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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 113 108 it is the complementary color RGB 132 142 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 113 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 123 113 108: RGB 128 113 103, RGB 145 131 122, RGB 162 149 141, RGB 179 167 160 and RGB 196 185 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 113 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 123 113 108: RGB 123 113 108, RGB 106 95 89, RGB 89 77 70, RGB 72 59 51 and RGB 55 41 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 12 / 52

HEX #7B716C

RGB 123 113 108

HSL 20, 0.06%, 0.45%

LAB 48.39, 2.95, 4.17

 

Complementary color

CMYK 10 / 3 / 0 / 42

HEX #848E93

RGB 132 142 147

HSL 200, 0.06%, 0.55%

LAB 58.38, -2.57, -3.91

 

CMYK 0 / 12 / 20 / 50

HEX #807167

RGB 128 113 103

HSL 24, 0.11%, 0.45%

LAB 48.73, 4.09, 7.68

 

CMYK 0 / 10 / 16 / 43

HEX #91837A

RGB 145 131 122

HSL 23.48, 0.09%, 0.52%

LAB 55.74, 3.72, 6.78

 

CMYK 0 / 8 / 13 / 36

HEX #A2958D

RGB 162 149 141

HSL 22.86, 0.1%, 0.59%

LAB 62.59, 3.39, 5.95

 

CMYK 0 / 7 / 11 / 30

HEX #B3A7A0

RGB 179 167 160

HSL 22.11, 0.11%, 0.66%

LAB 69.3, 3.1, 5.16

 

CMYK 0 / 6 / 9 / 23

HEX #C4B9B3

RGB 196 185 179

HSL 21.18, 0.13%, 0.74%

LAB 75.88, 2.84, 4.42

 

CMYK 0 / 8 / 12 / 52

HEX #7B716C

RGB 123 113 108

HSL 20, 0.06%, 0.45%

LAB 48.39, 2.95, 4.17

 

CMYK 0 / 10 / 16 / 58

HEX #6A5F59

RGB 106 95 89

HSL 21.18, 0.09%, 0.38%

LAB 41.17, 3.29, 5.03

 

CMYK 0 / 13 / 21 / 65

HEX #594D46

RGB 89 77 70

HSL 22.11, 0.12%, 0.31%

LAB 33.72, 3.71, 5.99

 

CMYK 0 / 18 / 29 / 72

HEX #483B33

RGB 72 59 51

HSL 22.86, 0.17%, 0.24%

LAB 25.99, 4.24, 7.09

 

CMYK 0 / 25 / 42 / 78

HEX #372920

RGB 55 41 32

HSL 23.48, 0.26%, 0.17%

LAB 17.93, 4.97, 8.4

 

CMYK 0 / 8 / 12 / 52

HEX #7B716C

RGB 123 113 108

HSL 20, 0.06%, 0.45%

LAB 48.39, 2.95, 4.17

 

CMYK 0 / 6 / 12 / 53

HEX #79726B

RGB 121 114 107

HSL 30, 0.06%, 0.45%

LAB 48.46, 1.39, 4.84

 

CMYK 0 / 3 / 12 / 53

HEX #79756B

RGB 121 117 107

HSL 42.86, 0.06%, 0.45%

LAB 49.31, -0.36, 6.06

 

CMYK 0 / 2 / 12 / 53

HEX #79776B

RGB 121 119 107

HSL 51.43, 0.06%, 0.45%

LAB 49.88, -1.51, 6.87

 

CMYK 0 / 0 / 12 / 53

HEX #79796B

RGB 121 121 107

HSL 60, 0.06%, 0.45%

LAB 50.45, -2.66, 7.68

 

CMYK 0 / 8 / 12 / 52

HEX #7B716C

RGB 123 113 108

HSL 20, 0.06%, 0.45%

LAB 48.39, 2.95, 4.17

 

CMYK 0 / 8 / 12 / 32

HEX #AEA099

RGB 174 160 153

HSL 20, 0.11%, 0.64%

LAB 66.85, 3.88, 5.48

 

CMYK 0 / 8 / 12 / 12

HEX #E1CFC6

RGB 225 207 198

HSL 20, 0.31%, 0.83%

LAB 84.33, 4.76, 6.72

 

CMYK 0 / 10 / 14 / 92

HEX #151312

RGB 21 19 18

HSL 20, 0.08%, 0.08%

LAB 6.04, 0.64, 0.88

 

CMYK 0 / 8 / 13 / 72

HEX #48423F

RGB 72 66 63

HSL 20, 0.07%, 0.26%

LAB 28.47, 1.94, 2.74

 

CMYK 0 / 8 / 12 / 52

HEX #7B716C

RGB 123 113 108

HSL 20, 0.06%, 0.45%

LAB 48.39, 2.95, 4.17

 

CMYK 6 / 0 / 12 / 53

HEX #72796B

RGB 114 121 107

HSL 90, 0.06%, 0.45%

LAB 49.87, -5.41, 6.78

 

CMYK 12 / 11 / 0 / 53

HEX #6B6C79

RGB 107 108 121

HSL 235.71, 0.06%, 0.45%

LAB 45.95, 2.44, -7.34

 

CMYK 0 / 8 / 12 / 52

HEX #7B716C

RGB 123 113 108

HSL 20, 0.06%, 0.45%

LAB 48.39, 2.95, 4.17

 

CMYK 12 / 0 / 7 / 53

HEX #6B7970

RGB 107 121 112

HSL 141.43, 0.06%, 0.45%

LAB 49.46, -7.09, 3.17

 

CMYK 7 / 12 / 0 / 53

HEX #706B79

RGB 112 107 121

HSL 261.43, 0.06%, 0.45%

LAB 46.1, 4.87, -7.08

 

CMYK 0 / 8 / 12 / 52

HEX #7B716C

RGB 123 113 108

HSL 20, 0.06%, 0.45%

LAB 48.39, 2.95, 4.17

 

CMYK 6 / 0 / 12 / 53

HEX #72796B

RGB 114 121 107

HSL 90, 0.06%, 0.45%

LAB 49.87, -5.41, 6.78

 

CMYK 12 / 3 / 0 / 53

HEX #6B7579

RGB 107 117 121

HSL 197.14, 0.06%, 0.45%

LAB 48.55, -2.86, -3.49

 

CMYK 5 / 12 / 0 / 53

HEX #736B79

RGB 115 107 121

HSL 274.29, 0.06%, 0.45%

LAB 46.37, 5.98, -6.65

 

CMYK 0 / 8 / 12 / 52

HEX #7B716C

RGB 123 113 108

HSL 20, 0.06%, 0.45%

LAB 48.39, 2.95, 4.17

 

CMYK 9 / 0 / 12 / 53

HEX #6E796B

RGB 110 121 107

HSL 107.14, 0.06%, 0.45%

LAB 49.56, -6.95, 6.29

 

CMYK 12 / 3 / 0 / 53

HEX #6B7579

RGB 107 117 121

HSL 197.14, 0.06%, 0.45%

LAB 48.55, -2.86, -3.49

 

CMYK 2 / 12 / 0 / 53

HEX #776B79

RGB 119 107 121

HSL 291.43, 0.06%, 0.45%

LAB 46.73, 7.48, -6.06

 

Description

Color code: RGB 123 113 108 | qconv.com Color code: RGB 123 113 108 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 113 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 113 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 12 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 12% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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