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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 119 20 it is the complementary color RGB 132 136 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 119 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 123 119 20: RGB 128 119 15, RGB 145 137 34, RGB 162 155 53, RGB 179 173 72 and RGB 196 191 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 119 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 123 119 20: RGB 123 119 20, RGB 106 101 1, RGB 89 83 0, RGB 72 65 0 and RGB 55 47 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 84 / 52

HEX #7B7714

RGB 123 119 20

HSL 57.67, 0.72%, 0.28%

LAB 48.83, -9.88, 49.76

 

Complementary color

CMYK 44 / 42 / 0 / 8

HEX #8488EB

RGB 132 136 235

HSL 237.67, 0.72%, 0.72%

LAB 60.35, 23.45, -50.58

 

CMYK 0 / 7 / 88 / 50

HEX #80770F

RGB 128 119 15

HSL 55.22, 0.79%, 0.28%

LAB 49.27, -7.68, 51.67

 

CMYK 0 / 6 / 77 / 43

HEX #918922

RGB 145 137 34

HSL 55.68, 0.62%, 0.35%

LAB 56.11, -8.99, 52.48

 

CMYK 0 / 4 / 67 / 36

HEX #A29B35

RGB 162 155 53

HSL 56.15, 0.51%, 0.42%

LAB 62.83, -10.02, 52.18

 

CMYK 0 / 3 / 60 / 30

HEX #B3AD48

RGB 179 173 72

HSL 56.64, 0.43%, 0.49%

LAB 69.43, -10.85, 51.37

 

CMYK 0 / 3 / 54 / 23

HEX #C4BF5B

RGB 196 191 91

HSL 57.14, 0.47%, 0.56%

LAB 75.92, -11.51, 50.32

 

CMYK 0 / 3 / 84 / 52

HEX #7B7714

RGB 123 119 20

HSL 57.67, 0.72%, 0.28%

LAB 48.83, -9.88, 49.76

 

CMYK 0 / 5 / 99 / 58

HEX #6A6501

RGB 106 101 1

HSL 57.14, 0.98%, 0.21%

LAB 41.8, -8.46, 48.17

 

CMYK 0 / 7 / 100 / 65

HEX #595300

RGB 89 83 0

HSL 55.96, 1%, 0.17%

LAB 34.62, -6.51, 42.48

 

CMYK 0 / 10 / 100 / 72

HEX #484100

RGB 72 65 0

HSL 54.17, 1%, 0.14%

LAB 27.18, -4.41, 36.06

 

CMYK 0 / 15 / 100 / 78

HEX #372F00

RGB 55 47 0

HSL 51.27, 1%, 0.11%

LAB 19.41, -2.14, 27.57

 

CMYK 0 / 3 / 84 / 52

HEX #7B7714

RGB 123 119 20

HSL 57.67, 0.72%, 0.28%

LAB 48.83, -9.88, 49.76

 

CMYK 10 / 0 / 84 / 52

HEX #6E7A13

RGB 110 122 19

HSL 66.99, 0.73%, 0.28%

LAB 48.61, -17.58, 49.43

 

CMYK 24 / 0 / 84 / 52

HEX #5D7A13

RGB 93 122 19

HSL 76.89, 0.73%, 0.28%

LAB 47.36, -25.14, 47.84

 

CMYK 38 / 0 / 84 / 52

HEX #4C7A13

RGB 76 122 19

HSL 86.8, 0.73%, 0.28%

LAB 46.32, -32.1, 46.51

 

CMYK 52 / 0 / 84 / 52

HEX #3B7A13

RGB 59 122 19

HSL 96.7, 0.73%, 0.28%

LAB 45.49, -38.16, 45.46

 

CMYK 0 / 3 / 84 / 52

HEX #7B7714

RGB 123 119 20

HSL 57.67, 0.72%, 0.28%

LAB 48.83, -9.88, 49.76

 

CMYK 0 / 3 / 84 / 32

HEX #AEA81C

RGB 174 168 28

HSL 57.53, 0.72%, 0.4%

LAB 67.34, -12.61, 65.18

 

CMYK 0 / 3 / 84 / 12

HEX #E1DA25

RGB 225 218 37

HSL 57.77, 0.76%, 0.51%

LAB 85.14, -15.65, 79.65

 

CMYK 0 / 5 / 86 / 92

HEX #151403

RGB 21 20 3

HSL 56.67, 0.75%, 0.05%

LAB 6.02, -2.35, 7.74

 

CMYK 0 / 3 / 83 / 72

HEX #48460C

RGB 72 70 12

HSL 58, 0.71%, 0.16%

LAB 28.86, -6.92, 32.78

 

CMYK 0 / 3 / 84 / 52

HEX #7B7714

RGB 123 119 20

HSL 57.67, 0.72%, 0.28%

LAB 48.83, -9.88, 49.76

 

CMYK 84 / 0 / 71 / 52

HEX #137A23

RGB 19 122 35

HSL 129.32, 0.73%, 0.28%

LAB 44.49, -45.97, 38.19

 

CMYK 38 / 84 / 0 / 52

HEX #4C137A

RGB 76 19 122

HSL 273.2, 0.73%, 0.28%

LAB 21.61, 44.72, -46.36

 

CMYK 0 / 3 / 84 / 52

HEX #7B7714

RGB 123 119 20

HSL 57.67, 0.72%, 0.28%

LAB 48.83, -9.88, 49.76

 

CMYK 84 / 0 / 4 / 52

HEX #137A75

RGB 19 122 117

HSL 177.09, 0.73%, 0.28%

LAB 46.1, -28.22, -5.16

 

CMYK 4 / 84 / 0 / 52

HEX #75137A

RGB 117 19 122

HSL 297.09, 0.73%, 0.28%

LAB 28.52, 52.37, -34.85

 

CMYK 0 / 3 / 84 / 52

HEX #7B7714

RGB 123 119 20

HSL 57.67, 0.72%, 0.28%

LAB 48.83, -9.88, 49.76

 

CMYK 84 / 0 / 71 / 52

HEX #137A23

RGB 19 122 35

HSL 129.32, 0.73%, 0.28%

LAB 44.49, -45.97, 38.19

 

CMYK 84 / 80 / 0 / 52

HEX #13197A

RGB 19 25 122

HSL 236.5, 0.73%, 0.28%

LAB 16.69, 34.85, -54.66

 

CMYK 0 / 84 / 12 / 52

HEX #7A136B

RGB 122 19 107

HSL 308.74, 0.73%, 0.28%

LAB 28.55, 50.99, -25.15

 

CMYK 0 / 3 / 84 / 52

HEX #7B7714

RGB 123 119 20

HSL 57.67, 0.72%, 0.28%

LAB 48.83, -9.88, 49.76

 

CMYK 84 / 0 / 46 / 52

HEX #137A42

RGB 19 122 66

HSL 147.38, 0.73%, 0.28%

LAB 44.87, -41.35, 22.93

 

CMYK 84 / 80 / 0 / 52

HEX #13197A

RGB 19 25 122

HSL 236.5, 0.73%, 0.28%

LAB 16.69, 34.85, -54.66

 

CMYK 0 / 84 / 38 / 52

HEX #7A134C

RGB 122 19 76

HSL 326.8, 0.73%, 0.28%

LAB 27.09, 46.83, -7.04

 

Description

Color code: RGB 123 119 20 | qconv.com Color code: RGB 123 119 20 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 119 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 119 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 84 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 84% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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