2.47

 

CMYK 0 / 30 / 43 / 71

HEX #4A342A

RGB 74 52 42

HSL 18.75, 0.28%, 0.23%

LAB 23.93, 8.36, 10.22

 

CMYK 0 / 30 / 43 / 51

HEX #7D5847

RGB 125 88 71

HSL 18.89, 0.28%, 0.38%

LAB 40.89, 12.97, 15.92

 

CMYK 23 / 0 / 44 / 51

HEX #607C45

RGB 96 124 69

HSL 90.55, 0.28%, 0.38%

LAB 48.68, -20.46, 26.76

 

CMYK 44 / 40 / 0 / 51

HEX #454B7C

RGB 69 75 124

HSL 233.45, 0.28%, 0.38%

LAB 33.46, 11.34, -28.62

 

CMYK 0 / 30 / 43 / 51

HEX #7D5847

RGB 125 88 71

HSL 18.89, 0.28%, 0.38%

LAB 40.89, 12.97, 15.92

 

CMYK 44 / 0 / 31 / 51

HEX #457C56

RGB 69 124 86

HSL 138.55, 0.28%, 0.38%

LAB 47.43, -27.26, 15.21

 

CMYK 31 / 44 / 0 / 51

HEX #56457C

RGB 86 69 124

HSL 258.55, 0.28%, 0.38%

LAB 33.33, 20.26, -28.73

 

CMYK 0 / 30 / 43 / 51

HEX #7D5847

RGB 125 88 71

HSL 18.89, 0.28%, 0.38%

LAB 40.89, 12.97, 15.92

 

CMYK 23 / 0 / 44 / 51

HEX #607C45

RGB 96 124 69

HSL 90.55, 0.28%, 0.38%

LAB 48.68, -20.46, 26.76

 

CMYK 44 / 14 / 0 / 51

HEX #456B7C

RGB 69 107 124

HSL 198.55, 0.28%, 0.38%

LAB 43.12, -8.59, -13.68

 

CMYK 23 / 44 / 0 / 51

HEX #60457C

RGB 96 69 124

HSL 269.45, 0.28%, 0.38%

LAB 34.39, 23.39, -26.98

 

CMYK 0 / 30 / 43 / 51

HEX #7D5847

RGB 125 88 71

HSL 18.89, 0.28%, 0.38%

LAB 40.89, 12.97, 15.92

 

CMYK 35 / 0 / 44 / 51

HEX #507C45

RGB 80 124 69

HSL 108, 0.28%, 0.38%

LAB 47.69, -26.58, 25.3

 

CMYK 44 / 14 / 0 / 51

HEX #456B7C

RGB 69 107 124

HSL 198.55, 0.28%, 0.38%

LAB 43.12, -8.59, -13.68

 

CMYK 9 / 44 / 0 / 51

HEX #71457C

RGB 113 69 124

HSL 288, 0.28%, 0.38%

LAB 36.41, 28.89, -23.68

 

Description

Color code: RGB 125 88 71 | qconv.com Color code: RGB 125 88 71 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 88 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 88 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 43 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 43% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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