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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125.7 218.6 238 it is the complementary color RGB 129.3 36.4 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125.7 218.6 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 125.7 218.6 238 shade: RGB 130.7 218.6 233, RGB 147.7 236.6 252, RGB 164.7 254.6 255, RGB 181.7 255 255 and RGB 198.7 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125.7 218.6 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 125.7 218.6 238 shade: RGB 125.7 218.6 238, RGB 108.7 200.6 219, RGB 91.7 182.6 200, RGB 74.7 164.6 181 and RGB 57.7 146.6 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 125.7 218.6 238 shade: RGB 124 218 238, RGB 124 188 238, RGB 124 157 238, RGB 124 126 238 and RGB 153 124 238

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 125.7 218.6 238 shade: RGB 124 218 238, RGB 124 188 238, RGB 124 157 238, RGB 124 126 238 and RGB 124 124 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 125.7 218.6 238 shade matches the following richer shades: RGB 124 218 238 and RGB 112 226 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 125.7 218.6 238 shade: RGB 124 218 238, RGB 136 210 226, RGB 148 203 214, RGB 160 195 202 and RGB 172 187 190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 125.7 218.6 238 shade: RGB 124 238 196, RGB 124 238 227, RGB 124 219 238, RGB 124 189 238 and RGB 124 158 238

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 125.7 218.6 238 shade: RGB 51 198 229, RGB 88 208 233, RGB 124 218 238, RGB 161 229 243 and RGB 197 239 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 125.7 218.6 238 shade: RGB 125.7 218.6 238, RGB 166 124 238 and RGB 238 211 124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 125.7 218.6 238 shade: RGB 125.7 218.6 238, RGB 238 124 219 and RGB 219 238 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 125.7 218.6 238 shade: RGB 125.7 218.6 238, RGB 166 124 238, RGB 238 143 124 and RGB 196 238 124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 125.7 218.6 238 shade: RGB 125.7 218.6 238, RGB 200 124 238, RGB 238 143 124 and RGB 162 238 124

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 8 / 0 / 7

HEX #7DDAEE

RGB 125.7 218.6 238

HSL 190.37, 0.77%, 0.71%

LAB 82.4, -22.62, -18.09

 

Complementary color

CMYK 0 / 72 / 87 / 49

HEX #812411

RGB 129.3 36.4 17

HSL 10.37, 0.77%, 0.29%

LAB 29.46, 38.87, 34.2

 

CMYK 44 / 6 / 0 / 9

HEX #82DAE9

RGB 130.7 218.6 233

HSL 188.45, 0.7%, 0.71%

LAB 82.45, -22.77, -15.34

 

CMYK 41 / 6 / 0 / 1

HEX #93ECFC

RGB 147.7 236.6 252

HSL 188.86, 0.95%, 0.78%

LAB 88.75, -22.83, -15.83

 

CMYK 35 / 0 / 0 / 0

HEX #A4FEFF

RGB 164.7 254.6 255

HSL 180.27, 1%, 0.82%

LAB 94.51, -26.65, -8.72

 

CMYK 29 / 0 / 0 / 0

HEX #B5FFFF

RGB 181.7 255 255

HSL 180, 1%, 0.86%

LAB 95.43, -22.36, -7.25

 

CMYK 22 / 0 / 0 / 0

HEX #C6FFFF

RGB 198.7 255 255

HSL 180, 1%, 0.89%

LAB 96.34, -17.56, -5.8

 

CMYK 47 / 8 / 0 / 7

HEX #7DDAEE

RGB 125.7 218.6 238

HSL 190.37, 0.77%, 0.71%

LAB 82.4, -22.62, -18.09

 

CMYK 50 / 8 / 0 / 14

HEX #6CC8DB

RGB 108.7 200.6 219

HSL 190.01, 0.61%, 0.64%

LAB 76.03, -22.45, -17.61

 

CMYK 54 / 9 / 0 / 22

HEX #5BB6C8

RGB 91.7 182.6 200

HSL 189.64, 0.5%, 0.57%

LAB 69.56, -22.21, -17.1

 

CMYK 59 / 9 / 0 / 29

HEX #4AA4B5

RGB 74.7 164.6 181

HSL 189.26, 0.42%, 0.5%

LAB 63, -21.87, -16.55

 

CMYK 64 / 10 / 0 / 36

HEX #3992A2

RGB 57.7 146.6 162

HSL 188.86, 0.47%, 0.43%

LAB 56.33, -21.37, -15.96

 

CMYK 48 / 8 / 0 / 7

HEX #7CDAEE

RGB 124 218 238

HSL 190.53, 0.77%, 0.71%

LAB 82.16, -22.7, -18.46

 

CMYK 48 / 21 / 0 / 7

HEX #7CBCEE

RGB 124 188 238

HSL 206.32, 0.77%, 0.71%

LAB 73.82, -7.14, -31.19

 

CMYK 48 / 34 / 0 / 7

HEX #7C9DEE

RGB 124 157 238

HSL 222.63, 0.77%, 0.71%

LAB 65.41, 10.18, -44.27

 

CMYK 48 / 47 / 0 / 7

HEX #7C7EEE

RGB 124 126 238

HSL 238.95, 0.77%, 0.71%

LAB 57.44, 28.37, -56.91

 

CMYK 36 / 48 / 0 / 7

HEX #997CEE

RGB 153 124 238

HSL 255.26, 0.77%, 0.71%

LAB 59.31, 36.42, -53.8

 

CMYK 48 / 8 / 0 / 7

HEX #7CDAEE

RGB 124 218 238

HSL 190.53, 0.77%, 0.71%

LAB 82.16, -22.7, -18.46

 

CMYK 48 / 21 / 0 / 7

HEX #7CBCEE

RGB 124 188 238

HSL 206.32, 0.77%, 0.71%

LAB 73.82, -7.14, -31.19

 

CMYK 48 / 34 / 0 / 7

HEX #7C9DEE

RGB 124 157 238

HSL 222.63, 0.77%, 0.71%

LAB 65.41, 10.18, -44.27

 

CMYK 48 / 47 / 0 / 7

HEX #7C7EEE

RGB 124 126 238

HSL 238.95, 0.77%, 0.71%

LAB 57.44, 28.37, -56.91

 

CMYK 48 / 48 / 0 / 7

HEX #7C7CEE

RGB 124 124 238

HSL 240, 0.77%, 0.71%

LAB 56.95, 29.55, -57.69

 

CMYK 48 / 8 / 0 / 7

HEX #7CDAEE

RGB 124 218 238

HSL 190.53, 0.77%, 0.71%

LAB 82.16, -22.7, -18.46

 

CMYK 55 / 10 / 0 / 2

HEX #70E2FA

RGB 112 226 250

HSL 190.43, 0.93%, 0.71%

LAB 84.35, -25.89, -21.55

 

CMYK 48 / 8 / 0 / 7

HEX #7CDAEE

RGB 124 218 238

HSL 190.53, 0.77%, 0.71%

LAB 82.16, -22.7, -18.46

 

CMYK 40 / 7 / 0 / 11

HEX #88D2E2

RGB 136 210 226

HSL 190.67, 0.61%, 0.71%

LAB 80.08, -18.94, -15.15

 

CMYK 31 / 5 / 0 / 16

HEX #94CBD6

RGB 148 203 214

HSL 190, 0.45%, 0.71%

LAB 78.38, -15.09, -11.2

 

CMYK 21 / 3 / 0 / 21

HEX #A0C3CA

RGB 160 195 202

HSL 190, 0.28%, 0.71%

LAB 76.54, -10.12, -7.39

 

CMYK 9 / 2 / 0 / 25

HEX #ACBBBE

RGB 172 187 190

HSL 190, 0.12%, 0.71%

LAB 74.84, -4.55, -3.29

 

CMYK 48 / 0 / 18 / 7

HEX #7CEEC4

RGB 124 238 196

HSL 157.89, 0.77%, 0.71%

LAB 86.71, -42.21, 10.39

 

CMYK 48 / 0 / 5 / 7

HEX #7CEEE3

RGB 124 238 227

HSL 174.21, 0.77%, 0.71%

LAB 87.48, -35.11, -4.73

 

CMYK 48 / 8 / 0 / 7

HEX #7CDBEE

RGB 124 219 238

HSL 190, 0.77%, 0.71%

LAB 82.44, -23.2, -18.04

 

CMYK 48 / 21 / 0 / 7

HEX #7CBDEE

RGB 124 189 238

HSL 205.79, 0.77%, 0.71%

LAB 74.1, -7.68, -30.76

 

CMYK 48 / 34 / 0 / 7

HEX #7C9EEE

RGB 124 158 238

HSL 222.11, 0.77%, 0.71%

LAB 65.68, 9.6, -43.85

 

CMYK 78 / 14 / 0 / 10

HEX #33C6E5

RGB 51 198 229

HSL 190.45, 0.77%, 0.55%

LAB 74.03, -27.29, -26.2

 

CMYK 62 / 11 / 0 / 9

HEX #58D0E9

RGB 88 208 233

HSL 190.34, 0.77%, 0.63%

LAB 77.92, -26.14, -22.34

 

CMYK 48 / 8 / 0 / 7

HEX #7CDAEE

RGB 124 218 238

HSL 190.53, 0.77%, 0.71%

LAB 82.16, -22.7, -18.46

 

CMYK 34 / 6 / 0 / 5

HEX #A1E5F3

RGB 161 229 243

HSL 190.24, 0.77%, 0.79%

LAB 87.04, -17.87, -13.6

 

CMYK 20 / 3 / 0 / 3

HEX #C5EFF7

RGB 197 239 247

HSL 189.6, 0.76%, 0.87%

LAB 91.83, -11.78, -8.35

 

CMYK 47 / 8 / 0 / 7

HEX #7DDAEE

RGB 125.7 218.6 238

HSL 190.37, 0.77%, 0.71%

LAB 82.4, -22.62, -18.09

 

CMYK 30 / 48 / 0 / 7

HEX #A67CEE

RGB 166 124 238

HSL 262.11, 0.77%, 0.71%

LAB 60.51, 39.73, -51.81

 

CMYK 0 / 11 / 48 / 7

HEX #EED37C

RGB 238 211 124

HSL 45.79, 0.77%, 0.71%

LAB 85.11, -1.74, 46.28

 

CMYK 47 / 8 / 0 / 7

HEX #7DDAEE

RGB 125.7 218.6 238

HSL 190.37, 0.77%, 0.71%

LAB 82.4, -22.62, -18.09

 

CMYK 0 / 48 / 8 / 7

HEX #EE7CDB

RGB 238 124 219

HSL 310, 0.77%, 0.71%

LAB 67.8, 56.07, -29.25

 

CMYK 8 / 0 / 48 / 7

HEX #DBEE7C

RGB 219 238 124

HSL 70, 0.77%, 0.71%

LAB 90.63, -22.67, 52.67

 

CMYK 47 / 8 / 0 / 7

HEX #7DDAEE

RGB 125.7 218.6 238

HSL 190.37, 0.77%, 0.71%

LAB 82.4, -22.62, -18.09

 

CMYK 30 / 48 / 0 / 7

HEX #A67CEE

RGB 166 124 238

HSL 262.11, 0.77%, 0.71%

LAB 60.51, 39.73, -51.81

 

CMYK 0 / 40 / 48 / 7

HEX #EE8F7C

RGB 238 143 124

HSL 10, 0.77%, 0.71%

LAB 68.95, 33.98, 25.52

 

CMYK 18 / 0 / 48 / 7

HEX #C4EE7C

RGB 196 238 124

HSL 82.11, 0.77%, 0.71%

LAB 89.08, -31.35, 50.44

 

CMYK 47 / 8 / 0 / 7

HEX #7DDAEE

RGB 125.7 218.6 238

HSL 190.37, 0.77%, 0.71%

LAB 82.4, -22.62, -18.09

 

CMYK 16 / 48 / 0 / 7

HEX #C87CEE

RGB 200 124 238

HSL 280, 0.77%, 0.71%

LAB 64.05, 48.81, -45.98

 

CMYK 0 / 40 / 48 / 7

HEX #EE8F7C

RGB 238 143 124

HSL 10, 0.77%, 0.71%

LAB 68.95, 33.98, 25.52

 

CMYK 32 / 0 / 48 / 7

HEX #A2EE7C

RGB 162 238 124

HSL 100, 0.77%, 0.71%

LAB 87.14, -43.33, 47.61

 

Description

Color code: RGB 125.7 218.6 238 | qconv.com Color code: RGB 125.7 218.6 238 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125.7 red, 218.6 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125.7 218.6 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 8 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 8% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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